|
|
| _ |
| _ | 9.1.6 Multiple syllables to one note |
| _ | 36.1.1 Articulation direction indicators |
| __ | 9.1.8 Extenders and hyphens |
|
| - |
| - | 3.1.1 Articulations and ornamentations |
| - | 15.3.2 Entering figured bass |
| \- | 16.3 Graphical notation |
| - | 36.1.1 Articulation direction indicators |
| -_ | B.13.1 Articulation scripts |
| -- | 9.1.8 Extenders and hyphens |
| -- | B.13.1 Articulation scripts |
| -! | B.13.1 Articulation scripts |
| -. | B.13.1 Articulation scripts |
| -^ | B.13.1 Articulation scripts |
| -+ | B.13.4 Instrument-specific scripts |
| -> | B.13.1 Articulation scripts |
|
| , |
| , | 1.1.1 Absolute octave entry |
|
| : |
| : | 4.2.2 Tremolo repeats |
| : | 15.1.2 Common chords |
|
| ! |
| ! | 1.1.3 Accidentals |
| \! | 3.1.2 Dynamics |
| ! | 15.3.2 Entering figured bass |
| \! | 15.3.2 Entering figured bass |
|
| ? |
| ? | 1.1.3 Accidentals |
|
| . |
| . | 2.1.1 Durations |
|
| ' |
| ' | 1.1.1 Absolute octave entry |
|
| ‘ |
| ‘accent’ articulation | 3.1.1 Articulations and ornamentations |
| ‘accent’ articulation | 3.1.1 Articulations and ornamentations |
| ‘accent’ articulation | B.13.1 Articulation scripts |
| ‘accentus’ Gregorian articulation | 17.4.5 Gregorian articulation signs |
| ‘accentus’ Gregorian articulation | B.13.6 Ancient scripts |
| ‘Amazing Grace’, bagpipe example | 14.2.2 Bagpipe example |
| ‘bachschleifer’ articulation | 3.1.1 Articulations and ornamentations |
| ‘choral-cautionary’ accidental style | 1.3.5 Automatic accidentals |
| ‘choral’ accidental style | 1.3.5 Automatic accidentals |
| ‘circulus’ Gregorian articulation | 17.4.5 Gregorian articulation signs |
| ‘circulus’ Gregorian articulation | B.13.6 Ancient scripts |
| ‘coda’ sign | 3.1.1 Articulations and ornamentations |
| ‘coda’ sign | B.13.5 Repeat sign scripts |
| ‘coda’ sign, manual | 4.1.8 Manual repeat marks |
| ‘coda’ sign, variant | 3.1.1 Articulations and ornamentations |
| ‘coda’ sign, variant | 4.1.7 Segno repeat appearance |
| ‘coda’ sign, variant | B.13.5 Repeat sign scripts |
| ‘coda’ sign, with repeats | 4.1.6 Segno repeat structure |
| ‘default’ accidental style | 1.3.5 Automatic accidentals |
| ‘default’ accidental style | 1.3.5 Automatic accidentals |
| ‘dodecaphonic-first’ accidental style | 1.3.5 Automatic accidentals |
| ‘dodecaphonic-no-repeat’ accidental style | 1.3.5 Automatic accidentals |
| ‘dodecaphonic’ accidental style | 1.3.5 Automatic accidentals |
| ‘down pralltriller’ ornament | 3.1.1 Articulations and ornamentations |
| ‘down pralltriller’ ornament | B.13.2 Ornament scripts |
| ‘down-bow’ bowing indication | 3.1.1 Articulations and ornamentations |
| ‘down-bow’ bowing indication | 11.1.2 Bowing indications |
| ‘down-bow’ bowing indication | B.13.4 Instrument-specific scripts |
| ‘episem finis’ Gregorian articulation | 17.4.5 Gregorian articulation signs |
| ‘episem initium’ Gregorian articulation | 17.4.5 Gregorian articulation signs |
| ‘espressivo’ articulation | 3.1.1 Articulations and ornamentations |
| ‘espressivo’ articulation | B.13.1 Articulation scripts |
| ‘flageolet’ harmonics | 3.1.1 Articulations and ornamentations |
| ‘flageolet’ harmonics | B.13.4 Instrument-specific scripts |
| ‘forget’ accidental style | 1.3.5 Automatic accidentals |
| ‘half-open’ articulation | 3.1.1 Articulations and ornamentations |
| ‘half-open’ articulation | B.13.4 Instrument-specific scripts |
| ‘Haydn turn’ ornament | 3.1.1 Articulations and ornamentations |
| ‘Haydn turn’ ornament | B.13.2 Ornament scripts |
| ‘heel’ pedal mark | 3.1.1 Articulations and ornamentations |
| ‘heel’ pedal mark | 10.3.1 Organ pedal marks |
| ‘heel’ pedal mark | B.13.4 Instrument-specific scripts |
| ‘ictus’ Gregorian articulation | 17.4.5 Gregorian articulation signs |
| ‘ictus’ Gregorian articulation | B.13.6 Ancient scripts |
| ‘lower mordent’ ornament | 3.1.1 Articulations and ornamentations |
| ‘lower mordent’ ornament | B.13.2 Ornament scripts |
| ‘marcato’ articulation | 3.1.1 Articulations and ornamentations |
| ‘marcato’ articulation | 3.1.1 Articulations and ornamentations |
| ‘marcato’ articulation | B.13.1 Articulation scripts |
| ‘modern-cautionary’ accidental style | 1.3.5 Automatic accidentals |
| ‘modern-cautionary’ accidental style | 1.3.5 Automatic accidentals |
| ‘modern-voice-cautionary’ accidental style | 1.3.5 Automatic accidentals |
| ‘modern’ accidental style | 1.3.5 Automatic accidentals |
| ‘modern’ accidental style | 1.3.5 Automatic accidentals |
| ‘modern’ accidental style | 1.3.5 Automatic accidentals |
| ‘mordent, lower’ ornament | 3.1.1 Articulations and ornamentations |
| ‘mordent, lower’ ornament | B.13.2 Ornament scripts |
| ‘mordent, upper’ ornament | 3.1.1 Articulations and ornamentations |
| ‘mordent, upper’ ornament | B.13.2 Ornament scripts |
| ‘mordent’ ornament | 3.1.1 Articulations and ornamentations |
| ‘mordent’ ornament | B.13.2 Ornament scripts |
| ‘neo-modern-cautionary’ accidental style | 1.3.5 Automatic accidentals |
| ‘neo-modern-voice-cautionary’ accidental style | 1.3.5 Automatic accidentals |
| ‘neo-modern-voice’ accidental style | 1.3.5 Automatic accidentals |
| ‘neo-modern’ accidental style | 1.3.5 Automatic accidentals |
| ‘No Chord’ symbol | 15.2.1 Printing chord names |
| ‘No Chord’ symbol, customizing | 15.2.1 Printing chord names |
| ‘no-reset’ accidental style | 1.3.5 Automatic accidentals |
| ‘open’ articulation | 3.1.1 Articulations and ornamentations |
| ‘open’ articulation | 14.1.2 Fingerings |
| ‘open’ articulation | B.13.4 Instrument-specific scripts |
| ‘piano-cautionary’ accidental style | 1.3.5 Automatic accidentals |
| ‘piano’ accidental style | 1.3.5 Automatic accidentals |
| ‘portato’ articulation | 3.1.1 Articulations and ornamentations |
| ‘portato’ articulation | 3.1.1 Articulations and ornamentations |
| ‘portato’ articulation | B.13.1 Articulation scripts |
| ‘pralltriller, down’ ornament | 3.1.1 Articulations and ornamentations |
| ‘pralltriller, down’ ornament | B.13.2 Ornament scripts |
| ‘pralltriller, long’ ornament | 3.1.1 Articulations and ornamentations |
| ‘pralltriller, long’ ornament | B.13.2 Ornament scripts |
| ‘pralltriller, up’ ornament | 3.1.1 Articulations and ornamentations |
| ‘pralltriller, up’ ornament | B.13.2 Ornament scripts |
| ‘pralltriller’ ornament | 3.1.1 Articulations and ornamentations |
| ‘pralltriller’ ornament | B.13.2 Ornament scripts |
| ‘reverse turn’ ornament | 3.1.1 Articulations and ornamentations |
| ‘reverse turn’ ornament | B.13.2 Ornament scripts |
| ‘segno’ sign | 3.1.1 Articulations and ornamentations |
| ‘segno’ sign | B.13.5 Repeat sign scripts |
| ‘segno’ sign, bar line | 2.5.1 Bar lines |
| ‘segno’ sign, bar line | 4.1.7 Segno repeat appearance |
| ‘segno’ sign, manual | 4.1.8 Manual repeat marks |
| ‘segno’ sign, with repeats | 4.1.6 Segno repeat structure |
| ‘segno’ sign, with repeats | 4.1.7 Segno repeat appearance |
| ‘semicirculus’ Gregorian articulation | 17.4.5 Gregorian articulation signs |
| ‘semicirculus’ Gregorian articulation | B.13.6 Ancient scripts |
| ‘signum congruentiae’ mensural notation | B.13.6 Ancient scripts |
| ‘signum congruentiae’ ornament | 3.1.1 Articulations and ornamentations |
| ‘slash turn’ ornament | 3.1.1 Articulations and ornamentations |
| ‘slash turn’ ornament | B.13.2 Ornament scripts |
| ‘snappizzicato’ sign | 3.1.1 Articulations and ornamentations |
| ‘snappizzicato’ sign | B.13.4 Instrument-specific scripts |
| ‘staccatissimo’ articulation | 3.1.1 Articulations and ornamentations |
| ‘staccatissimo’ articulation | 3.1.1 Articulations and ornamentations |
| ‘staccatissimo’ articulation | B.13.1 Articulation scripts |
| ‘staccato’ articulation | 3.1.1 Articulations and ornamentations |
| ‘staccato’ articulation | 3.1.1 Articulations and ornamentations |
| ‘staccato’ articulation | B.13.1 Articulation scripts |
| ‘stopped’ articulation | 3.1.1 Articulations and ornamentations |
| ‘stopped’ articulation | 14.1.2 Fingerings |
| ‘stopped’ articulation | B.13.4 Instrument-specific scripts |
| ‘teaching’ accidental style | 1.3.5 Automatic accidentals |
| ‘tenuto’ articulation | 3.1.1 Articulations and ornamentations |
| ‘tenuto’ articulation | 3.1.1 Articulations and ornamentations |
| ‘tenuto’ articulation | B.13.1 Articulation scripts |
| ‘thumb’ fingering | 3.1.1 Articulations and ornamentations |
| ‘thumb’ fingering | 7.1.2 Fingering instructions |
| ‘thumb’ fingering | B.13.4 Instrument-specific scripts |
| ‘toe’ pedal mark | 3.1.1 Articulations and ornamentations |
| ‘toe’ pedal mark | 10.3.1 Organ pedal marks |
| ‘toe’ pedal mark | B.13.4 Instrument-specific scripts |
| ‘trill’ ornament | 3.1.1 Articulations and ornamentations |
| ‘trill’ ornament | B.13.2 Ornament scripts |
| ‘turn’ ornament | 3.1.1 Articulations and ornamentations |
| ‘turn’ ornament | B.13.2 Ornament scripts |
| ‘turn’ ornament, delayed | 3.1.1 Articulations and ornamentations |
| ‘up pralltriller’ ornament | 3.1.1 Articulations and ornamentations |
| ‘up pralltriller’ ornament | B.13.2 Ornament scripts |
| ‘up-bow’ bowing indication | 3.1.1 Articulations and ornamentations |
| ‘up-bow’ bowing indication | 11.1.2 Bowing indications |
| ‘up-bow’ bowing indication | B.13.4 Instrument-specific scripts |
| ‘upper mordent’ ornament | 3.1.1 Articulations and ornamentations |
| ‘upper mordent’ ornament | B.13.2 Ornament scripts |
| ‘voice’ accidental style | 1.3.5 Automatic accidentals |
|
| " |
| "|" | 2.5.4 Bar and bar number checks |
|
| ( |
| ( | 3.2.1 Slurs |
| \( | 3.2.2 Phrasing slurs |
|
| ) |
| ) | 3.2.1 Slurs |
| \) | 3.2.2 Phrasing slurs |
|
| [ |
| [ | 2.4.3 Manual beams |
| \[ | 17.2.2 Ligatures |
|
| ] |
| ] | 2.4.3 Manual beams |
| \] | 17.2.2 Ligatures |
|
| * |
| * | 2.1.3 Scaling durations |
| \* | 4.1.1 Written-out repeats |
| \* | B.21 Available music functions |
|
| / |
| / | 2.1.3 Scaling durations |
| / | 15.1.3 Extended and altered chords |
| / | 15.3.2 Entering figured bass |
| /+ | 15.1.3 Extended and altered chords |
|
| \ |
| \\ | 5.2.1 Single-staff polyphony |
| \\ | 15.3.2 Entering figured bass |
|
| # |
| #f (false) | B.25 Predefined type predicates |
| #t (true) | B.25 Predefined type predicates |
|
| % |
| \% | 4.2.1 Percent repeats |
| % | 20.1 Structure of a score |
| % | 20.5 File structure |
| \% | B.21 Available music functions |
| %{ … %} | 20.1 Structure of a score |
| %{ … %} | 20.5 File structure |
|
| ^ |
| \^ | 12.1.3 Default tablatures |
| ^ | 15.1.3 Extended and altered chords |
| ^ | 36.1.1 Articulation direction indicators |
|
| + |
| + | 15.3.2 Entering figured bass |
| \+ | 15.3.2 Entering figured bass |
|
| < |
| \< | 3.1.2 Dynamics |
| < | 5.1.1 Chorded notes |
| <...> | 5.1.1 Chorded notes |
| << | 5.1.3 Simultaneous expressions |
| << ... \\ ... >> | 5.2.1 Single-staff polyphony |
| << ... >> | 5.1.3 Simultaneous expressions |
| <> | 3.1.2 Dynamics |
| <> | 5.1.1 Chorded notes |
| <> | 10.1.2 Changing staff manually |
|
| = |
| = | 1.2.1 Octave checks |
| \= | 3.2.1 Slurs |
| \= | B.21 Available music functions |
|
| > |
| \> | 3.1.2 Dynamics |
| > | 5.1.1 Chorded notes |
| >> | 5.1.3 Simultaneous expressions |
|
| | |
| | | 2.5.4 Bar and bar number checks |
| | | 2.5.4 Bar and bar number checks |
|
| ~ |
| ~ | 2.1.4 Ties |
| ~ | 9.1.6 Multiple syllables to one note |
| \~ | 17.4.7 Gregorian square neume ligatures |
| \~ | 17.4.7 Gregorian square neume ligatures |
| \~ | B.21 Available music functions |
|
| 1 |
| 15ma | 1.3.3 Ottava brackets |
| 15mb | 1.3.3 Ottava brackets |
|
| 8 |
| 8va | 1.3.3 Ottava brackets |
| 8vb | 1.3.3 Ottava brackets |
|
| A |
| a due part | 5.2.5 Automatic part combining |
| \abs-fontsize | 8.2.2 Selecting font and font size |
| \abs-fontsize | A.1.1 Font markup |
| \abs-hspace | A.1.2 Markup for text alignment |
| \abs-vspace | A.1.2 Markup for text alignment |
| absolute | 1.1.1 Absolute octave entry |
| \absolute | B.21 Available music functions |
| absolute dynamics | 3.1.2 Dynamics |
| absolute octave entry | 1.1.1 Absolute octave entry |
| absolute octave specification | 1.1.1 Absolute octave entry |
| \accent | 3.1.1 Articulations and ornamentations |
| \accent | B.13.1 Articulation scripts |
| \accentus | 17.4.5 Gregorian articulation signs |
| \accentus | B.13.6 Ancient scripts |
| \accepts | 33.6 Defining new contexts |
| \accepts | 33.6 Defining new contexts |
| \accepts | 33.7 Context layout order |
| \acciaccatura | 2.6.1 Grace notes |
| acciaccatura | 2.6.1 Grace notes |
| \acciaccatura | B.21 Available music functions |
| acciaccatura, multi-note | 2.6.1 Grace notes |
| accidental | 1.1.3 Accidentals |
| accidental | 1.3.5 Automatic accidentals |
| \accidental | A.1.4 Markup for music and musical symbols |
| accidental glyph set | B.10 Accidental glyph sets |
| accidental style | 1.3.5 Automatic accidentals |
| accidental style, choral | 1.3.5 Automatic accidentals |
| accidental style, choral-cautionary | 1.3.5 Automatic accidentals |
| accidental style, default | 1.3.5 Automatic accidentals |
| accidental style, default | 1.3.5 Automatic accidentals |
| accidental style, dodecaphonic | 1.3.5 Automatic accidentals |
| accidental style, dodecaphonic-first | 1.3.5 Automatic accidentals |
| accidental style, dodecaphonic-no-repeat | 1.3.5 Automatic accidentals |
| accidental style, forget | 1.3.5 Automatic accidentals |
| accidental style, modern | 1.3.5 Automatic accidentals |
| accidental style, modern | 1.3.5 Automatic accidentals |
| accidental style, modern | 1.3.5 Automatic accidentals |
| accidental style, modern-cautionary | 1.3.5 Automatic accidentals |
| accidental style, modern-cautionary | 1.3.5 Automatic accidentals |
| accidental style, modern-voice-cautionary | 1.3.5 Automatic accidentals |
| accidental style, neo-modern | 1.3.5 Automatic accidentals |
| accidental style, neo-modern-cautionary | 1.3.5 Automatic accidentals |
| accidental style, neo-modern-voice | 1.3.5 Automatic accidentals |
| accidental style, neo-modern-voice-cautionary | 1.3.5 Automatic accidentals |
| accidental style, no-reset | 1.3.5 Automatic accidentals |
| accidental style, piano | 1.3.5 Automatic accidentals |
| accidental style, piano-cautionary | 1.3.5 Automatic accidentals |
| accidental style, teaching | 1.3.5 Automatic accidentals |
| accidental style, voice | 1.3.5 Automatic accidentals |
| accidental, alternate glyphs | 1.3.6 Alternate accidental glyphs |
| accidental, and simultaneous notes | 1.3.5 Automatic accidentals |
| accidental, automatic | 1.3.5 Automatic accidentals |
| accidental, cautionary | 1.1.3 Accidentals |
| accidental, Gregorian | 17.4.3 Gregorian accidentals and key signatures |
| accidental, hiding, on tied notes at start of system | 1.1.3 Accidentals |
| accidental, in cadenzas | 2.3.4 Unmetered music |
| accidental, in chords | 1.3.5 Automatic accidentals |
| accidental, in unmetered music | 2.3.4 Unmetered music |
| accidental, Kievan | 17.5.4 Kievan accidentals |
| accidental, mensural | 17.3.7 Mensural accidentals and key signatures |
| accidental, multi-voice | 1.3.5 Automatic accidentals |
| accidental, musica ficta | 17.3.8 Annotational accidentals (musica ficta) |
| accidental, on tied note | 1.1.3 Accidentals |
| accidental, parenthesized | 1.1.3 Accidentals |
| accidental, quarter tone | 1.1.3 Accidentals |
| accidental, reminder | 1.1.3 Accidentals |
| \accidentalStyle | 1.3.5 Automatic accidentals |
| \accidentalStyle | B.21 Available music functions |
| AccidentalSuggestion | 3.1.1 Articulations and ornamentations |
| accordion | 10.4 Accordion |
| accordion discant symbol | 10.4.1 Discant symbols |
| accordion register symbol | 10.4.1 Discant symbols |
| accordion shift symbol | 10.4.1 Discant symbols |
| acoustic bass | B.15 Percussion notes |
| acoustic snare | B.15 Percussion notes |
| add-grace-property | 2.6.1 Grace notes |
| add-stem-support | 7.1.2 Fingering instructions |
| add-toc-item! | 21.7 Table of contents |
| \addChordShape | 12.1.6 Predefined fret diagrams |
| \addChordShape | B.21 Available music functions |
| adding custom fret diagram | 12.1.6 Predefined fret diagrams |
| adding white background, to text | A.1.8 Other markup commands |
| \addInstrumentDefinition | B.21 Available music functions |
| addition, in chords | 15.1.3 Extended and altered chords |
| additional voices in polyphonic music | 5.2.3 Collision resolution |
| additionalPitchPrefix | 15.2.2 Customizing chord names |
| additive time signature | 2.3.1 Time signature |
| \addlyrics | 9.1.3 Aligning lyrics to a melody |
| \addlyrics | 9.1.4 Automatic syllable durations |
| \addlyrics | 9.1.4 Automatic syllable durations |
| \addQuote | 6.3.2 Quoting other voices |
| \addQuote | B.21 Available music functions |
| \addToTagGroup | 22.2.2 Using tags |
| \addToTagGroup | B.21 Available music functions |
| adjusting start and end, slur | 3.2.1 Slurs |
| \aeolian | 1.3.2 Key signature |
| Aeolian | 1.3.2 Key signature |
| \after | 3.1.2 Dynamics |
| \after | 4.2.1 Percent repeats |
| \after | B.21 Available music functions |
| \afterGrace | 2.6.1 Grace notes |
| \afterGrace | B.21 Available music functions |
| afterGraceFraction | B.20 Technical glossary |
| agogo | B.15 Percussion notes |
| Aiken shape note head | 1.4.3 Shape note heads |
| Aiken shape note head, thin variant | 1.4.3 Shape note heads |
| \aikenHeads | 1.4.3 Shape note heads |
| \aikenHeadsMinor | 1.4.3 Shape note heads |
| \aikenThinHeads | 1.4.3 Shape note heads |
| \aikenThinHeadsMinor | 1.4.3 Shape note heads |
| al coda | 4.1.6 Segno repeat structure |
| al fine | 4.1.6 Segno repeat structure |
| al niente, hairpin | 3.1.2 Dynamics |
| \alias | 33.6 Defining new contexts |
| \alias | 33.6 Defining new contexts |
| align to object | 36.9.4 Using the break-alignable-interface |
| \align-on-other | A.1.2 Markup for text alignment |
| alignAboveContext | 6.2.2 Ossia staves |
| alignAboveContext | 9.2.2 Placing lyrics vertically |
| alignAboveContext | 33.7 Context layout order |
| alignBelowContext | 6.2.2 Ossia staves |
| alignBelowContext | 9.2.2 Placing lyrics vertically |
| alignBelowContext | 9.2.4 Lyrics and repeats |
| alignBelowContext | 33.7 Context layout order |
| aligning markup | 8.2.3 Text alignment |
| aligning markup text | 8.2.3 Text alignment |
| aligning text | 8.2.3 Text alignment |
| aligning to cadenza | 2.6.2 Aligning to cadenzas |
| alignment, bar numbers | 2.5.3 Bar numbers |
| alignment, breaking vertical, dynamics | 3.1.2 Dynamics |
| alignment, breaking vertical, text scripts | 3.1.2 Dynamics |
| alignment, horizontal, lyrics | 9.2.3 Placing syllables horizontally |
| alignment, horizontal, melisma | 9.2.3 Placing syllables horizontally |
| alignment, text, commands | 8.2.3 Text alignment |
| alignment, vertical, dynamics | 3.1.2 Dynamics |
| alignment, vertical, text | 8.2.3 Text alignment |
| alignment, vertical, text scripts | 3.1.2 Dynamics |
| alist | B.20 Technical glossary |
| alla breve | 2.3.1 Time signature |
| alla breve | 2.3.1 Time signature |
| alla coda | 4.1.6 Segno repeat structure |
| \allowBreak | 2.5.1 Bar lines |
| \allowBreak | 28.1 Line breaking |
| \allowPageTurn | 28.2.7 Optimal page turning |
| \allowPageTurn | B.21 Available music functions |
| \allowVoltaHook | B.21 Available music functions |
| alpha transparency | 7.1.5 Coloring objects |
| alteration, figured bass, glyphs | 15.3.2 Entering figured bass |
| alteration, figured bass, position | 15.3.2 Entering figured bass |
| \alterBroken | 36.4.1 Modifying broken spanners |
| \alterBroken | B.21 Available music functions |
| altered chord | 15.1.3 Extended and altered chords |
| alternate accidental glyph | 1.3.6 Alternate accidental glyphs |
| alternate fretboard table | 12.1.6 Predefined fret diagrams |
| alternating time signature | 2.3.1 Time signature |
| \alternative | 4.1.3 Alternative endings |
| \alternative | 4.1.4 Other variation in repeated sections |
| alternative chord name | 15.2.2 Customizing chord names |
| alternative ending | 4.1.3 Alternative endings |
| alternative ending, and lyrics | 9.2.4 Lyrics and repeats |
| alternative ending, with ties | 2.1.4 Ties |
| alternative melody, switching to | 9.3.5 Stanzas with different rhythms |
| alternative style, of breve notes | 2.1.1 Durations |
| alto clef | 1.3.1 Clef |
| alto clef | B.11.1 Standard clefs |
| alto varC clef | B.11.1 Standard clefs |
| ambitus | 1.3.7 Ambitus |
| ambitus, line gap | 1.3.7 Ambitus |
| ambitus, multiple voices | 1.3.7 Ambitus |
| ambitus, per voice | 1.3.7 Ambitus |
| ambitus, placement | 1.3.7 Ambitus |
| ambitusAfter | 1.3.7 Ambitus |
| \ambitusAfter | B.21 Available music functions |
| AmbitusLine | 1.3.7 Ambitus |
| anacrusis | 2.3.3 Upbeats |
| anacrusis, in a repeat | 4.1.2 Simple repeats |
| analysis bracket, musicological | 7.2.4 Analysis brackets |
| analysis bracket, with label | 7.2.4 Analysis brackets |
| ancient clef | 1.3.1 Clef |
| ancient music clef | 17.3.2 Mensural clefs |
| ancient music clef | B.11.4 Ancient music clefs |
| angled hairpin | 36.8.1 Rotating layout objects |
| annotate moving by spacing, in text | A.1.8 Other markup commands |
| \annotate-moving | A.1.8 Other markup commands |
| annotate-spacing | 31.1 Displaying spacing |
| annotate-spacing | B.23 Paper variables |
| anthem | 9.5 Choral |
| \append-to-tag | 22.2.2 Using tags |
| \append-to-tag | A.1.8 Other markup commands |
| \appendToTag | 22.2.2 Using tags |
| \appendToTag | B.21 Available music functions |
| \appendToTagMarkup | 22.2.2 Using tags |
| \appendToTagMarkup | B.21 Available music functions |
| \applyContext | 33.2 Creating and referencing contexts |
| \applyContext | B.21 Available music functions |
| \applyMusic | B.21 Available music functions |
| \applyOutput | B.21 Available music functions |
| \applySwing | 24.9.2 The swing script |
| \applySwingWithOffset | 24.9.2 The swing script |
| \appoggiatura | 2.6.1 Grace notes |
| appoggiatura | 2.6.1 Grace notes |
| \appoggiatura | B.21 Available music functions |
| approximate pitch | 1.1.4 Approximate pitches |
| \approximatePitch | 1.1.4 Approximate pitches |
| \approximatePitch | B.21 Available music functions |
| Arabic improvisation | 18.2.4 Arabic time signatures |
| Arabic key signatures | 18.2.3 Arabic key signatures |
| Arabic maqam | 18.1.1 Extending notation and tuning systems |
| Arabic music | 18.2.1 References for Arabic music |
| Arabic music example | 18.2.5 Arabic music example |
| Arabic music template | 18.2.5 Arabic music example |
| Arabic note name | 18.2.2 Arabic note names |
| Arabic semi-flat symbol | 18.2.2 Arabic note names |
| Arabic time signatures | 18.2.4 Arabic time signatures |
| \arabicStringNumbers | 12.1.2 String number indications |
| \arpeggio | 3.3.2 Arpeggio |
| arpeggio | 3.3.2 Arpeggio |
| arpeggio symbol, special | 3.3.2 Arpeggio |
| arpeggio-direction | 3.3.2 Arpeggio |
| arpeggio, and ties | 2.1.4 Ties |
| arpeggio, cross-staff parenthesis-style | 3.3.2 Arpeggio |
| arpeggio, cross-voice | 3.3.2 Arpeggio |
| \arpeggioArrowDown | 3.3.2 Arpeggio |
| \arpeggioArrowDown | B.21 Available music functions |
| \arpeggioArrowUp | 3.3.2 Arpeggio |
| \arpeggioArrowUp | B.21 Available music functions |
| \arpeggioBracket | 3.3.2 Arpeggio |
| \arpeggioBracket | B.21 Available music functions |
| \arpeggioNormal | 3.3.2 Arpeggio |
| \arpeggioNormal | B.21 Available music functions |
| \arpeggioParenthesis | 3.3.2 Arpeggio |
| \arpeggioParenthesis | B.21 Available music functions |
| \arpeggioParenthesisDashed | 3.3.2 Arpeggio |
| \arpeggioParenthesisDashed | B.21 Available music functions |
| arranger | 21.1.2 Default layout of bookpart and score titles |
| Arrastre | 7.1.3 Gliding fingers |
| \arrow-head | 8.2.4 Graphic notation inside markup |
| \arrow-head | A.1.3 Graphical markup |
| \articulate | 24.9.1 The articulate script |
| articulate.ly script | 24.9.1 The articulate script |
| articulation | B.13 List of articulations |
| articulation-event | 6.3.2 Quoting other voices |
| articulation, accent | 3.1.1 Articulations and ornamentations |
| articulation, accent | 3.1.1 Articulations and ornamentations |
| articulation, accent | B.13.1 Articulation scripts |
| articulation, bachschleifer | 3.1.1 Articulations and ornamentations |
| articulation, default values, modifying | 3.1.1 Articulations and ornamentations |
| articulation, espressivo | 3.1.1 Articulations and ornamentations |
| articulation, espressivo | B.13.1 Articulation scripts |
| articulation, Gregorian | 17.4.5 Gregorian articulation signs |
| articulation, Gregorian, accentus | 17.4.5 Gregorian articulation signs |
| articulation, Gregorian, accentus | B.13.6 Ancient scripts |
| articulation, Gregorian, circulus | 17.4.5 Gregorian articulation signs |
| articulation, Gregorian, circulus | B.13.6 Ancient scripts |
| articulation, Gregorian, episem finis | 17.4.5 Gregorian articulation signs |
| articulation, Gregorian, episem initium | 17.4.5 Gregorian articulation signs |
| articulation, Gregorian, ictus | 17.4.5 Gregorian articulation signs |
| articulation, Gregorian, ictus | B.13.6 Ancient scripts |
| articulation, Gregorian, semicirculus | 17.4.5 Gregorian articulation signs |
| articulation, Gregorian, semicirculus | B.13.6 Ancient scripts |
| articulation, half-open | 3.1.1 Articulations and ornamentations |
| articulation, half-open | B.13.4 Instrument-specific scripts |
| articulation, marcato | 3.1.1 Articulations and ornamentations |
| articulation, marcato | 3.1.1 Articulations and ornamentations |
| articulation, marcato | B.13.1 Articulation scripts |
| articulation, open | 3.1.1 Articulations and ornamentations |
| articulation, open | 14.1.2 Fingerings |
| articulation, open | B.13.4 Instrument-specific scripts |
| articulation, portato | 3.1.1 Articulations and ornamentations |
| articulation, portato | 3.1.1 Articulations and ornamentations |
| articulation, portato | B.13.1 Articulation scripts |
| articulation, staccatissimo | 3.1.1 Articulations and ornamentations |
| articulation, staccatissimo | 3.1.1 Articulations and ornamentations |
| articulation, staccatissimo | B.13.1 Articulation scripts |
| articulation, staccato | 3.1.1 Articulations and ornamentations |
| articulation, staccato | 3.1.1 Articulations and ornamentations |
| articulation, staccato | B.13.1 Articulation scripts |
| articulation, stopped | 3.1.1 Articulations and ornamentations |
| articulation, stopped | 14.1.2 Fingerings |
| articulation, stopped | B.13.4 Instrument-specific scripts |
| articulation, tenuto | 3.1.1 Articulations and ornamentations |
| articulation, tenuto | 3.1.1 Articulations and ornamentations |
| articulation, tenuto | B.13.1 Articulation scripts |
| artificial harmonics | 11.1.3 Harmonics |
| \ascendens | 17.4.7 Gregorian square neume ligatures |
| \ascendens | 17.4.7 Gregorian square neume ligatures |
| \assertBeamQuant | B.21 Available music functions |
| \assertBeamSlope | B.21 Available music functions |
| associatedVoice | 9.1.3 Aligning lyrics to a melody |
| associatedVoice | 9.1.4 Automatic syllable durations |
| associatedVoice | 9.3.5 Stanzas with different rhythms |
| association list | B.20 Technical glossary |
| \atLeft | 3.1.1 Articulations and ornamentations |
| \atLeft | B.21 Available music functions |
| \atRight | 3.1.1 Articulations and ornamentations |
| \atRight | B.21 Available music functions |
| \auctum | 17.4.7 Gregorian square neume ligatures |
| \auctum | 17.4.7 Gregorian square neume ligatures |
| aug | 15.1.2 Common chords |
| augmentation dot, changing number | 2.1.1 Durations |
| \augmentum | 17.4.7 Gregorian square neume ligatures |
| \augmentum | B.21 Available music functions |
| auto-beaming, properties for time signatures | 2.3.1 Time signature |
| auto-first-page-number | 26.6.3 \paper variables for page numbering |
| auto-first-page-number | B.23 Paper variables |
| \auto-footnote | A.1.8 Other markup commands |
| autoBeaming | 2.4.2 Setting automatic beam behavior |
| autoBeaming | 33.1.1 Output definitions – blueprints for contexts |
| \autoBeamOff | 2.4.1 Automatic beams |
| \autoBeamOff | 10.1.4 Staff-change lines |
| \autoBeamOn | 2.4.1 Automatic beams |
| \autoBreaksOff | 28.1 Line breaking |
| \autoBreaksOn | 28.1 Line breaking |
| \autoChange | 10.1.3 Changing staff automatically |
| \autoChange | B.21 Available music functions |
| \autoChange, and relative music | 10.1.3 Changing staff automatically |
| \autoLineBreaksOff | 28.1 Line breaking |
| \autoLineBreaksOn | 28.1 Line breaking |
| automatic accidental | 1.3.5 Automatic accidentals |
| automatic bar line | 2.5.2 Automatic bar lines |
| automatic chord diagram | 12.1.7 Automatic fret diagrams |
| automatic fret diagram | 12.1.7 Automatic fret diagrams |
| automatic part combining | 5.2.5 Automatic part combining |
| automatic replacement, of strings | 22.4.3 ASCII aliases |
| automatic staff change | 10.1.3 Changing staff automatically |
| \autoPageBreaksOff | 28.2.1 Manual page breaking |
| \autoPageBreaksOn | 28.2.1 Manual page breaking |
|
| B |
| \bachschleifer | 3.1.1 Articulations and ornamentations |
| bachschleifer | 3.1.1 Articulations and ornamentations |
| backslashed digit | A.1.8 Other markup commands |
| \backslashed-digit | A.1.8 Other markup commands |
| bagpipe | 14.2.1 Bagpipe definitions |
| bagpipe, example | 14.2.2 Bagpipe example |
| balance, in MIDI | 24.8 Context properties for MIDI effects |
| balloon | 7.2.2 Balloon help |
| balloon help | 7.2.2 Balloon help |
| Balloon_engraver | 7.2.2 Balloon help |
| \balloonGrobText | 7.2.2 Balloon help |
| \balloonGrobText | B.21 Available music functions |
| \balloonLengthOff | 7.2.2 Balloon help |
| \balloonLengthOn | 7.2.2 Balloon help |
| \balloonText | 7.2.2 Balloon help |
| \balloonText | B.21 Available music functions |
| banjo tablature | 12 Fretted string instruments |
| banjo tablature | 12.3.1 Banjo tablatures |
| banjo tuning | 12.3.1 Banjo tablatures |
| banjo-c-tuning | 12.3.1 Banjo tablatures |
| banjo-double-c-tuning | 12.3.1 Banjo tablatures |
| banjo-double-d-tuning | 12.3.1 Banjo tablatures |
| banjo-modal-tuning | 12.3.1 Banjo tablatures |
| banjo-open-d-tuning | 12.3.1 Banjo tablatures |
| banjo-open-dm-tuning | 12.3.1 Banjo tablatures |
| banjo-open-g-tuning | 12.3.1 Banjo tablatures |
| \bar | 2.5.1 Bar lines |
| \bar | 2.5.1 Bar lines |
| \bar | B.21 Available music functions |
| bar check, with repeats | 4.1.2 Simple repeats |
| bar line | 2.5.1 Bar lines |
| bar line, automatic | 2.5.2 Automatic bar lines |
| bar line, avoided by lyrics | 9.2.3 Placing syllables horizontally |
| bar line, between staves | 2.5.1 Bar lines |
| bar line, between staves | 6.1.2 Grouping staves |
| bar line, cadenzas | 2.3.4 Unmetered music |
| bar line, caesura | 2.5.2 Automatic bar lines |
| bar line, caesura | 2.5.2 Automatic bar lines |
| bar line, default | 2.5.2 Automatic bar lines |
| bar line, default, changing | 2.5.1 Bar lines |
| bar line, defining | 2.5.1 Bar lines |
| bar line, dotted | 2.5.2 Automatic bar lines |
| bar line, double | 2.5.1 Bar lines |
| bar line, double | 2.5.2 Automatic bar lines |
| bar line, double | 2.5.2 Automatic bar lines |
| bar line, double | 2.5.7 Section divisions |
| bar line, final | 2.5.1 Bar lines |
| bar line, final | 2.5.2 Automatic bar lines |
| bar line, final | 2.5.7 Section divisions |
| bar line, for repeat at start of piece | 4.1.2 Simple repeats |
| bar line, hairpin, stopping at | 3.1.2 Dynamics |
| bar line, in ChordNames | 15.2.2 Customizing chord names |
| bar line, in Gregorian chant | 17.4.4 Divisiones |
| bar line, in hymns | 9.7.4 Phrase bar lines in hymn tunes |
| bar line, in Kievan chant | 17.5.5 Kievan bar lines |
| bar line, in markup | A.1.4 Markup for music and musical symbols |
| bar line, invisible | 2.5.1 Bar lines |
| bar line, list | B.16 List of bar lines |
| bar line, manual | 2.5.1 Bar lines |
| bar line, measure | 2.5.2 Automatic bar lines |
| bar line, phrase | 2.5.2 Automatic bar lines |
| bar line, phrase | 2.5.2 Automatic bar lines |
| bar line, repeat | 2.5.2 Automatic bar lines |
| bar line, section | 2.5.2 Automatic bar lines |
| bar line, section | 2.5.7 Section divisions |
| bar line, segno | 2.5.1 Bar lines |
| bar line, segno | 2.5.2 Automatic bar lines |
| bar line, segno | 4.1.7 Segno repeat appearance |
| bar line, short | 2.5.1 Bar lines |
| bar line, single | 2.5.2 Automatic bar lines |
| bar line, submeasure | 2.5.2 Automatic bar lines |
| bar line, symbols on | 8.1.5 Text marks |
| bar line, text over | 8.1.5 Text marks |
| bar line, tick | 2.5.1 Bar lines |
| bar line, underlying repeat | 2.5.2 Automatic bar lines |
| bar line, unmetered music | 2.3.4 Unmetered music |
| bar number | 2.5.3 Bar numbers |
| bar number | 2.6.3 Time administration |
| bar number, alignment | 2.5.3 Bar numbers |
| bar number, alternative, in repeat | 4.1.7 Segno repeat appearance |
| bar number, broken measure | 2.5.3 Bar numbers |
| bar number, cadenzas | 2.3.4 Unmetered music |
| bar number, centered | 2.5.3 Bar numbers |
| bar number, check | 2.5.4 Bar and bar number checks |
| bar number, collision | 2.5.3 Bar numbers |
| bar number, modulo bar number | 2.5.3 Bar numbers |
| bar number, printed at regular intervals | 2.5.3 Bar numbers |
| bar number, printed in first measure | 2.5.3 Bar numbers |
| bar number, regular spacing | 2.5.3 Bar numbers |
| bar number, removal | 2.5.3 Bar numbers |
| bar number, style | 2.5.3 Bar numbers |
| bar number, unmetered music | 2.3.4 Unmetered music |
| bar number, with letter, in repeat | 4.1.7 Segno repeat appearance |
| \bar-line | A.1.4 Markup for music and musical symbols |
| bar, check | 2.5.4 Bar and bar number checks |
| baritone clef | 1.3.1 Clef |
| baritone clef | B.11.1 Standard clefs |
| baritone varC clef | B.11.1 Standard clefs |
| baritone varF clef | B.11.1 Standard clefs |
| BarNumber | 2.5.3 Bar numbers |
| \barNumberCheck | 2.5.4 Bar and bar number checks |
| \barNumberCheck | B.21 Available music functions |
| barNumberVisibility | 2.5.3 Bar numbers |
| barré indication | 12.1.5 Fret diagram markups |
| barré line | 12.2.1 Indicating position and barring |
| Bartók pizzicato | 11.1.4 Snap (Bartók) pizzicato |
| bartype | 2.5.1 Bar lines |
| base-shortest-duration | 30.1 Horizontal spacing overview |
| bass | B.15 Percussion notes |
| bass clef | 1.3.1 Clef |
| bass clef | B.11.1 Standard clefs |
| bass note, for chords | 15.1.3 Extended and altered chords |
| bass, figured | 15.3.1 Introduction to figured bass |
| bass, thorough | 15.3.1 Introduction to figured bass |
| \bassFigureExtendersOff | 15.3.2 Entering figured bass |
| \bassFigureExtendersOn | 15.3.2 Entering figured bass |
| \bassFigureStaffAlignmentDown | 15.3.3 Displaying figured bass |
| \bassFigureStaffAlignmentNeutral | 15.3.3 Displaying figured bass |
| \bassFigureStaffAlignmentUp | 15.3.3 Displaying figured bass |
| basso continuo | 15.3.1 Introduction to figured bass |
| \beam | A.1.3 Graphical markup |
| beam-like flags | 2.4.3 Manual beams |
| beam, cadenzas | 2.3.4 Unmetered music |
| beam, cross-staff | 10.1.2 Changing staff manually |
| beam, customizing rules | 2.4.1 Automatic beams |
| beam, endings, in a score | 2.4.2 Setting automatic beam behavior |
| beam, endings, with multiple voices | 2.4.2 Setting automatic beam behavior |
| beam, feathered | 2.4.4 Feathered beams |
| beam, horizontal | 12.1.3 Default tablatures |
| beam, in tablature | 12.1.3 Default tablatures |
| beam, line breaks | 2.4.1 Automatic beams |
| beam, manual | 2.4.1 Automatic beams |
| beam, manual | 2.4.3 Manual beams |
| beam, nibs | 2.4.3 Manual beams |
| beam, \partCombine with \autoBeamOff | 2.4.1 Automatic beams |
| beam, slashed | 2.4.5 Slashed beams |
| beam, subdividing | 2.4.2 Setting automatic beam behavior |
| beam, unmetered music | 2.3.4 Unmetered music |
| beam, with knee gap, changing | 2.4.1 Automatic beams |
| beam, with lyrics | 2.4.2 Setting automatic beam behavior |
| beam, with melisma | 2.4.1 Automatic beams |
| beam, with polymetric meters | 2.3.5 Polymetric notation |
| \beamBreak | 2.4.3 Manual beams |
| beamed tuplet, line break within | 2.1.2 Tuplets |
| \beamExceptions | 2.4.2 Setting automatic beam behavior |
| \beamExceptions | B.21 Available music functions |
| beaming, strict-beat | 2.4.2 Setting automatic beam behavior |
| beaming, time signature default properties | 2.3.1 Time signature |
| beamlet, orientation | 2.4.2 Setting automatic beam behavior |
| beat repeat | 4.2.1 Percent repeats |
| beat, grouping | 2.4.2 Setting automatic beam behavior |
| beatBase | 2.4.2 Setting automatic beam behavior |
| beatBase | 2.4.2 Setting automatic beam behavior |
| beats per minute | 2.3.2 Metronome marks |
| beatStructure | 2.4.2 Setting automatic beam behavior |
| beatStructure | 2.4.2 Setting automatic beam behavior |
| beginners’ music | 1.4.2 Easy notation note heads |
| \bendAfter | 3.2.4 Falls and doits |
| \bendAfter | B.21 Available music functions |
| \bendHold | 12.1.3 Default tablatures |
| \bendHold | B.21 Available music functions |
| bending, string, in tablature | 12.1.3 Default tablatures |
| \bendStartLevel | 12.1.3 Default tablatures |
| \bendStartLevel | B.21 Available music functions |
| Bézier curve, control points | 36.11.1 Modifying ties and slurs |
| big point (bp) | 36.2 Distances and measurements |
| binding gutter | 26.5.2 \paper variables for two-sided mode |
| binding-offset | 26.5.2 \paper variables for two-sided mode |
| binding-offset | B.23 Paper variables |
| bisbigliando | 10.5.1 References for harps |
| bison program | B.20 Technical glossary |
| bitmap fonts | 8.3.1 Unsupported font formats |
| black mensural clef | 17.3.2 Mensural clefs |
| black mensural clef | B.11.4 Ancient music clefs |
| \blackTriangleMarkup | 15.2.2 Customizing chord names |
| blank-after-score-page-penalty | 26.6.2 \paper variables for page breaking |
| blank-after-score-page-penalty | B.23 Paper variables |
| blank-last-page-penalty | 26.6.2 \paper variables for page breaking |
| blank-last-page-penalty | B.23 Paper variables |
| blank-page-penalty | 26.6.2 \paper variables for page breaking |
| blank-page-penalty | B.23 Paper variables |
| block chord | 3.3.2 Arpeggio |
| block comment | 20.1 Structure of a score |
| block comment | 20.5 File structure |
| blot-diameter | B.23 Paper variables |
| BNF | B.20 Technical glossary |
| \bold | 8.2.2 Selecting font and font size |
| \bold | A.1.1 Font markup |
| bongo | B.15 Percussion notes |
| \book | 20.2 Multiple scores in a book |
| \book | 20.2 Multiple scores in a book |
| \book | 20.5 File structure |
| book-title | B.23 Paper variables |
| book-title-properties | B.23 Paper variables |
| \book, and \layout | 20.2 Multiple scores in a book |
| \book, and variables | 20.2 Multiple scores in a book |
| bookmarks | 21.6 Reference to page numbers |
| bookmarks | 21.7 Table of contents |
| \bookOutputName | B.21 Available music functions |
| \bookOutputSuffix | B.21 Available music functions |
| \bookpart | 20.2 Multiple scores in a book |
| \bookpart | 20.5 File structure |
| \bookpart | 28.2.1 Manual page breaking |
| bookpart-level-page-numbering | 26.6.3 \paper variables for page numbering |
| bookpart-level-page-numbering | B.23 Paper variables |
| \bookpart, and \layout | 20.2 Multiple scores in a book |
| \bookpart, and variables | 20.2 Multiple scores in a book |
| bookTitleMarkup | 21.2.2 Custom layout for titles |
| bookTitleMarkup | B.23 Paper variables |
| Bottom | 33.1.5 Bottom-level contexts – voices |
| bottom-margin | 26.3 Fixed vertical spacing \paper variables |
| bottom-margin | B.23 Paper variables |
| bounding box | 36.3 Dimensions |
| bounding box, of glyph | A.1.8 Other markup commands |
| bowing indication | 11.1.2 Bowing indications |
| bowing, down | 3.1.1 Articulations and ornamentations |
| bowing, down | B.13.4 Instrument-specific scripts |
| bowing, up | 3.1.1 Articulations and ornamentations |
| bowing, up | B.13.4 Instrument-specific scripts |
| \box | 8.2.4 Graphic notation inside markup |
| \box | A.1.1 Font markup |
| \bp | 36.2 Distances and measurements |
| bp | B.23 Paper variables |
| brace, at start of single staff | 6.1.2 Grouping staves |
| brace, in markup | A.1.8 Other markup commands |
| brace, nested | 6.1.3 Nested staff groups |
| brace, vertical | 6.1.2 Grouping staves |
| \bracket | 3.1.3 New dynamic marks |
| \bracket | 8.2.4 Graphic notation inside markup |
| bracket | 7.1.8 Parentheses |
| bracket | 7.2.4 Analysis brackets |
| \bracket | A.1.3 Graphical markup |
| bracket, angle | 5.1.1 Chorded notes |
| bracket, at start of single staff | 6.1.2 Grouping staves |
| bracket, cross-staff | 10.1.4 Staff-change lines |
| bracket, horizontal | 7.2.4 Analysis brackets |
| bracket, nested | 6.1.3 Nested staff groups |
| bracket, non-arpeggiato | 3.3.2 Arpeggio |
| bracket, phrasing | 7.2.4 Analysis brackets |
| bracket, phrasing, with label | 7.2.4 Analysis brackets |
| bracket, square, at start of staff group | 6.1.2 Grouping staves |
| bracket, vertical | 6.1.2 Grouping staves |
| bracket, vertical, marking divided voices | 9.5.2 Score layouts for choral |
| bracket, volta | 4.1.8 Manual repeat marks |
| \break | 28.1 Line breaking |
| break-align symbol | 30.4.2 Spacing between adjacent non-musical items |
| break-align-orders | 30.4.2 Spacing between adjacent non-musical items |
| break-align-symbol | B.19 Grobs and their break-align symbols |
| break-align-symbols | 36.9.4 Using the break-alignable-interface |
| break-visibility | 36.7.4 Using break-visibility |
| break, in unmetered music | 2.3.4 Unmetered music |
| breakable | 2.4.1 Automatic beams |
| breakable glissando | 3.3.1 Glissando |
| \breakAlignInsert | B.21 Available music functions |
| breakbefore | 21.1.2 Default layout of bookpart and score titles |
| \breakDynamicSpan | 3.1.2 Dynamics |
| breaking lines | 28.1 Line breaking |
| breaking pages | 30.5 Line width |
| breaking vertical alignment of dynamics | 3.1.2 Dynamics |
| breath mark | 3.2.3 Breath marks |
| breath mark symbol, changing | 3.2.3 Breath marks |
| breath mark symbol, list | B.14 List of breath marks |
| \breathe | 3.2.3 Breath marks |
| \breathe | B.21 Available music functions |
| \breve | 2.1.1 Durations |
| \breve | 2.2.1 Rests |
| breve note, alternative style | 2.1.1 Durations |
| breve rest | 2.2.1 Rests |
| broken chord | 3.3.2 Arpeggio |
| broken spanner, modifying | 36.4.1 Modifying broken spanners |
|
| C |
| C clef | 1.3.1 Clef |
| C clef | B.11.1 Standard clefs |
| cabasa | B.15 Percussion notes |
| cadenza | 2.3.4 Unmetered music |
| cadenza | 2.6.2 Aligning to cadenzas |
| cadenza, accidentals | 2.3.4 Unmetered music |
| cadenza, aligning to | 2.6.2 Aligning to cadenzas |
| cadenza, bar lines | 2.3.4 Unmetered music |
| cadenza, bar numbers | 2.3.4 Unmetered music |
| cadenza, beams | 2.3.4 Unmetered music |
| cadenza, line breaks | 2.3.4 Unmetered music |
| cadenza, page breaks | 2.3.4 Unmetered music |
| \cadenzaOff | 2.3.4 Unmetered music |
| \cadenzaOn | 2.3.4 Unmetered music |
| \caesura | 2.2.4 Caesuras |
| \caesura | 2.2.4 Caesuras |
| \caesura | 2.5.2 Automatic bar lines |
| \caesura | 2.5.2 Automatic bar lines |
| caesura | 2.2.4 Caesuras |
| \caesura | 9.7.4 Phrase bar lines in hymn tunes |
| \caesura | 17.4.4 Divisiones |
| \caesura | 17.5.5 Kievan bar lines |
| \caesura | B.21 Available music functions |
| caesura bar line | 2.5.2 Automatic bar lines |
| caesura bar line | 2.5.2 Automatic bar lines |
| caesura bar line, in hymns | 9.7.4 Phrase bar lines in hymn tunes |
| caesura bar line, in Kievan chant | 17.5.5 Kievan bar lines |
| callback | B.20 Technical glossary |
| canticle | 9.7 Chants psalms and hymns |
| canticle | 9.7.2 Setting a chant |
| capo | 12.1.5 Fret diagram markups |
| \caps | A.1.1 Font markup |
| cautionary accidental | 1.1.3 Accidentals |
| \cavum | 17.4.7 Gregorian square neume ligatures |
| \cavum | 17.4.7 Gregorian square neume ligatures |
| \center-align | 8.2.3 Text alignment |
| \center-align | A.1.2 Markup for text alignment |
| \center-column | 8.2.3 Text alignment |
| \center-column | A.1.2 Markup for text alignment |
| centered dynamics in piano music | 10.1.1 References for keyboards |
| centering column of text | A.1.2 Markup for text alignment |
| centering text on page | 8.2.3 Text alignment |
| centimeter (cm) | 36.2 Distances and measurements |
| CFF2, font format | 8.3.1 Unsupported font formats |
| \change | 10.1.2 Changing staff manually |
| changing breath mark symbol | 3.2.3 Breath marks |
| changing chord separator | 15.2.2 Customizing chord names |
| changing direction of text column | A.1.2 Markup for text alignment |
| changing font | 8.2.2 Selecting font and font size |
| changing instrument name | 6.3.1 Instrument names |
| changing number of augmentation dots | 2.1.1 Durations |
| changing properties | 35.2 \set and \unset |
| changing properties | 35.6 \tweak and \single |
| changing staff automatically | 10.1.3 Changing staff automatically |
| changing staff manually | 10.1.2 Changing staff manually |
| changing tempo without metronome mark | 2.3.2 Metronome marks |
| changing tuplet number | 2.1.2 Tuplets |
| chant | 9.7 Chants psalms and hymns |
| chant | 9.7.2 Setting a chant |
| \char | A.1.8 Other markup commands |
| character name | 9.6.2 Character names |
| chart, fingering | 14.1.2 Fingerings |
| check mark | 3.2.3 Breath marks |
| check-consistency | 26.5.1 \paper variables for widths and margins |
| check-consistency | B.23 Paper variables |
| Chinese cymbal | B.15 Percussion notes |
| choir staff | 6.1.2 Grouping staves |
| ChoirStaff | 33.1.3 Top-level contexts – staff containers |
| choral | 1.3.5 Automatic accidentals |
| choral tenor clef | 1.3.1 Clef |
| choral-cautionary | 1.3.5 Automatic accidentals |
| chord | 5.1.1 Chorded notes |
| chord | 15.1 Chord mode |
| chord | 15.2.1 Printing chord names |
| chord bracket | 3.3.2 Arpeggio |
| chord bracket, cross-staff | 10.1.4 Staff-change lines |
| chord diagram | 12.1.5 Fret diagram markups |
| chord diagram | 12.1.6 Predefined fret diagrams |
| chord diagram, automatic | 12.1.7 Automatic fret diagrams |
| chord grid | 15.2.3 Chord grids |
| chord mode | 15.1.1 Chord mode overview |
| chord name | 15.1.1 Chord mode overview |
| chord name | 15.2.1 Printing chord names |
| chord name, exceptions | 15.2.2 Customizing chord names |
| chord name, with fret diagrams | 12.1.6 Predefined fret diagrams |
| chord separator, changing | 15.2.2 Customizing chord names |
| chord shape, for fretted instrument | 12.1.6 Predefined fret diagrams |
| chord slur | 3.3.2 Arpeggio |
| chord step, altering | 15.1.3 Extended and altered chords |
| chord, accidentals in | 1.3.5 Automatic accidentals |
| chord, alternative name | 15.2.2 Customizing chord names |
| chord, and relative octave entry | 1.1.2 Relative octave entry |
| chord, and tie | 2.1.4 Ties |
| chord, block | 3.3.2 Arpeggio |
| chord, broken | 3.3.2 Arpeggio |
| chord, cross-staff | 10.1.4 Staff-change lines |
| chord, empty | 2.6.1 Grace notes |
| chord, empty | 3.1.2 Dynamics |
| chord, empty | 5.1.1 Chorded notes |
| chord, empty | 10.1.2 Changing staff manually |
| chord, fingering | 7.1.2 Fingering instructions |
| chord, glissando, in tablatures | 12.1.3 Default tablatures |
| chord, inversion | 15.1.4 Chord inversions and specific voicings |
| chord, jazz | 15.2.2 Customizing chord names |
| chord, major 7, layout | 15.2.2 Customizing chord names |
| chord, modifying a single note | 35.6 \tweak and \single |
| chord, power | 12.2.3 Indicating power chords |
| chord, quality | 15.1.2 Common chords |
| chord, relative pitch | 5.1.1 Chorded notes |
| chord, repetition | 5.1.2 Chord repetition |
| chord, repetition | 12.1.3 Default tablatures |
| chord, rolled | 3.3.2 Arpeggio |
| chord, rotating | 15.1.4 Chord inversions and specific voicings |
| chord, splitting across staves with \autoChange | 10.1.3 Changing staff automatically |
| chord, suppressing repeated | 12.1.6 Predefined fret diagrams |
| chord, suppressing repeated | 15.2.1 Printing chord names |
| chord, voicing | 15.1.4 Chord inversions and specific voicings |
| chord, volta repeat, below | 15.2.2 Customizing chord names |
| chordChanges | 12.1.6 Predefined fret diagrams |
| chordChanges | 15.2.1 Printing chord names |
| ChordGrid | 15.2.3 Chord grids |
| ChordGrid | 33.1.4 Intermediate-level contexts – staves |
| ChordGridScore | 33.1.3 Top-level contexts – staff containers |
| \chordmode | 1.1.2 Relative octave entry |
| \chordmode | 1.2.2 Transpose |
| \chordmode | 12.1.6 Predefined fret diagrams |
| \chordmode | 19 Input modes |
| chordNameExceptions | 15.2.2 Customizing chord names |
| chordNameExceptions | 15.2.2 Customizing chord names |
| chordNameLowercaseMinor | 15.2.2 Customizing chord names |
| ChordNames | 12.1.6 Predefined fret diagrams |
| ChordNames | 33.1.5 Bottom-level contexts – voices |
| ChordNames, with bar lines | 15.2.2 Customizing chord names |
| chordNameSeparator | 15.2.2 Customizing chord names |
| chordNameSeparator | 15.2.2 Customizing chord names |
| chordNoteNamer | 15.2.2 Customizing chord names |
| chordPrefixSpacer | 15.2.2 Customizing chord names |
| \chordRepeats | 12.1.3 Default tablatures |
| \chordRepeats | B.21 Available music functions |
| chordRootNamer | 15.2.2 Customizing chord names |
| \chords | 15.2.1 Printing chord names |
| \chords | 19 Input modes |
| \chordSlur | 3.3.2 Arpeggio |
| chorus level, in MIDI | 24.8 Context properties for MIDI effects |
| Christian Harmony note head | 1.4.3 Shape note heads |
| church mode | 1.3.2 Key signature |
| church rest | 6.3.4 Compressing empty measures |
| \circle | 8.2.4 Graphic notation inside markup |
| \circle | A.1.3 Graphical markup |
| circling text | A.1.3 Graphical markup |
| \circulus | 17.4.5 Gregorian articulation signs |
| \circulus | B.13.6 Ancient scripts |
| claves | B.15 Percussion notes |
| clef | 1.1.3 Accidentals |
| \clef | 1.3.1 Clef |
| clef | 1.3.1 Clef |
| \clef | B.21 Available music functions |
| clef | 17.4.2 Gregorian clefs |
| clef | 17.5.2 Kievan clefs |
| clef, alto | 1.3.1 Clef |
| clef, alto | B.11.1 Standard clefs |
| clef, alto varC | B.11.1 Standard clefs |
| clef, ancient | 1.3.1 Clef |
| clef, ancient music | 17.3.2 Mensural clefs |
| clef, ancient music | B.11.4 Ancient music clefs |
| clef, baritone | 1.3.1 Clef |
| clef, baritone varC | B.11.1 Standard clefs |
| clef, baritone varF | B.11.1 Standard clefs |
| clef, bass | 1.3.1 Clef |
| clef, bass | B.11.1 Standard clefs |
| clef, black mensural | 17.3.2 Mensural clefs |
| clef, black mensural | B.11.4 Ancient music clefs |
| clef, C | 1.3.1 Clef |
| clef, C | B.11.1 Standard clefs |
| clef, F | 1.3.1 Clef |
| clef, F | B.11.1 Standard clefs |
| clef, french | 1.3.1 Clef |
| clef, french | B.11.1 Standard clefs |
| clef, G | 1.3.1 Clef |
| clef, G | B.11.1 Standard clefs |
| clef, G2 | B.11.1 Standard clefs |
| clef, GG | B.11.1 Standard clefs |
| clef, Kievan | 17.3.2 Mensural clefs |
| clef, Kievan | B.11.4 Ancient music clefs |
| clef, mensural | 17.3.2 Mensural clefs |
| clef, mensural | B.11.4 Ancient music clefs |
| clef, mezzo-soprano | 1.3.1 Clef |
| clef, mezzo-soprano | B.11.1 Standard clefs |
| clef, moderntab | 12.1.4 Custom tablatures |
| clef, percussion | 13.1.2 Basic percussion notation |
| clef, percussion | B.11.2 Percussion staff clef |
| clef, Petrucci | 17.3.2 Mensural clefs |
| clef, Petrucci | B.11.4 Ancient music clefs |
| clef, soprano | 1.3.1 Clef |
| clef, soprano | B.11.1 Standard clefs |
| clef, style | 17.3.2 Mensural clefs |
| clef, style | B.11 Clef styles |
| clef, subbass | 1.3.1 Clef |
| clef, subbass | B.11.1 Standard clefs |
| clef, tab | 12.1.4 Custom tablatures |
| clef, tab | B.11.3 Tab staff clefs |
| clef, tenor | 1.3.1 Clef |
| clef, tenor | B.11.1 Standard clefs |
| clef, tenor G | B.11.1 Standard clefs |
| clef, tenor varC | B.11.1 Standard clefs |
| clef, transposing | 1.3.1 Clef |
| clef, treble | 1.3.1 Clef |
| clef, treble | B.11.1 Standard clefs |
| clef, tweaking properties | 1.3.1 Clef |
| clef, varbaritone | 1.3.1 Clef |
| clef, varbaritone | B.11.1 Standard clefs |
| clef, varC | B.11.1 Standard clefs |
| clef, violin | 1.3.1 Clef |
| clef, violin | B.11.1 Standard clefs |
| clef, visibility following explicit change | 36.7.5 Special considerations |
| clef, visibility of transposition | 36.7.5 Special considerations |
| clef, with cue notes | 1.3.1 Clef |
| clip-regions | 23.1 Extracting fragments of music |
| clip-regions | B.23 Paper variables |
| closure | B.20 Technical glossary |
| cluster | 5.1.4 Clusters |
| \cm | 36.2 Distances and measurements |
| cm | B.23 Paper variables |
| \coda | 3.1.1 Articulations and ornamentations |
| coda | 4.1.6 Segno repeat structure |
| \coda | A.1.4 Markup for music and musical symbols |
| \coda | B.13.5 Repeat sign scripts |
| coda sign, variant | B.13.5 Repeat sign scripts |
| \codaMark | 2.5.2 Automatic bar lines |
| \codaMark | 4.1.7 Segno repeat appearance |
| \codaMark | 4.1.8 Manual repeat marks |
| \codaMark | B.21 Available music functions |
| collision | 5.2.3 Collision resolution |
| collision, bar number | 2.5.3 Bar numbers |
| collision, cross-staff voices | 10.1.2 Changing staff manually |
| collision, ignoring | 5.1.3 Simultaneous expressions |
| collision, ignoring | 5.2.3 Collision resolution |
| color | 7.1.5 Coloring objects |
| color | 7.1.5 Coloring objects |
| color blind | 7.1.5 Coloring objects |
| color fonts | 8.3.1 Unsupported font formats |
| color, CSS-like codes | 7.1.5 Coloring objects |
| color, in chord | 7.1.5 Coloring objects |
| color, list | B.7 List of colors |
| color, RGB | 7.1.5 Coloring objects |
| color, suitable for dichromatism | B.7 List of colors |
| coloring note | 7.1.5 Coloring objects |
| coloring note, in chord | 7.1.5 Coloring objects |
| coloring object | 7.1.5 Coloring objects |
| coloring object | 36.7.3 Painting objects white |
| coloring text | A.1.8 Other markup commands |
| coloring voice | 5.2.2 Voice styles |
| \column | 8.2.3 Text alignment |
| \column | A.1.2 Markup for text alignment |
| column | 30.4.1 Overview of object-specific horizontal spacing tweaks |
| \column-lines | A.2 Text markup list commands |
| column, text | 8.1.6 Separate text |
| column, text | 8.2.3 Text alignment |
| \combine | 8.2.4 Graphic notation inside markup |
| \combine | A.1.2 Markup for text alignment |
| combining parts | 5.2.5 Automatic part combining |
| combining parts, changing text | 5.2.5 Automatic part combining |
| comma interval | 18.3.1 References for Turkish classical music |
| comment | 20.1 Structure of a score |
| comment | 20.5 File structure |
| common time | 2.3.1 Time signature |
| common-shortest-duration | 30.1 Horizontal spacing overview |
| Completion_heads_engraver | 2.3.6 Automatic note splitting |
| Completion_heads_engraver | 17.6.4 Ancient and modern from one source |
| Completion_rest_engraver | 2.3.6 Automatic note splitting |
| Completion_rest_engraver | 17.6.4 Ancient and modern from one source |
| complex time signature | 2.3.1 Time signature |
| composer | 21.1.2 Default layout of bookpart and score titles |
| \compound-meter | A.1.4 Markup for music and musical symbols |
| \compressEmptyMeasures | 6.3.4 Compressing empty measures |
| compressing music | 2.1.3 Scaling durations |
| \compressMMRests | 2.2.3 Full measure rests |
| \compressMMRests | 2.2.3 Full measure rests |
| \compressMMRests | 6.3.4 Compressing empty measures |
| \compressMMRests | B.21 Available music functions |
| \concat | A.1.2 Markup for text alignment |
| concatenating text | A.1.2 Markup for text alignment |
| condensing rests | 2.2.3 Full measure rests |
| conducting signs | 2.4.2 Setting automatic beam behavior |
| conga | B.15 Percussion notes |
| \consists | 33.4 Modifying context plug-ins |
| \consists | 33.6 Defining new contexts |
| \consists | 33.6 Defining new contexts |
| constante hairpin | 3.1.2 Dynamics |
| contemporary glissando | 3.3.1 Glissando |
| \context | 33.2 Creating and referencing contexts |
| \context | 33.5.1 Changing all contexts of the same type |
| context definitions, with MIDI | 24.4.3 Setting MIDI block properties |
| context property, changing default | 33.5 Changing context default settings |
| context-spec-music | 5.2.3 Collision resolution |
| context, adding alias | 33.6 Defining new contexts |
| context, creating and referencing | 33.2 Creating and referencing contexts |
| context, defining in MIDI | 33.6 Defining new contexts |
| context, defining new | 33.6 Defining new contexts |
| context, implicit | 33.7 Context layout order |
| \context, in \layout block | 33.5.1 Changing all contexts of the same type |
| context, keeping alive | 33.3 Keeping contexts alive |
| context, layout order | 33.7 Context layout order |
| context, lifetime | 33.3 Keeping contexts alive |
| context, overlaying multiple | 6.1.2 Grouping staves |
| context, properties | 35.2 \set and \unset |
| context, Score-level | 33.6 Defining new contexts |
| \contextPropertyCheck | B.21 Available music functions |
| continuation, of notes | 16.3 Graphical notation |
| control pitch | 1.2.1 Octave checks |
| control point, Bézier curve | 36.11.1 Modifying ties and slurs |
| control point, tweaking | 35.6 \tweak and \single |
| controlling general text alignment | A.1.2 Markup for text alignment |
| controlpitch | 1.2.1 Octave checks |
| copyright | 21.1.2 Default layout of bookpart and score titles |
| copyright sign | 22.4.2 Unicode |
| count visibility, of percent repeats | 4.2.1 Percent repeats |
| counter, percent repeat | 4.2.1 Percent repeats |
| countPercentRepeats | 4.2.1 Percent repeats |
| cowbell | B.15 Percussion notes |
| \cr | 3.1.2 Dynamics |
| crash cymbal | B.15 Percussion notes |
| creating a table | A.2 Text markup list commands |
| creating empty text object | A.1.8 Other markup commands |
| creating horizontal space, in text | A.1.2 Markup for text alignment |
| creating horizontal space, in text | A.1.2 Markup for text alignment |
| creating text fraction | A.1.8 Other markup commands |
| creating vertical space, in text | A.1.2 Markup for text alignment |
| creating vertical space, in text | A.1.2 Markup for text alignment |
| creating vertical space, in text | A.1.8 Other markup commands |
| \cresc | 3.1.2 Dynamics |
| crescendo | 3.1.2 Dynamics |
| crescendo-event | 6.3.2 Quoting other voices |
| crescendoSpanner | 3.1.2 Dynamics |
| crescendoText | 3.1.2 Dynamics |
| \crescHairpin | 3.1.2 Dynamics |
| \crescTextCresc | 3.1.2 Dynamics |
| cross | 1.4.1 Special note heads |
| cross note head | 1.4.1 Special note heads |
| cross-staff beam | 10.1.2 Changing staff manually |
| cross-staff chord | 10.1.4 Staff-change lines |
| cross-staff chord bracket | 10.1.4 Staff-change lines |
| cross-staff collision | 10.1.2 Changing staff manually |
| cross-staff line | 10.1.4 Staff-change lines |
| cross-staff note | 10.1.2 Changing staff manually |
| cross-staff note | 10.1.4 Staff-change lines |
| cross-staff parenthesis-style arpeggio | 3.3.2 Arpeggio |
| cross-staff stem | 10.1.4 Staff-change lines |
| cross-staff tremolo | 4.2.2 Tremolo repeats |
| cross-voice arpeggio | 3.3.2 Arpeggio |
| \crossStaff | 10.1.4 Staff-change lines |
| \crossStaff | B.21 Available music functions |
| CSS color codes | 7.1.5 Coloring objects |
| cue clef | 1.3.1 Clef |
| cue note | 6.3.2 Quoting other voices |
| cue note | 6.3.3 Formatting cue notes |
| cue note, formatting | 6.3.3 Formatting cue notes |
| cue note, removing | 6.3.3 Formatting cue notes |
| cue, in vocal score | 9.6.3 Musical cues |
| cue, musical | 9.6.3 Musical cues |
| \cueClef | 6.3.3 Formatting cue notes |
| \cueClef | B.21 Available music functions |
| \cueClefUnset | 6.3.3 Formatting cue notes |
| \cueClefUnset | B.21 Available music functions |
| \cueDuring | 6.3.3 Formatting cue notes |
| \cueDuring | B.21 Available music functions |
| \cueDuring, and tags | 22.2.2 Using tags |
| \cueDuringWithClef | 6.3.3 Formatting cue notes |
| \cueDuringWithClef | B.21 Available music functions |
| CueVoice | 6.3.3 Formatting cue notes |
| CueVoice | 33.1.5 Bottom-level contexts – voices |
| cuica | B.15 Percussion notes |
| currentBarNumber | 2.5.3 Bar numbers |
| currentBarNumber | 2.6.3 Time administration |
| custodes | 17.2.3 Custodes |
| custom fret diagram | 12.1.5 Fret diagram markups |
| custom fret diagram | 12.1.5 Fret diagram markups |
| custom fret diagram, adding | 12.1.6 Predefined fret diagrams |
| custom fretboard fret diagram | 12.1.6 Predefined fret diagrams |
| custom metronome mark markup | 2.3.2 Metronome marks |
| custom rehearsal mark | 2.5.5 Rehearsal marks |
| custom string tuning | 12.1.4 Custom tablatures |
| customized fret diagram | 12.1.5 Fret diagram markups |
| customizing chord name | 15.2.2 Customizing chord names |
| \customTabClef | A.1.4 Markup for music and musical symbols |
| custos | 17.2.3 Custodes |
| cut time | 2.3.1 Time signature |
| cymbal, various | B.15 Percussion notes |
|
| D |
| D.C. | 4.1.6 Segno repeat structure |
| D.C., manual | 4.1.8 Manual repeat marks |
| D.S. | 4.1.6 Segno repeat structure |
| D.S., forced at start | 4.1.7 Segno repeat appearance |
| D.S., manual | 4.1.8 Manual repeat marks |
| da capo | 4.1.6 Segno repeat structure |
| da capo, manual | 4.1.8 Manual repeat marks |
| dal segno | 4.1.6 Segno repeat structure |
| dal segno, forced at start | 4.1.7 Segno repeat appearance |
| dal segno, manual | 4.1.8 Manual repeat marks |
| dampened note, on fretted instrument | 12.2.2 Indicating harmonics and dampened notes |
| dash patterns, slur | 3.2.1 Slurs |
| dash patterns, slur | 3.2.1 Slurs |
| \dashBang | 3.1.1 Articulations and ornamentations |
| \dashDash | 3.1.1 Articulations and ornamentations |
| \dashDot | 3.1.1 Articulations and ornamentations |
| dashed phrasing slur | 3.2.2 Phrasing slurs |
| dashed slur | 3.2.1 Slurs |
| dashed tie | 2.1.4 Ties |
| \dashHat | 3.1.1 Articulations and ornamentations |
| \dashLarger | 3.1.1 Articulations and ornamentations |
| \dashPlus | 3.1.1 Articulations and ornamentations |
| \dashUnderscore | 3.1.1 Articulations and ornamentations |
| dead note, percussion | 13.1.7 Ghost notes |
| \deadNote | 1.4.1 Special note heads |
| \deadNote | B.21 Available music functions |
| \deadNotesOff | 1.4.1 Special note heads |
| \deadNotesOn | 1.4.1 Special note heads |
| debug-beam-scoring | 26.6.5 \paper variables for debugging |
| debug-beam-scoring | B.23 Paper variables |
| debug-slur-scoring | 26.6.5 \paper variables for debugging |
| debug-slur-scoring | B.23 Paper variables |
| debug-tie-scoring | 26.6.5 \paper variables for debugging |
| debug-tie-scoring | B.23 Paper variables |
| debugging, vertical spacing | 31.1 Displaying spacing |
| decorating text | 8.2.4 Graphic notation inside markup |
| \decr | 3.1.2 Dynamics |
| \decresc | 3.1.2 Dynamics |
| decrescendo | 3.1.2 Dynamics |
| decrescendoSpanner | 3.1.2 Dynamics |
| decrescendoText | 3.1.2 Dynamics |
| dedication | 21.1.2 Default layout of bookpart and score titles |
| default | 1.3.5 Automatic accidentals |
| \default | 2.5.5 Rehearsal marks |
| \default | 21.4.1 Footnotes in music expressions |
| default bar line | 2.5.2 Automatic bar lines |
| default bar line, changing | 2.5.1 Bar lines |
| default context property, changing | 33.5 Changing context default settings |
| default note duration | 2.1.1 Durations |
| default note name | 1.1.3 Accidentals |
| default pitch | 2.1.1 Durations |
| default vertical direction (-) | 36.1.1 Articulation direction indicators |
| default-staff-staff-spacing | 29.1.1 Within-system spacing properties |
| default, offsetting | 35.7 The \offset command |
| \defaultchild | 33.1.5 Bottom-level contexts – voices |
| \defaultchild | 33.7 Context layout order |
| \defaultTimeSignature | 2.3.1 Time signature |
| \defineBarLine | 2.5.1 Bar lines |
| \defineBarLine | B.21 Available music functions |
| defining bar line | 2.5.1 Bar lines |
| defining predefined fretboard | 12.1.6 Predefined fret diagrams |
| delayed ‘turn’ ornament | 3.1.1 Articulations and ornamentations |
| \deminutum | 17.4.7 Gregorian square neume ligatures |
| \deminutum | 17.4.7 Gregorian square neume ligatures |
| \denies | 33.6 Defining new contexts |
| \denies | 33.6 Defining new contexts |
| \denies | 33.7 Context layout order |
| \descendens | 17.4.7 Gregorian square neume ligatures |
| \descendens | 17.4.7 Gregorian square neume ligatures |
| desk parts | 6.3 Writing parts |
| Devnull | 33.1.4 Intermediate-level contexts – staves |
| Devnull | 33.1.5 Bottom-level contexts – voices |
| diagram, chord for fretted instruments | 12.1.5 Fret diagram markups |
| diagram, fret | 12.1.5 Fret diagram markups |
| diagram, fret, customized | 12.1.5 Fret diagram markups |
| diagram, fret, transposing | 12.1.6 Predefined fret diagrams |
| diamond note head | 1.4.1 Special note heads |
| diamond-shaped note head | 11.1.3 Harmonics |
| dichromatism, suitable colors | B.7 List of colors |
| \dim | 3.1.2 Dynamics |
| dim | 15.1.2 Common chords |
| dimension | 36.3 Dimensions |
| dimension units | 36.2 Distances and measurements |
| dimension-variables | B.23 Paper variables |
| dimension, of bounding box | A.1.8 Other markup commands |
| \dimHairpin | 3.1.2 Dynamics |
| diminuendo | 3.1.2 Dynamics |
| \dimTextDecr | 3.1.2 Dynamics |
| \dimTextDecresc | 3.1.2 Dynamics |
| \dimTextDim | 3.1.2 Dynamics |
| \dir-column | A.1.2 Markup for text alignment |
| direction, automatic, of stem, on center line | 7.1.9 Stems |
| direction, default (-) | 36.1.1 Articulation direction indicators |
| direction, default, of stem, on center line | 7.1.9 Stems |
| direction, down (_) | 36.1.1 Articulation direction indicators |
| direction, up (^) | 36.1.1 Articulation direction indicators |
| \discant | A.1.7 Accordion registers |
| discant symbol, accordion | 10.4.1 Discant symbols |
| display vertical layout | 31.1 Displaying spacing |
| \displayLilyMusic | 25.1 Displaying LilyPond notation |
| \displayLilyMusic | B.21 Available music functions |
| \displayMusic | B.21 Available music functions |
| \displayScheme | B.21 Available music functions |
| distance, absolute | 36.2 Distances and measurements |
| distance, between staves | 29.1 Flexible vertical spacing within systems |
| distance, scaled | 36.2 Distances and measurements |
| divided lyrics | 9.2.5 Divisi lyrics |
| divided voices | 9.5.2 Score layouts for choral |
| divisi staves | 6.2.3 Hiding staves |
| divisio | 17.4.4 Divisiones |
| \divisioMaior | 17.4.4 Divisiones |
| \divisioMaxima | 17.4.4 Divisiones |
| \divisioMinima | 17.4.4 Divisiones |
| divisiones | 17.4.4 Divisiones |
| dodecaphonic | 1.3.5 Automatic accidentals |
| dodecaphonic-first | 1.3.5 Automatic accidentals |
| dodecaphonic-no-repeat | 1.3.5 Automatic accidentals |
| doit | 3.2.4 Falls and doits |
| \dorian | 1.3.2 Key signature |
| Dorian | 1.3.2 Key signature |
| \dotsDown | 2.1.1 Durations |
| \dotsNeutral | 2.1.1 Durations |
| \dotsUp | 2.1.1 Durations |
| dotted bar line | 2.5.2 Automatic bar lines |
| dotted note | 2.1.1 Durations |
| dotted note, changing number of dots | 2.1.1 Durations |
| dotted note, moving horizontally | 5.2.3 Collision resolution |
| dotted phrasing slur | 3.2.2 Phrasing slurs |
| dotted slur | 3.2.1 Slurs |
| dotted tie | 2.1.4 Ties |
| double bar line | 2.5.1 Bar lines |
| double bar line | 2.5.2 Automatic bar lines |
| double bar line | 2.5.2 Automatic bar lines |
| double bar line | 2.5.7 Section divisions |
| double flat | 1.1.3 Accidentals |
| double sharp | 1.1.3 Accidentals |
| double slur, for legato chords | 3.2.1 Slurs |
| double-dotted note | 2.1.1 Durations |
| double-time signature | 2.3.5 Polymetric notation |
| \doubleflat | A.1.4 Markup for music and musical symbols |
| \doublesharp | A.1.4 Markup for music and musical symbols |
| doubleSlurs | 3.2.1 Slurs |
| down direction (_) | 36.1.1 Articulation direction indicators |
| \downbow | 3.1.1 Articulations and ornamentations |
| \downbow | 11.1.2 Bowing indications |
| \downbow | B.13.4 Instrument-specific scripts |
| \downmordent | 3.1.1 Articulations and ornamentations |
| \downmordent | B.13.2 Ornament scripts |
| \downprall | 3.1.1 Articulations and ornamentations |
| \downprall | B.13.2 Ornament scripts |
| \draw-circle | 8.2.4 Graphic notation inside markup |
| \draw-circle | A.1.3 Graphical markup |
| \draw-dashed-line | A.1.3 Graphical markup |
| \draw-dotted-line | A.1.3 Graphical markup |
| \draw-hline | A.1.3 Graphical markup |
| \draw-line | 8.2.4 Graphic notation inside markup |
| \draw-line | A.1.3 Graphical markup |
| \draw-squiggle-line | A.1.3 Graphical markup |
| drawing beam, within text | A.1.3 Graphical markup |
| drawing box, with rounded corners | A.1.3 Graphical markup |
| drawing box, with rounded corners, around text | A.1.3 Graphical markup |
| drawing circle, within text | A.1.3 Graphical markup |
| drawing dashed line, within text | A.1.3 Graphical markup |
| drawing dotted line, within text | A.1.3 Graphical markup |
| drawing ellipse, around text | A.1.3 Graphical markup |
| drawing graphic object | 8.2.4 Graphic notation inside markup |
| drawing line, across a page | A.1.3 Graphical markup |
| drawing line, within text | A.1.3 Graphical markup |
| drawing oval, around text | A.1.3 Graphical markup |
| drawing path | A.1.3 Graphical markup |
| drawing polygon | A.1.3 Graphical markup |
| drawing solid box, within text | A.1.3 Graphical markup |
| drawing squiggled line, within text | A.1.3 Graphical markup |
| drawing triangle, within text | A.1.3 Graphical markup |
| \dropNote | 15.1.4 Chord inversions and specific voicings |
| \dropNote | B.21 Available music functions |
| drum | 13.1.2 Basic percussion notation |
| drum | 13.1.5 Percussion staves |
| drum staff | 6.1.1 Instantiating new staves |
| drum, various | B.15 Percussion notes |
| \drummode | 6.1.1 Instantiating new staves |
| \drummode | 13.1.2 Basic percussion notation |
| \drummode | 19 Input modes |
| drumPitchNames | 13.1.6 Custom percussion staves |
| drumPitchTable | 13.1.6 Custom percussion staves |
| \drums | 13.1.2 Basic percussion notation |
| \drums | 19 Input modes |
| DrumStaff | 6.1.1 Instantiating new staves |
| DrumStaff | 33.1.4 Intermediate-level contexts – staves |
| drumStyleTable | 13.1.6 Custom percussion staves |
| DrumVoice | 33.1.5 Bottom-level contexts – voices |
| duration line | 16.3 Graphical notation |
| duration, default | 2.1.1 Durations |
| duration, isolated | 2.1.1 Durations |
| duration, of note | 2.1.1 Durations |
| duration, scaling | 2.1.3 Scaling durations |
| \dwn | 18.2.2 Arabic note names |
| \dynamic | 3.1.3 New dynamic marks |
| \dynamic | A.1.1 Font markup |
| dynamic mark, multiple on one note | 3.1.2 Dynamics |
| dynamic mark, new | 3.1.3 New dynamic marks |
| dynamic-event | 6.3.2 Quoting other voices |
| \dynamicDown | 3.1.2 Dynamics |
| DynamicLineSpanner | 3.1.2 Dynamics |
| DynamicLineSpanner | 3.1.2 Dynamics |
| \dynamicNeutral | 3.1.2 Dynamics |
| dynamics | 3.1.2 Dynamics |
| Dynamics | 33.1.5 Bottom-level contexts – voices |
| dynamics, absolute | 3.1.2 Dynamics |
| dynamics, breaking vertical alignment | 3.1.2 Dynamics |
| dynamics, centered in keyboard music | 10.1.1 References for keyboards |
| dynamics, editorial | 3.1.3 New dynamic marks |
| dynamics, extender line, hiding | 3.1.2 Dynamics |
| dynamics, in MIDI | 24.4.1 Dynamic marks in MIDI |
| dynamics, in MIDI, custom | 24.4.1 Dynamic marks in MIDI |
| dynamics, parenthesis | 3.1.3 New dynamic marks |
| dynamics, text spanner, customize | 8.1.3 Text spanners |
| dynamics, text, style | 3.1.2 Dynamics |
| dynamics, vertical alignment | 3.1.2 Dynamics |
| dynamics, vertical positioning | 3.1.2 Dynamics |
| \dynamicUp | 3.1.2 Dynamics |
|
| E |
| easy notation | 1.4.2 Easy notation note heads |
| easy notation, using numbers | 1.4.2 Easy notation note heads |
| easy play note head | 1.4.2 Easy notation note heads |
| \easyHeadsOff | 1.4.2 Easy notation note heads |
| \easyHeadsOn | 1.4.2 Easy notation note heads |
| editorial dynamics | 3.1.3 New dynamic marks |
| effects, in MIDI | 24.8 Context properties for MIDI effects |
| electric snare | B.15 Percussion notes |
| \ellipse | A.1.3 Graphical markup |
| embedded graphics | 8.2.4 Graphic notation inside markup |
| embedding files, in PDF | 23.4 Embedding files in PDF output |
| embedding graphic object | 8.2.4 Graphic notation inside markup |
| Emmentaler font | B.8 The Emmentaler font |
| Emoji fonts | 8.3.1 Unsupported font formats |
| empty chord | 2.6.1 Grace notes |
| empty chord | 3.1.2 Dynamics |
| empty chord | 10.1.2 Changing staff manually |
| empty staff | 6.2.3 Hiding staves |
| \EnableGregorianDivisiones | B.22 Context modification identifiers |
| \enablePerStaffTiming | B.21 Available music functions |
| encapsulated postscript output | 23.3 Alternative output formats |
| enclosing text, in box | A.1.1 Font markup |
| enclosing text, in box with rounded corners | A.1.3 Graphical markup |
| encoding, of text | 22.4.1 Text encoding |
| end repeat | 4.1.8 Manual repeat marks |
| \endcr | 3.1.2 Dynamics |
| \enddecr | 3.1.2 Dynamics |
| \endSpanners | 36.6 Line spanners |
| \endSpanners | B.21 Available music functions |
| \englishChords | 15.2.2 Customizing chord names |
| Engraver_group | 33.6 Defining new contexts |
| engraver, including in context | 33.6 Defining new contexts |
| ensemble music | 9.6.1 References for opera and stage musicals |
| entering lyrics | 9.1.2 Entering lyrics |
| entering multiple tuplets | 2.1.2 Tuplets |
| \episemFinis | 17.4.5 Gregorian articulation signs |
| \episemInitium | 17.4.5 Gregorian articulation signs |
| EPS image | A.1.3 Graphical markup |
| EPS output | 23.3 Alternative output formats |
| \epsfile | 8.2.4 Graphic notation inside markup |
| \epsfile | A.1.3 Graphical markup |
| equalization, instrument, replacing MIDI default | 24.4.2 Setting MIDI volume |
| \espressivo | 3.1.1 Articulations and ornamentations |
| \espressivo | 3.1.2 Dynamics |
| \espressivo | B.13.1 Articulation scripts |
| espressivo articulation | 3.1.2 Dynamics |
| \etc | 8.2.1 Text markup introduction |
| \etc | 22.3.2 Substitution function examples |
| evenFooterMarkup | B.23 Paper variables |
| evenHeaderMarkup | B.23 Paper variables |
| \eventChords | B.21 Available music functions |
| exact positioning of staves | 29.2 Explicit staff and system positioning |
| exception, chord names | 15.2.2 Customizing chord names |
| \expandEmptyMeasures | 6.3.4 Compressing empty measures |
| expanding music | 2.1.3 Scaling durations |
| explicitClefVisibility | 36.7.5 Special considerations |
| explicitKeySignatureVisibility | 36.7.5 Special considerations |
| expression markup | 8.2.1 Text markup introduction |
| expression, in MIDI | 24.8 Context properties for MIDI effects |
| extended chord | 15.1.3 Extended and altered chords |
| extender | 9.1.8 Extenders and hyphens |
| extender line, dynamics, hiding | 3.1.2 Dynamics |
| extent, of actual inking | A.1.8 Other markup commands |
| extent, of bounding box | A.1.8 Other markup commands |
| extra natural sign, preventing | 1.1.3 Accidentals |
| extra voice, for handling breaks | 28.1 Line breaking |
| extra-offset | 29.1.1 Within-system spacing properties |
| extra-spacing-height | 30.4.3 Spacing between adjacent columns |
| extra-spacing-width | 30.4.3 Spacing between adjacent columns |
| extreme pitch | 1.1.4 Approximate pitches |
| \eyeglasses | A.1.8 Other markup commands |
| Ez_numbers_engraver | 1.4.2 Easy notation note heads |
|
| F |
| \f | 3.1.2 Dynamics |
| F clef | 1.3.1 Clef |
| F clef | B.11.1 Standard clefs |
| fall | 3.2.4 Falls and doits |
| false (#f) | B.25 Predefined type predicates |
| false note, percussion | 13.1.7 Ghost notes |
| \featherDurations | 2.4.4 Feathered beams |
| \featherDurations | B.21 Available music functions |
| feathered beam | 2.4.4 Feathered beams |
| feature, OpenType font | 8.3.4 Font features |
| feature, OpenType font | A.1.1 Font markup |
| \fermata | 2.2.4 Caesuras |
| \fermata | 3.1.1 Articulations and ornamentations |
| fermata | 3.1.1 Articulations and ornamentations |
| \fermata | A.1.4 Markup for music and musical symbols |
| \fermata | B.13.3 Fermata scripts |
| fermata | B.13.3 Fermata scripts |
| fermata, Henze | 3.1.1 Articulations and ornamentations |
| fermata, Henze | B.13.3 Fermata scripts |
| fermata, long | 3.1.1 Articulations and ornamentations |
| fermata, long | B.13.3 Fermata scripts |
| fermata, on bar line | 2.2.4 Caesuras |
| fermata, on multi-measure rest | 2.2.3 Full measure rests |
| fermata, short | 3.1.1 Articulations and ornamentations |
| fermata, short | B.13.3 Fermata scripts |
| Ferneyhough hairpin | 3.1.2 Dynamics |
| Feta font | B.8 The Emmentaler font |
| \ff | 3.1.2 Dynamics |
| \fff | 3.1.2 Dynamics |
| \ffff | 3.1.2 Dynamics |
| \fffff | 3.1.2 Dynamics |
| figured bass | 15.3.1 Introduction to figured bass |
| figured bass, alignment | 15.3.3 Displaying figured bass |
| figured bass, alteration, glyphs | 15.3.2 Entering figured bass |
| figured bass, alteration, position | 15.3.2 Entering figured bass |
| figured bass, extender lines | 15.3.2 Entering figured bass |
| figured bass, vertical distance of elements | 15.3.3 Displaying figured bass |
| \figured-bass | A.1.1 Font markup |
| FiguredBass | 33.1.5 Bottom-level contexts – voices |
| figuredBassAlterationDirection | 15.3.2 Entering figured bass |
| figuredBassPlusDirection | 15.3.2 Entering figured bass |
| figuredBassPlusStrokedAlist | 15.3.2 Entering figured bass |
| \figuremode | 15.3.1 Introduction to figured bass |
| \figuremode | 19 Input modes |
| \figures | 15.3.1 Introduction to figured bass |
| \figures | 19 Input modes |
| files, embedding in PDF | 23.4 Embedding files in PDF output |
| \fill-line | 8.2.3 Text alignment |
| \fill-line | A.1.2 Markup for text alignment |
| \fill-with-pattern | 21.7 Table of contents |
| \fill-with-pattern | A.1.2 Markup for text alignment |
| \filled-box | 8.2.4 Graphic notation inside markup |
| \filled-box | A.1.3 Graphical markup |
| final bar line | 2.5.1 Bar lines |
| final bar line | 2.5.2 Automatic bar lines |
| final bar line | 2.5.7 Section divisions |
| final bar line, in Gregorian chant | 17.4.4 Divisiones |
| final bar line, in Kievan chant | 17.5.5 Kievan bar lines |
| \finalis | 17.4.4 Divisiones |
| finalis | 17.4.4 Divisiones |
| \fine | 2.5.2 Automatic bar lines |
| \fine | 2.5.7 Section divisions |
| \fine | 4.1.5 Al-fine repeats |
| \fine | 4.1.6 Segno repeat structure |
| \fine | 17.5.5 Kievan bar lines |
| fine | 4.1.6 Segno repeat structure |
| \finger | 7.1.2 Fingering instructions |
| \finger | A.1.1 Font markup |
| \finger | B.21 Available music functions |
| finger change | 7.1.2 Fingering instructions |
| fingering | 7.1.2 Fingering instructions |
| fingering chart | 14.1.2 Fingerings |
| fingering number, vs. string | 12.1.2 String number indications |
| fingering, adding to fret diagram | 12.1.7 Automatic fret diagrams |
| fingering, and multi-measure rest | 2.2.3 Full measure rests |
| fingering, glide | 7.1.3 Gliding fingers |
| fingering, inside of staff | 7.1.2 Fingering instructions |
| fingering, line between | 7.1.3 Gliding fingers |
| fingering, orientation | 7.1.2 Fingering instructions |
| fingering, right-hand, for fretted instruments | 12.1.8 Right-hand fingerings |
| fingering, right-hand, placement | 12.1.8 Right-hand fingerings |
| fingering, stem support | 7.1.2 Fingering instructions |
| fingering, symbols, for wind instruments | 14.1.2 Fingerings |
| fingering, thumb | 3.1.1 Articulations and ornamentations |
| fingering, thumb | 7.1.2 Fingering instructions |
| fingering, thumb | B.13.4 Instrument-specific scripts |
| fingeringOrientations | 7.1.2 Fingering instructions |
| first-page-number | 26.6.3 \paper variables for page numbering |
| first-page-number | B.23 Paper variables |
| \first-visible | A.1.8 Other markup commands |
| \fixed | 1.1.1 Absolute octave entry |
| \fixed | B.21 Available music functions |
| flag, beam-like | 2.4.3 Manual beams |
| flag, mensural | 17.3.5 Mensural flags |
| flag, modern straight | 2.4.3 Manual beams |
| flag, old straight | 2.4.3 Manual beams |
| flag, stacked | 2.4.3 Manual beams |
| \flageolet | 3.1.1 Articulations and ornamentations |
| \flageolet | B.13.4 Instrument-specific scripts |
| flags, flat | 2.4.3 Manual beams |
| \flagStyleDefault | 2.4.3 Manual beams |
| \flagStyleStacked | 2.4.3 Manual beams |
| flared hairpin | 3.1.2 Dynamics |
| flat | 1.1.3 Accidentals |
| \flat | A.1.4 Markup for music and musical symbols |
| flat flags | 2.4.3 Manual beams |
| flat, double | 1.1.3 Accidentals |
| flex program | B.20 Technical glossary |
| \flexa | 17.4.7 Gregorian square neume ligatures |
| \flexa | 17.4.7 Gregorian square neume ligatures |
| flexa, in mensural ligatures | 17.3.10 White mensural ligatures |
| floor tom tom | B.15 Percussion notes |
| follow voice | 10.1.4 Staff-change lines |
| followVoice | 10.1.4 Staff-change lines |
| font | B.20 Technical glossary |
| font family | 8.2.2 Selecting font and font size |
| font family, setting | 8.3.5 Changing fonts |
| font feature, OpenType | 8.3.4 Font features |
| font feature, OpenType | A.1.1 Font markup |
| font format, bitmap | 8.3.1 Unsupported font formats |
| font format, CFF2 | 8.3.1 Unsupported font formats |
| font format, Font Variations (VF) | 8.3.1 Unsupported font formats |
| font format, OTC | 8.3.1 Unsupported font formats |
| font size (markup) | 8.2.2 Selecting font and font size |
| font size (notation) | 7.1.1 Selecting notation font size |
| font size (notation), scaling | 7.1.1 Selecting notation font size |
| font size (notation), standard | 7.1.1 Selecting notation font size |
| font size, setting | 27.2 Setting the staff size |
| font-interface | 7.1.1 Selecting notation font size |
| \font-select | A.1.1 Font markup |
| font-size | 7.1.1 Selecting notation font size |
| font-size | 7.1.1 Selecting notation font size |
| font, changing for entire document | 8.3.5 Changing fonts |
| font, Emmentaler | B.8 The Emmentaler font |
| font, external files | 8.3.2 Finding fonts |
| font, Feta | B.8 The Emmentaler font |
| font, finding | 8.3.2 Finding fonts |
| font, Parmesan | B.8 The Emmentaler font |
| font, switching | 8.2.2 Selecting font and font size |
| \fontCaps | A.1.1 Font markup |
| FontConfig | 8.3 Fonts |
| fonts | 8.3.5 Changing fonts |
| fonts, color | 8.3.1 Unsupported font formats |
| fonts, for Emojis | 8.3.1 Unsupported font formats |
| fontSize | 7.1.1 Selecting notation font size |
| \fontsize | 8.2.2 Selecting font and font size |
| \fontsize | A.1.1 Font markup |
| foot mark | 3.1.1 Articulations and ornamentations |
| foot mark | B.13.4 Instrument-specific scripts |
| footer | 21 Titles and headers |
| footer, page | 21.1.3 Default layout of headers and footers |
| \footnote | 21.4.1 Footnotes in music expressions |
| \footnote | A.1.8 Other markup commands |
| \footnote | B.21 Available music functions |
| footnote | 21.4 Creating footnotes |
| footnote-footer-padding | B.23 Paper variables |
| footnote-number-raise | B.23 Paper variables |
| footnote-numbering-function | B.23 Paper variables |
| footnote-padding | B.23 Paper variables |
| footnote-separator-markup | 26.6.4 \paper variables concerning headers and markups |
| footnote-separator-markup | B.23 Paper variables |
| footnote, event-based | 21.4.1 Footnotes in music expressions |
| footnote, in music expressions | 21.4.1 Footnotes in music expressions |
| footnote, in stand-alone text | 21.4.2 Footnotes in stand-alone text |
| footnote, time-based | 21.4.1 Footnotes in music expressions |
| Forbid_line_break_engraver | 2.1.2 Tuplets |
| forced vertical direction of grobs | 36.1.1 Articulation direction indicators |
| forget | 1.3.5 Automatic accidentals |
| formatting, cue notes | 6.3.3 Formatting cue notes |
| formatting, in lyrics | 9.1.2 Entering lyrics |
| formatting, rehearsal mark | 2.5.5 Rehearsal marks |
| formatting, text spanner | 8.1.3 Text spanners |
| four-bar music | 28.1 Line breaking |
| four-string-banjo | 12.3.1 Banjo tablatures |
| \fp | 3.1.2 Dynamics |
| \fraction | A.1.8 Other markup commands |
| fragment | 6.3.3 Formatting cue notes |
| fragment, music | 23.1 Extracting fragments of music |
| fragment, quoting | 6.3.2 Quoting other voices |
| framing text | 8.2.4 Graphic notation inside markup |
| \freeBass | A.1.7 Accordion registers |
| French clef | 1.3.1 Clef |
| French clef | B.11.1 Standard clefs |
| \frenchChords | 15.2.2 Customizing chord names |
| Frenched score | 6.2.3 Hiding staves |
| Frenched staff | 6.2.2 Ossia staves |
| Frenched staff | 6.2.3 Hiding staves |
| fret | 12.1.3 Default tablatures |
| fret diagram | 12.1.5 Fret diagram markups |
| fret diagram | 12.1.6 Predefined fret diagrams |
| fret diagram, adding custom | 12.1.6 Predefined fret diagrams |
| fret diagram, adding fingering | 12.1.7 Automatic fret diagrams |
| fret diagram, automatic | 12.1.7 Automatic fret diagrams |
| fret diagram, changing orientation | 12.1.5 Fret diagram markups |
| fret diagram, custom | 12.1.5 Fret diagram markups |
| fret diagram, customized | 12.1.5 Fret diagram markups |
| fret diagram, customized | 12.1.5 Fret diagram markups |
| fret diagram, left-handed | 12.1.5 Fret diagram markups |
| fret diagram, mandolin | 12.1.6 Predefined fret diagrams |
| fret diagram, markup | 12.1.5 Fret diagram markups |
| fret diagram, transposing | 12.1.6 Predefined fret diagrams |
| fret diagram, ukulele | 12.1.6 Predefined fret diagrams |
| fret diagram, with chord names | 12.1.6 Predefined fret diagrams |
| \fret-diagram | 12.1.5 Fret diagram markups |
| \fret-diagram | A.1.6 Instrument-specific markup |
| fret-diagram-interface | 12.1.5 Fret diagram markups |
| \fret-diagram-terse | 12.1.5 Fret diagram markups |
| \fret-diagram-terse | A.1.6 Instrument-specific markup |
| \fret-diagram-terse markup | 12.1.5 Fret diagram markups |
| \fret-diagram-verbose | 12.1.5 Fret diagram markups |
| \fret-diagram-verbose | A.1.6 Instrument-specific markup |
| \fret-diagram-verbose markup | 12.1.5 Fret diagram markups |
| fretboard fret diagram, customized | 12.1.6 Predefined fret diagrams |
| fretboard, alternate table | 12.1.6 Predefined fret diagrams |
| fretboard, define predefined | 12.1.6 Predefined fret diagrams |
| FretBoards | 12.1.6 Predefined fret diagrams |
| FretBoards | 33.1.4 Intermediate-level contexts – staves |
| fretted instrument, chord shape | 12.1.6 Predefined fret diagrams |
| fretted instrument, dampened note | 12.2.2 Indicating harmonics and dampened notes |
| fretted instrument, harmonics | 12.2.2 Indicating harmonics and dampened notes |
| fretted instrument, indicating position and barring | 12.2.1 Indicating position and barring |
| fretted instrument, predefined string tunings | 12.1.4 Custom tablatures |
| fretted instrument, right-hand fingering | 12.1.8 Right-hand fingerings |
| \fromproperty | A.1.8 Other markup commands |
| full score | 9.6 Opera and stage musicals |
| full score | 9.6.1 References for opera and stage musicals |
| full-measure rest | 2.2.3 Full measure rests |
| funk shape note head | 1.4.3 Shape note heads |
| \funkHeads | 1.4.3 Shape note heads |
| \funkHeadsMinor | 1.4.3 Shape note heads |
|
| G |
| G clef | 1.3.1 Clef |
| \general-align | 8.2.3 Text alignment |
| \general-align | A.1.2 Markup for text alignment |
| \germanChords | 15.2.2 Customizing chord names |
| ghost note | 7.1.8 Parentheses |
| ghost note, percussion | 13.1.7 Ghost notes |
| \glide | 7.1.3 Gliding fingers |
| gliding fingering | 7.1.3 Gliding fingers |
| \glissando | 3.3.1 Glissando |
| glissando | 3.3.1 Glissando |
| glissando, across repeats | 3.3.1 Glissando |
| glissando, and repeats | 4.1.7 Segno repeat appearance |
| glissando, breakable | 3.3.1 Glissando |
| glissando, chords in tablatures | 12.1.3 Default tablatures |
| glissando, contemporary | 3.3.1 Glissando |
| glissando, timing marks | 3.3.1 Glissando |
| \glissandoMap | 3.3.1 Glissando |
| Global | 33.1.2 Score – the master of all contexts |
| global replacement, automatic, of strings | 22.4.3 ASCII aliases |
| global variable | B.20 Technical glossary |
| glyph | B.20 Technical glossary |
| glyph set, accidental | B.10 Accidental glyph sets |
| glyph, alternate accidentals | 1.3.6 Alternate accidental glyphs |
| glyph, bounding box | A.1.8 Other markup commands |
| glyph, for figured bass alteration | 15.3.2 Entering figured bass |
| \grace | 2.6.1 Grace notes |
| \grace | B.21 Available music functions |
| grace note | 2.6.1 Grace notes |
| grace note | 14.2.1 Bagpipe definitions |
| grace note, and lyrics | 9.3.5 Stanzas with different rhythms |
| grace note, and strict spacing | 2.6.1 Grace notes |
| grace note, changing layout settings | 2.6.1 Grace notes |
| grace note, changing layout settings | 2.6.1 Grace notes |
| grace note, following | 2.6.1 Grace notes |
| grace note, synchronization | 2.6.1 Grace notes |
| grace note, tweaking | 2.6.1 Grace notes |
| grace note, tweaking | 2.6.1 Grace notes |
| grammar, for LilyPond | B.20 Technical glossary |
| grand staff | 6.1.2 Grouping staves |
| GrandStaff | 33.1.3 Top-level contexts – staff containers |
| graphic notation | 8.2.4 Graphic notation inside markup |
| graphic object, drawing | 8.2.4 Graphic notation inside markup |
| graphic object, embedding | 8.2.4 Graphic notation inside markup |
| graphical object | B.20 Technical glossary |
| graphical object interface | B.20 Technical glossary |
| graphics, embedding | 8.2.4 Graphic notation inside markup |
| graphics, embedding | 8.2.4 Graphic notation inside markup |
| Gregorian accidental | 17.4.3 Gregorian accidentals and key signatures |
| Gregorian articulation | 17.4.5 Gregorian articulation signs |
| Gregorian articulation, accentus | 17.4.5 Gregorian articulation signs |
| Gregorian articulation, accentus | B.13.6 Ancient scripts |
| Gregorian articulation, circulus | 17.4.5 Gregorian articulation signs |
| Gregorian articulation, circulus | B.13.6 Ancient scripts |
| Gregorian articulation, episem finis | 17.4.5 Gregorian articulation signs |
| Gregorian articulation, episem initium | 17.4.5 Gregorian articulation signs |
| Gregorian articulation, ictus | 17.4.5 Gregorian articulation signs |
| Gregorian articulation, ictus | B.13.6 Ancient scripts |
| Gregorian articulation, semicirculus | 17.4.5 Gregorian articulation signs |
| Gregorian articulation, semicirculus | B.13.6 Ancient scripts |
| Gregorian key signature | 17.4.3 Gregorian accidentals and key signatures |
| Gregorian music, modern transcription | 9.7.2 Setting a chant |
| Gregorian square neumes ligature | 17.4.7 Gregorian square neume ligatures |
| Gregorian transcription staff | 6.1.1 Instantiating new staves |
| GregorianTranscriptionLyrics | 33.1.5 Bottom-level contexts – voices |
| GregorianTranscriptionStaff | 6.1.1 Instantiating new staves |
| GregorianTranscriptionStaff | 33.1.4 Intermediate-level contexts – staves |
| GregorianTranscriptionVoice | 33.1.5 Bottom-level contexts – voices |
| grid line | 7.2.3 Grid lines |
| grid lines, changing appearance | 7.2.3 Grid lines |
| Grid_line_span_engraver | 7.2.3 Grid lines |
| Grid_point_engraver | 7.2.3 Grid lines |
| gridInterval | 7.2.3 Grid lines |
| grob | 34.2 Layout interfaces |
| grob | B.20 Technical glossary |
| grob-interface | B.20 Technical glossary |
| grob, and whiteout | 2.1.4 Ties |
| grob, and whiteout | 36.7.3 Painting objects white |
| grob, overwriting | 2.1.4 Ties |
| grob, overwriting | 36.7.3 Painting objects white |
| grob, property | 35.3 \override and \revert |
| grob, vertical position | 36.1.1 Articulation direction indicators |
| grob, visibility | 36.7 Visibility of objects |
| \grobdescriptions | B.21 Available music functions |
| grouping beats | 2.4.2 Setting automatic beam behavior |
| grow-direction | 2.4.4 Feathered beams |
| guiro | B.15 Percussion notes |
| guitar note head | 1.4.1 Special note heads |
| guitar tablature | 12 Fretted string instruments |
| guitar, chord chart | 2.3.7 Showing melody rhythms |
| guitar, strumming rhythm, showing | 2.3.7 Showing melody rhythms |
| guitar, strumming rhythm, showing | 2.3.7 Showing melody rhythms |
| gutter | 26.5.2 \paper variables for two-sided mode |
|
| H |
| hairpin | 3.1.2 Dynamics |
| hairpin, al niente | 3.1.2 Dynamics |
| hairpin, aligning ends to NoteColumn directions | 3.1.2 Dynamics |
| hairpin, angled | 36.8.1 Rotating layout objects |
| hairpin, constante | 3.1.2 Dynamics |
| hairpin, Ferneyhough | 3.1.2 Dynamics |
| hairpin, flared | 3.1.2 Dynamics |
| hairpin, minimum length | 3.1.2 Dynamics |
| hairpin, moving ends | 3.1.2 Dynamics |
| hairpin, stopping at bar lines | 3.1.2 Dynamics |
| half-open high hat | 3.1.1 Articulations and ornamentations |
| half-open high hat | 13.1.6 Custom percussion staves |
| half-open high hat | B.15 Percussion notes |
| \halfopen | 3.1.1 Articulations and ornamentations |
| \halfopen | 13.1.6 Custom percussion staves |
| \halfopen | B.13.4 Instrument-specific scripts |
| \halign | 8.2.3 Text alignment |
| \halign | A.1.2 Markup for text alignment |
| hammer on | 12.1.3 Default tablatures |
| hand clap | B.15 Percussion notes |
| Harmonia Sacra note head | 1.4.3 Shape note heads |
| \harmonic | 1.4.1 Special note heads |
| \harmonic | 11.1.3 Harmonics |
| \harmonic | 12.1.3 Default tablatures |
| harmonic indication, in tablature | 12.1.3 Default tablatures |
| harmonic note head | 1.4.1 Special note heads |
| \harmonicByFret | 12.1.3 Default tablatures |
| \harmonicByFret | B.21 Available music functions |
| \harmonicByRatio | 12.1.3 Default tablatures |
| \harmonicByRatio | B.21 Available music functions |
| \harmonicNote | B.21 Available music functions |
| harmonics, artificial | 11.1.3 Harmonics |
| harmonics, flageolet | 3.1.1 Articulations and ornamentations |
| harmonics, flageolet | B.13.4 Instrument-specific scripts |
| harmonics, in tablatures | 12.1.3 Default tablatures |
| harmonics, natural | 11.1.3 Harmonics |
| harmonics, on fretted instrument | 12.2.2 Indicating harmonics and dampened notes |
| \harmonicsOff | 11.1.3 Harmonics |
| \harmonicsOn | 11.1.3 Harmonics |
| \harmonicsOn | B.21 Available music functions |
| harp | 10.5.1 References for harps |
| \harp-pedal | 10.5.2 Harp pedals |
| \harp-pedal | A.1.6 Instrument-specific markup |
| harp, pedal | 10.5.2 Harp pedals |
| harp, pedal diagram | 10.5.2 Harp pedals |
| \haydnturn | 3.1.1 Articulations and ornamentations |
| \haydnturn | B.13.2 Ornament scripts |
| \hbracket | 8.2.4 Graphic notation inside markup |
| \hbracket | A.1.3 Graphical markup |
| \hcenter-in | A.1.2 Markup for text alignment |
| \header | 20.5 File structure |
| header | 21 Titles and headers |
| header, page | 21.1.3 Default layout of headers and footers |
| \heel | 3.1.1 Articulations and ornamentations |
| \heel | 10.3.1 Organ pedal marks |
| \heel | B.13.4 Instrument-specific scripts |
| \heelcircle | 3.1.1 Articulations and ornamentations |
| \heelcircle | 10.3.1 Organ pedal marks |
| \heelcircle | B.13.4 Instrument-specific scripts |
| Hel-arabic note name | 18.2.2 Arabic note names |
| help, balloon | 7.2.2 Balloon help |
| Henze fermata | 3.1.1 Articulations and ornamentations |
| Henze fermata | B.13.3 Fermata scripts |
| \henzelongfermata | 3.1.1 Articulations and ornamentations |
| \henzelongfermata | B.13.3 Fermata scripts |
| \henzeshortfermata | 3.1.1 Articulations and ornamentations |
| \henzeshortfermata | B.13.3 Fermata scripts |
| hidden note | 7.1.4 Hidden notes |
| \hide | 36.7.2 Making objects transparent |
| \hide | B.21 Available music functions |
| \hideKeySignature | 14.2.1 Bagpipe definitions |
| \hideNotes | 7.1.4 Hidden notes |
| \hideSplitTiedTabNotes | 12.1.3 Default tablatures |
| \hideStaffSwitch | 10.1.4 Staff-change lines |
| hiding accidentals, on tied notes at start of system | 1.1.3 Accidentals |
| hiding ancient staves | 6.2.3 Hiding staves |
| hiding dynamics extender line | 3.1.2 Dynamics |
| hiding rhythmic staves | 6.2.3 Hiding staves |
| hiding staves | 6.2.3 Hiding staves |
| hiding Vaticana staves | 6.2.3 Hiding staves |
| high bongo | B.15 Percussion notes |
| high conga | B.15 Percussion notes |
| high hat | B.15 Percussion notes |
| high hat, half-open | 3.1.1 Articulations and ornamentations |
| high hat, half-open | 13.1.6 Custom percussion staves |
| high hat, half-open | B.15 Percussion notes |
| high hat, open | 3.1.1 Articulations and ornamentations |
| high hat, open | B.15 Percussion notes |
| high hat, pedal | 3.1.1 Articulations and ornamentations |
| high hat, pedal | 13.1.6 Custom percussion staves |
| high hat, pedal | B.15 Percussion notes |
| high hat, pedal splash | 13.1.6 Custom percussion staves |
| high timbale | B.15 Percussion notes |
| high tom tom | B.15 Percussion notes |
| highest pitch | 1.1.4 Approximate pitches |
| highlight, staff | 7.1.6 Staff highlights |
| horizontal alignment, lyrics | 9.2.3 Placing syllables horizontally |
| horizontal alignment, melisma | 9.2.3 Placing syllables horizontally |
| horizontal beams | 12.1.3 Default tablatures |
| horizontal bracket | 7.2.4 Analysis brackets |
| horizontal movement, in markup | 8.2.3 Text alignment |
| horizontal ornament | 3.1.1 Articulations and ornamentations |
| horizontal shift of notes | 5.2.3 Collision resolution |
| horizontal spacing | 30 Horizontal spacing |
| horizontal spacing, between columns | 30.4.3 Spacing between adjacent columns |
| horizontal spacing, between non-musical items | 30.4.2 Spacing between adjacent non-musical items |
| horizontal text alignment | 8.2.3 Text alignment |
| Horizontal_bracket_engraver | 7.2.4 Analysis brackets |
| horizontal-shift | 26.5.3 \paper variables for shifts and indents |
| horizontal-shift | B.23 Paper variables |
| HorizontalBracketText | 7.2.4 Analysis brackets |
| horizontally centering text | A.1.2 Markup for text alignment |
| \hspace | 8.2.3 Text alignment |
| \hspace | A.1.2 Markup for text alignment |
| Hufnagel | 17 Ancient notation |
| Hufnagel | 17.1 Overview of the supported styles |
| \huge | 7.1.1 Selecting notation font size |
| \huge | 8.2.2 Selecting font and font size |
| \huge | A.1.1 Font markup |
| hymn | 9.7 Chants psalms and hymns |
| hymn | 9.7.2 Setting a chant |
| hymn, and partial measures | 9.7.5 Partial measures in hymn tunes |
| hyperlink, as QR code | A.1.8 Other markup commands |
| hyphen | 9.1.8 Extenders and hyphens |
|
| I |
| \ictus | 17.4.5 Gregorian articulation signs |
| \ictus | B.13.6 Ancient scripts |
| \if | 21.2.3 Custom layout for headers and footers |
| \if | A.1.5 Conditional markup |
| \iij | 17.4.7 Gregorian square neume ligatures |
| \IIJ | 17.4.7 Gregorian square neume ligatures |
| \ij | 17.4.7 Gregorian square neume ligatures |
| \IJ | 17.4.7 Gregorian square neume ligatures |
| \image | A.1.3 Graphical markup |
| image | A.1.3 Graphical markup |
| image, embedding | 8.2.4 Graphic notation inside markup |
| immutable object | B.20 Technical glossary |
| immutable property | B.20 Technical glossary |
| implicit context | 33.7 Context layout order |
| importing stencil, into text | A.1.8 Other markup commands |
| improvisation | 1.4.4 Improvisation |
| improvisation, Arabic | 18.2.4 Arabic time signatures |
| \improvisationOff | 1.4.4 Improvisation |
| \improvisationOff | 2.3.7 Showing melody rhythms |
| \improvisationOn | 1.4.4 Improvisation |
| \improvisationOn | 2.3.7 Showing melody rhythms |
| \in | 36.2 Distances and measurements |
| in | B.23 Paper variables |
| in-note | 21.5 Creating in-notes |
| in-note-direction | 21.5 Creating in-notes |
| in-note-padding | 21.5 Creating in-notes |
| in-note-padding | B.23 Paper variables |
| in-note-system-padding | 21.5 Creating in-notes |
| in-note-system-padding | B.23 Paper variables |
| inch (in) | 36.2 Distances and measurements |
| \incipit | 17.6.1 Incipits |
| \incipit | B.21 Available music functions |
| incipit-width | B.23 Paper variables |
| incipit, adding | 17.6.1 Incipits |
| \inclinatum | 17.4.7 Gregorian square neume ligatures |
| \inclinatum | 17.4.7 Gregorian square neume ligatures |
| \include | 20.5 File structure |
| \include | 22.1 Including LilyPond files |
| include settings | 22.2.3 Using global settings |
| including files | 22.1 Including LilyPond files |
| indent | 6.3.1 Instrument names |
| indent | 26.5.3 \paper variables for shifts and indents |
| indent | 30.5 Line width |
| indent | B.23 Paper variables |
| indicating ‘No Chord’, in ChordNames | 15.2.1 Printing chord names |
| indicating position and barring for fretted instrument | 12.2.1 Indicating position and barring |
| individual parts | 6.3 Writing parts |
| \inherit-acceptability | 33.6 Defining new contexts |
| \inherit-acceptability | B.21 Available music functions |
| \initialContextFrom | B.21 Available music functions |
| inner-margin | 26.5.2 \paper variables for two-sided mode |
| inner-margin | B.23 Paper variables |
| input-language | B.20 Technical glossary |
| input-language | B.21 Available music functions |
| inserting music, into text | A.1.4 Markup for music and musical symbols |
| inserting PostScript directly, into text | A.1.3 Graphical markup |
| inserting URL link, into text | A.1.3 Graphical markup |
| \inStaffSegno | 2.5.2 Automatic bar lines |
| \inStaffSegno | 2.5.2 Automatic bar lines |
| \inStaffSegno | 4.1.8 Manual repeat marks |
| \inStaffSegno | B.21 Available music functions |
| instrument | 21.1.2 Default layout of bookpart and score titles |
| instrument equalization, in MIDI, replacing default | 24.4.2 Setting MIDI volume |
| instrument name | 6.3.1 Instrument names |
| instrument name | 24.5 Using MIDI instruments |
| instrument name, adding to other contexts | 6.3.1 Instrument names |
| instrument name, centering | 6.3.1 Instrument names |
| instrument name, changing | 6.3.1 Instrument names |
| instrument name, complex | 6.3.1 Instrument names |
| instrument name, short | 6.3.1 Instrument names |
| instrument, transposing | 1.2.2 Transpose |
| \instrumentSwitch | B.21 Available music functions |
| interface | B.20 Technical glossary |
| interface, layout | 34.2 Layout interfaces |
| interleaved music | 5.2.6 Writing music in parallel |
| Internals Reference | 32 Tuning output |
| \inversion | 1.2.3 Inversion |
| inversion | 1.2.3 Inversion |
| \inversion | B.21 Available music functions |
| inversion, modal | 1.2.5 Modal transformations |
| \invertChords | 15.1.4 Chord inversions and specific voicings |
| \invertChords | B.21 Available music functions |
| invisible note | 7.1.4 Hidden notes |
| invisible rest | 2.2.2 Invisible rests |
| invisible stem | 7.1.9 Stems |
| \ionian | 1.3.2 Key signature |
| Ionian | 1.3.2 Key signature |
| irregular measure | 2.3.3 Upbeats |
| is-last-bookpart | B.23 Paper variables |
| isolated duration | 2.1.1 Durations |
| isolated percent repeat | 4.2.1 Percent repeats |
| isolated pitch | 2.1.1 Durations |
| \italianChords | 15.2.2 Customizing chord names |
| \italic | 8.2.2 Selecting font and font size |
| \italic | A.1.1 Font markup |
| item, musical | 30.4.1 Overview of object-specific horizontal spacing tweaks |
| item, non-musical | 30.4.1 Overview of object-specific horizontal spacing tweaks |
|
| J |
| jazz chord | 15.2.2 Customizing chord names |
| \jump | 4.1.8 Manual repeat marks |
| \jump | B.21 Available music functions |
| \justified-lines | 8.2.1 Text markup introduction |
| \justified-lines | A.2 Text markup list commands |
| \justify | 8.2.3 Text alignment |
| \justify | A.1.2 Markup for text alignment |
| \justify-field | A.1.2 Markup for text alignment |
| \justify-line | A.1.2 Markup for text alignment |
| \justify-string | A.1.2 Markup for text alignment |
| justifying lines of text | A.2 Text markup list commands |
| justifying text | 8.2.3 Text alignment |
| justifying text | A.1.2 Markup for text alignment |
|
| K |
| \keep-with-tag | 22.2.2 Using tags |
| \keep-with-tag | A.1.8 Other markup commands |
| keepAliveInterfaces | 6.2.3 Hiding staves |
| keeping tagged music | 22.2.2 Using tags |
| \keepWithTag | 22.2.2 Using tags |
| \keepWithTag | B.21 Available music functions |
| \key | 1.3.2 Key signature |
| \key | 1.4.3 Shape note heads |
| \key | B.21 Available music functions |
| key cancellation, before bar line | 30.4.2 Spacing between adjacent non-musical items |
| key signature | 1.1.3 Accidentals |
| key signature | 1.3.2 Key signature |
| key signature, Gregorian | 17.4.3 Gregorian accidentals and key signatures |
| key signature, mensural | 17.3.7 Mensural accidentals and key signatures |
| key signature, non-traditional | 1.3.2 Key signature |
| key signature, preventing natural signs | 1.3.2 Key signature |
| key signature, visibility following explicit change | 36.7.5 Special considerations |
| keyboard instrument staff | 10.1.1 References for keyboards |
| keyboard music, centering dynamics | 10.1.1 References for keyboards |
| keyed instrument staff | 10.1.1 References for keyboards |
| Kievan accidental | 17.5.4 Kievan accidentals |
| Kievan clef | 17.3.2 Mensural clefs |
| Kievan clef | B.11.4 Ancient music clefs |
| Kievan ligature | 17.5.6 Kievan melismata |
| Kievan_ligature_engraver | 17.5.6 Kievan melismata |
| \kievanOff | 17.5.3 Kievan notes |
| \kievanOn | 17.5.3 Kievan notes |
| KievanStaff | 17.5.1 Kievan contexts |
| KievanStaff | 33.1.4 Intermediate-level contexts – staves |
| KievanVoice | 17.5.1 Kievan contexts |
| KievanVoice | 33.1.5 Bottom-level contexts – voices |
| \killCues | 6.3.3 Formatting cue notes |
| \killCues | B.21 Available music functions |
| Kirchenpause | 6.3.4 Compressing empty measures |
| knee gap, with beams, changing | 2.4.1 Automatic beams |
| koron | 18.4.1 Persian music notation |
|
| L |
| \label | 21.6 Reference to page numbers |
| \label | B.21 Available music functions |
| label-alist-table | B.23 Paper variables |
| label-page-table | B.23 Paper variables |
| laissez vibrer | 2.1.4 Ties |
| \laissezVibrer | 2.1.4 Ties |
| landscape | B.23 Paper variables |
| \language | B.21 Available music functions |
| language, note names in other | 1.1.5 Note names in other languages |
| language, pitch names in other | 1.1.5 Note names in other languages |
| \languageRestore | B.21 Available music functions |
| \languageSaveAndChange | B.21 Available music functions |
| \large | 7.1.1 Selecting notation font size |
| \large | 8.2.2 Selecting font and font size |
| \large | A.1.1 Font markup |
| \larger | 8.2.2 Selecting font and font size |
| \larger | 8.2.2 Selecting font and font size |
| \larger | A.1.1 Font markup |
| last-bottom-spacing | 26.4.2 List of flexible vertical spacing \paper variables |
| last-bottom-spacing | 29.2 Explicit staff and system positioning |
| last-bottom-spacing | B.23 Paper variables |
| layer | 36.7.3 Painting objects white |
| \layout | 20.5 File structure |
| \layout | 27.1 The \layout block |
| \layout | 33.1.1 Output definitions – blueprints for contexts |
| \layout | 33.5.1 Changing all contexts of the same type |
| layout object | B.20 Technical glossary |
| layout-set-staff-size | 27.2 Setting the staff size |
| \layout, and \book | 20.2 Multiple scores in a book |
| \layout, and \bookpart | 20.2 Multiple scores in a book |
| \layout, and paper variables | 27.1 The \layout block |
| layout, file | 27.2 Setting the staff size |
| layout, interface | 34.2 Layout interfaces |
| layout, major 7 chord | 15.2.2 Customizing chord names |
| layout, vertical, debugging | 31.1 Displaying spacing |
| lead sheet | 15.2.1 Printing chord names |
| ledger line | 6.2.1 Staff symbol |
| ledger line, internal | 6.2.1 Staff symbol |
| ledger line, modifying | 6.2.1 Staff symbol |
| \left-align | 8.2.3 Text alignment |
| \left-align | A.1.2 Markup for text alignment |
| left-aligning text | A.1.2 Markup for text alignment |
| \left-brace | A.1.8 Other markup commands |
| \left-column | A.1.2 Markup for text alignment |
| left-handed fret diagram | 12.1.5 Fret diagram markups |
| left-margin | 26.5.1 \paper variables for widths and margins |
| left-margin | B.23 Paper variables |
| length of multi-measure rest | 2.2.3 Full measure rests |
| length of note | 2.1.1 Durations |
| lexer, for LilyPond | B.20 Technical glossary |
| \lheel | 10.3.1 Organ pedal marks |
| \lheeltoe | 10.3.1 Organ pedal marks |
| \ligature | B.21 Available music functions |
| ligature | 17.2.2 Ligatures |
| Ligature_bracket_engraver | 17.3.10 White mensural ligatures |
| Ligature_bracket_engraver | 17.5.6 Kievan melismata |
| ligature, in text | A.1.2 Markup for text alignment |
| ligature, Kievan | 17.5.6 Kievan melismata |
| ligature, mensural | 17.3.10 White mensural ligatures |
| ligature, square neumes | 17.4.7 Gregorian square neume ligatures |
| LilyPond grammar | B.20 Technical glossary |
| LilyPond lexer | B.20 Technical glossary |
| \line | 8.2.1 Text markup introduction |
| \line | 8.2.1 Text markup introduction |
| \line | A.1.2 Markup for text alignment |
| line break | 2.5.1 Bar lines |
| line break, beams | 2.4.1 Automatic beams |
| line break, cadenzas | 2.3.4 Unmetered music |
| line break, managing with extra voice | 28.1 Line breaking |
| line break, unmetered music | 2.3.4 Unmetered music |
| line comment | 20.1 Structure of a score |
| line comment | 20.5 File structure |
| line-break-system-details | 29.2 Explicit staff and system positioning |
| line-thickness | B.23 Paper variables |
| line-width | 8.2.3 Text alignment |
| line-width | 26.5.1 \paper variables for widths and margins |
| line-width | 30.5 Line width |
| line-width | B.23 Paper variables |
| line, barré | 12.2.1 Indicating position and barring |
| line, between fingerings | 7.1.3 Gliding fingers |
| line, cross-staff | 10.1.4 Staff-change lines |
| line, grid | 7.2.3 Grid lines |
| line, indicating duration | 16.3 Graphical notation |
| line, staff-change | 10.1.4 Staff-change lines |
| line, staff-change follower | 10.1.4 Staff-change lines |
| line, vertical, between staves | 7.2.3 Grid lines |
| \linea | 17.4.7 Gregorian square neume ligatures |
| \linea | 17.4.7 Gregorian square neume ligatures |
| \lineprall | 3.1.1 Articulations and ornamentations |
| \lineprall | B.13.2 Ornament scripts |
| list of colors | B.7 List of colors |
| list of keys, in woodwind diagrams | 14.3.1 Woodwind diagrams |
| list of markups | 8.2.1 Text markup introduction |
| list of woodwind diagrams | 14.3.1 Woodwind diagrams |
| \locrian | 1.3.2 Key signature |
| Locrian | 1.3.2 Key signature |
| long fermata | 3.1.1 Articulations and ornamentations |
| long fermata | B.13.3 Fermata scripts |
| \longa | 2.1.1 Durations |
| \longa | 2.2.1 Rests |
| longa rest | 2.2.1 Rests |
| \longfermata | 3.1.1 Articulations and ornamentations |
| \longfermata | B.13.3 Fermata scripts |
| \lookup | A.1.8 Other markup commands |
| low bongo | B.15 Percussion notes |
| low conga | B.15 Percussion notes |
| low timbale | B.15 Percussion notes |
| low tom tom | B.15 Percussion notes |
| \lower | 8.2.3 Text alignment |
| \lower | A.1.2 Markup for text alignment |
| lowering text | A.1.2 Markup for text alignment |
| lowest pitch | 1.1.4 Approximate pitches |
| \ltoe | 10.3.1 Organ pedal marks |
| \ltoeheel | 10.3.1 Organ pedal marks |
| lute tablature | 12.4.1 Lute tablatures |
| lute tuning | 12.4.1 Lute tablatures |
| ly:minimal-breaking | 28.2.3 Minimal page breaking |
| ly:one-line-auto-height-breaking | 28.2.6 One-line-auto-height page breaking |
| ly:one-line-breaking | 28.2.5 One-line page breaking |
| ly:one-page-breaking | 28.2.4 One-page page breaking |
| ly:optimal-breaking | 28.2.2 Optimal page breaking |
| ly:page-turn-breaking | 28.2.7 Optimal page turning |
| \lydian | 1.3.2 Key signature |
| Lydian | 1.3.2 Key signature |
| \lyricmode | 9.1.2 Entering lyrics |
| \lyricmode | 9.1.3 Aligning lyrics to a melody |
| \lyricmode | 19 Input modes |
| \lyrics | 19 Input modes |
| Lyrics | 33.1.5 Bottom-level contexts – voices |
| lyrics, aligning to a melody | 9.1.3 Aligning lyrics to a melody |
| lyrics, aligning with sporadic melody | 33.3 Keeping contexts alive |
| lyrics, and markup | 9.1.2 Entering lyrics |
| lyrics, and melodies | 9.1.4 Automatic syllable durations |
| lyrics, and tied notes | 9.2.4 Lyrics and repeats |
| lyrics, assigned to one voice | 5.2.1 Single-staff polyphony |
| lyrics, avoid bar lines | 9.2.3 Placing syllables horizontally |
| lyrics, divided | 9.2.5 Divisi lyrics |
| lyrics, entering | 9.1.2 Entering lyrics |
| lyrics, formatting | 9.1.2 Entering lyrics |
| lyrics, horizontal alignment | 9.2.3 Placing syllables horizontally |
| lyrics, increasing space between | 9.2.3 Placing syllables horizontally |
| lyrics, keeping inside margin | 8.1.2 Text scripts |
| lyrics, keeping inside margin | 9.2.3 Placing syllables horizontally |
| lyrics, on grace notes | 9.3.5 Stanzas with different rhythms |
| lyrics, positioning | 6.2.2 Ossia staves |
| lyrics, positioning | 9.2.2 Placing lyrics vertically |
| lyrics, punctuation | 9.1.2 Entering lyrics |
| lyrics, repeating | 9.2.4 Lyrics and repeats |
| lyrics, repeats with alternative endings | 9.2.4 Lyrics and repeats |
| lyrics, separate, on single line | 9.2.2 Placing lyrics vertically |
| lyrics, shared among voices | 9.2.6 Polyphony with shared lyrics |
| lyrics, skip | 2.2.2 Invisible rests |
| lyrics, skipping notes | 9.2.4 Lyrics and repeats |
| lyrics, using variables | 9.2.1 Working with lyrics and variables |
| lyrics, with beam | 2.4.2 Setting automatic beam behavior |
| \lyricsto | 9.1.3 Aligning lyrics to a melody |
| \lyricsto | 9.1.4 Automatic syllable durations |
| \lyricsto | 9.1.4 Automatic syllable durations |
|
| M |
| m (in chord) | 15.1.2 Common chords |
| magnification->font-size | 7.1.1 Selecting notation font size |
| magnification->font-size | 27.2 Setting the staff size |
| \magnify | 8.2.2 Selecting font and font size |
| \magnify | A.1.1 Font markup |
| magnifying text | A.1.1 Font markup |
| \magnifyMusic | 7.1.1 Selecting notation font size |
| \magnifyMusic | B.21 Available music functions |
| \magnifyStaff | 27.2 Setting the staff size |
| \magnifyStaff | B.21 Available music functions |
| magstep | 7.1.1 Selecting notation font size |
| magstep | 27.2 Setting the staff size |
| magstep | 36.2 Distances and measurements |
| maj | 15.1.2 Common chords |
| \major | 1.3.2 Key signature |
| major | 1.3.2 Key signature |
| major 7 chord, layout | 15.2.2 Customizing chord names |
| major seven symbol | 15.2.2 Customizing chord names |
| majorSevenSymbol | 15.2.2 Customizing chord names |
| majorSevenSymbol | 15.2.2 Customizing chord names |
| makam | 18.1.1 Extending notation and tuning systems |
| makam | 18.3.1 References for Turkish classical music |
| makam | 18.3.2 Turkish note names |
| makam, example | 18.3.3 Turkish key signatures |
| makamlar | 18.1.1 Extending notation and tuning systems |
| makamlar | 18.3.1 References for Turkish classical music |
| makamlar | 18.3.2 Turkish note names |
| make-dynamic-script | 3.1.3 New dynamic marks |
| make-footer | B.23 Paper variables |
| make-header | B.23 Paper variables |
| make-relative | 22.3.4 Substitution functions and relative octave entry |
| \makeClusters | 5.1.4 Clusters |
| \makeClusters | B.21 Available music functions |
| \makeDefaultStringTuning | B.21 Available music functions |
| manual bar line | 2.5.1 Bar lines |
| manual beam | 2.4.1 Automatic beams |
| manual beam | 2.4.3 Manual beams |
| manual beam, direction shorthand for | 2.4.3 Manual beams |
| manual beam, grace notes | 2.4.3 Manual beams |
| manual engraving, of ties | 2.1.4 Ties |
| manual line break | 28.1 Line breaking |
| manual measure line | 2.5.1 Bar lines |
| manual rehearsal mark | 2.5.5 Rehearsal marks |
| manual repeat mark | 4.1.8 Manual repeat marks |
| manual staff change | 10.1.2 Changing staff manually |
| maqam | 18.1.1 Extending notation and tuning systems |
| maqam | 18.2.1 References for Arabic music |
| maracas | B.15 Percussion notes |
| \marcato | 3.1.1 Articulations and ornamentations |
| \marcato | B.13.1 Articulation scripts |
| margin, text running over | 8.1.2 Text scripts |
| \mark | 2.5.5 Rehearsal marks |
| \mark | 8.1.5 Text marks |
| \mark | B.21 Available music functions |
| Mark_engraver | 2.5.5 Rehearsal marks |
| mark, on every staff | 2.5.5 Rehearsal marks |
| mark, phrasing | 3.2.2 Phrasing slurs |
| mark, rehearsal | 2.5.5 Rehearsal marks |
| mark, rehearsal, below staff | 2.3.2 Metronome marks |
| mark, rehearsal, format | 2.5.5 Rehearsal marks |
| mark, rehearsal, manual | 2.5.5 Rehearsal marks |
| mark, rehearsal, style | 2.5.5 Rehearsal marks |
| mark, text | 8.1.5 Text marks |
| \markalphabet | A.1.8 Other markup commands |
| \markLengthOff | 2.3.2 Metronome marks |
| \markLengthOff | 8.1.5 Text marks |
| \markLengthOn | 2.3.2 Metronome marks |
| \markLengthOn | 8.1.5 Text marks |
| \markletter | A.1.8 Other markup commands |
| \markup | 8.1.1 Text objects overview |
| \markup | 8.1.5 Text marks |
| \markup | 8.1.6 Separate text |
| \markup | 8.1.6 Separate text |
| \markup | 8.2.1 Text markup introduction |
| \markup | 19 Input modes |
| markup | 8.2.1 Text markup introduction |
| markup list | 8.2.1 Text markup introduction |
| markup mode, quoted text | 8.2.1 Text markup introduction |
| markup mode, special characters | 8.2.1 Text markup introduction |
| markup object | 8.1.1 Text objects overview |
| markup text, aligning | 8.2.3 Text alignment |
| markup text, alignment commands | 8.2.3 Text alignment |
| markup text, decorating | 8.2.4 Graphic notation inside markup |
| markup text, framing | 8.2.4 Graphic notation inside markup |
| markup text, justified | 8.2.3 Text alignment |
| markup text, line width | 8.2.3 Text alignment |
| markup text, multi-page | 8.2.1 Text markup introduction |
| markup text, padding | 8.2.4 Graphic notation inside markup |
| markup text, size | 8.2.2 Selecting font and font size |
| markup text, word-wrapped | 8.2.3 Text alignment |
| markup-markup-spacing | 26.4.2 List of flexible vertical spacing \paper variables |
| markup-markup-spacing | B.23 Paper variables |
| markup-system-spacing | 26.4.2 List of flexible vertical spacing \paper variables |
| markup-system-spacing | B.23 Paper variables |
| markup, aligning | 8.2.3 Text alignment |
| markup, centering on page | 8.2.3 Text alignment |
| markup, conditional | 21.2.3 Custom layout for headers and footers |
| markup, expression | 8.2.1 Text markup introduction |
| markup, horizontal movement | 8.2.3 Text alignment |
| markup, image | A.1.3 Graphical markup |
| markup, in lyrics | 9.1.2 Entering lyrics |
| markup, multi-line | 8.2.3 Text alignment |
| markup, multi-measure rest | 2.2.3 Full measure rests |
| markup, multi-page | 8.2.1 Text markup introduction |
| markup, music notation inside | 8.2.5 Music notation inside markup |
| markup, on multi-measure rest | 2.2.3 Full measure rests |
| markup, rhythm | A.1.4 Markup for music and musical symbols |
| markup, score inside | 8.2.5 Music notation inside markup |
| markup, syntax | 8.2.1 Text markup introduction |
| markup, text | 8.2.1 Text markup introduction |
| markup, text, inside slurs | 3.2.1 Slurs |
| markup, two-column | 8.1.6 Separate text |
| markup, vertical movement | 8.2.3 Text alignment |
| markup, vertical movement | 8.2.3 Text alignment |
| \markuplist | 8.1.6 Separate text |
| \markuplist | 8.2.1 Text markup introduction |
| \markupMap | B.21 Available music functions |
| matter, optional | 7.1.7 Brackets for optional material |
| matter, prefatory | 30.4.1 Overview of object-specific horizontal spacing tweaks |
| matter, prefatory | 30.4.2 Spacing between adjacent non-musical items |
| max-systems-per-page | 26.6.1 \paper variables for line breaking |
| max-systems-per-page | B.23 Paper variables |
| \maxima | 2.1.1 Durations |
| \maxima | 2.2.1 Rests |
| maxima rest | 2.2.1 Rests |
| maximum pitch | 1.1.4 Approximate pitches |
| measure counter | 2.5.6 Measure counts |
| measure line | 2.5.1 Bar lines |
| measure line | 2.5.2 Automatic bar lines |
| measure line, invisible | 2.5.1 Bar lines |
| measure line, manual | 2.5.1 Bar lines |
| measure number | 2.5.3 Bar numbers |
| measure number | 2.6.3 Time administration |
| measure number, and repeats | 4.1.7 Segno repeat appearance |
| measure number, check | 2.5.4 Bar and bar number checks |
| measure number, style | 2.5.3 Bar numbers |
| measure position | 2.3.3 Upbeats |
| measure position | 2.6.3 Time administration |
| measure repeat | 4.2.1 Percent repeats |
| Measure_grouping_engraver | 2.4.2 Setting automatic beam behavior |
| measure, check | 2.5.4 Bar and bar number checks |
| measure, grouping | 2.4.2 Setting automatic beam behavior |
| measure, irregular | 2.3.3 Upbeats |
| measure, partial | 2.3.3 Upbeats |
| measure, partial, in hymns | 9.7.5 Partial measures in hymn tunes |
| measure, pickup | 2.3.3 Upbeats |
| measure, subgrouping | 2.4.2 Setting automatic beam behavior |
| measureBarType | 2.5.1 Bar lines |
| measureLength | 2.4.2 Setting automatic beam behavior |
| measureLength | 2.6.3 Time administration |
| measurePosition | 2.6.3 Time administration |
| measuring units | 36.2 Distances and measurements |
| Medicaea, Editio | 17 Ancient notation |
| Medicaea, Editio | 17.1 Overview of the supported styles |
| medium interval | 18.2.1 References for Arabic music |
| \melisma | 9.1.7 Multiple notes to one syllable |
| melisma | 9.1.7 Multiple notes to one syllable |
| melisma | 9.1.8 Extenders and hyphens |
| melisma, horizontal alignment | 9.2.3 Placing syllables horizontally |
| melisma, with beams | 2.4.1 Automatic beams |
| \melismaEnd | 9.1.7 Multiple notes to one syllable |
| melismata | 9.1.7 Multiple notes to one syllable |
| melody rhythm, showing | 2.3.7 Showing melody rhythms |
| mensural | 17 Ancient notation |
| mensural | 17.1 Overview of the supported styles |
| mensural clef | 17.3.2 Mensural clefs |
| mensural clef | B.11.4 Ancient music clefs |
| mensural flag | 17.3.5 Mensural flags |
| mensural ligature | 17.3.10 White mensural ligatures |
| mensural ligature, flexa | 17.3.10 White mensural ligatures |
| mensural music, transcription | 6.1.2 Grouping staves |
| mensural notation, signum congruentiae | B.13.6 Ancient scripts |
| Mensural_ligature_engraver | 17.3.10 White mensural ligatures |
| MensuralStaff | 6.1.1 Instantiating new staves |
| MensuralStaff | 17.3.1 Mensural contexts |
| MensuralStaff | 33.1.4 Intermediate-level contexts – staves |
| MensuralVoice | 17.3.1 Mensural contexts |
| MensuralVoice | 33.1.5 Bottom-level contexts – voices |
| mensuration sign | 17.3.3 Mensural time signatures |
| Mensurstriche | 17.6.2 Mensurstriche layout |
| Mensurstriche, layout | 6.1.2 Grouping staves |
| \mergeDifferentlyDottedOff | 5.2.3 Collision resolution |
| \mergeDifferentlyDottedOn | 5.2.3 Collision resolution |
| \mergeDifferentlyHeadedOff | 5.2.3 Collision resolution |
| \mergeDifferentlyHeadedOn | 5.2.3 Collision resolution |
| merging notes | 5.2.3 Collision resolution |
| merging rests | 5.2.4 Merging rests |
| merging text | A.1.2 Markup for text alignment |
| merging text | A.1.2 Markup for text alignment |
| meter | 2.3.1 Time signature |
| meter | 21.1.2 Default layout of bookpart and score titles |
| meter, additive | 2.3.1 Time signature |
| meter, alternating | 2.3.1 Time signature |
| meter, complex | 2.3.1 Time signature |
| meter, polymetric | 2.3.5 Polymetric notation |
| meter, strictly alternating | 2.5.2 Automatic bar lines |
| meter, style | 2.3.1 Time signature |
| metronome mark | 2.3.2 Metronome marks |
| metronome mark, below staff | 2.3.2 Metronome marks |
| metronome mark, custom markup | 2.3.2 Metronome marks |
| mezzo-soprano clef | 1.3.1 Clef |
| mezzo-soprano clef | B.11.1 Standard clefs |
| \mf | 3.1.2 Dynamics |
| microtone | 1.1.5 Note names in other languages |
| microtone, in tablature | 12.1.4 Custom tablatures |
| mid tom tom | B.15 Percussion notes |
| MIDI | 1.3.4 Instrument transpositions |
| \midi | 20.5 File structure |
| \midi | 33.1.1 Output definitions – blueprints for contexts |
| MIDI | 24 Creating MIDI output |
| MIDI, balance | 24.8 Context properties for MIDI effects |
| MIDI, block | 24.3 The MIDI block |
| MIDI, channels | 24.7 MIDI channel mapping |
| MIDI, chorus level | 24.8 Context properties for MIDI effects |
| MIDI, context definitions | 24.4.3 Setting MIDI block properties |
| MIDI, custom dynamics | 24.4.1 Dynamic marks in MIDI |
| MIDI, dynamics | 24.4.1 Dynamic marks in MIDI |
| MIDI, effects | 24.8 Context properties for MIDI effects |
| MIDI, equalization | 24.4.2 Setting MIDI volume |
| MIDI, expression | 24.8 Context properties for MIDI effects |
| MIDI, instrument | 24.5 Using MIDI instruments |
| MIDI, metadata | 21.3 Creating output file metadata |
| MIDI, one channel per voice | 24.7 MIDI channel mapping |
| MIDI, pan position | 24.8 Context properties for MIDI effects |
| MIDI, replacing default instrument equalization | 24.4.2 Setting MIDI volume |
| MIDI, reverb | 24.8 Context properties for MIDI effects |
| MIDI, stereo balance | 24.8 Context properties for MIDI effects |
| MIDI, supported notation | 24.1 Supported notation for MIDI |
| MIDI, tracks | 24.7 MIDI channel mapping |
| MIDI, transposition | 1.3.4 Instrument transpositions |
| MIDI, unsupported notation | 24.2 Unsupported notation for MIDI |
| MIDI, using repeats | 24.6 Using repeats with MIDI |
| MIDI, volume | 24.4.2 Setting MIDI volume |
| midiBalance | 24.8 Context properties for MIDI effects |
| midiChannelMapping | 24.7 MIDI channel mapping |
| midiChorusLevel | 24.8 Context properties for MIDI effects |
| midiDrumPitches | 13.1.6 Custom percussion staves |
| midiExpression | 24.8 Context properties for MIDI effects |
| midiInstrument | 24.5 Using MIDI instruments |
| midiPanPosition | 24.8 Context properties for MIDI effects |
| midiReverbLevel | 24.8 Context properties for MIDI effects |
| millimeter (mm) | 36.2 Distances and measurements |
| min-systems-per-page | 26.6.1 \paper variables for line breaking |
| min-systems-per-page | B.23 Paper variables |
| minimum length, hairpin | 3.1.2 Dynamics |
| minimum pitch | 1.1.4 Approximate pitches |
| minimum-Y-extent | 29.1.1 Within-system spacing properties |
| minimumFret | 12.1.3 Default tablatures |
| minimumFret | 12.1.7 Automatic fret diagrams |
| \minor | 1.3.2 Key signature |
| minor | 1.3.2 Key signature |
| minorChordModifier | 15.2.2 Customizing chord names |
| mirroring markup | A.1.3 Graphical markup |
| \mixolydian | 1.3.2 Key signature |
| Mixolydian | 1.3.2 Key signature |
| \mm | 36.2 Distances and measurements |
| mm | B.23 Paper variables |
| modal inversion | 1.2.5 Modal transformations |
| modal transformation | 1.2.5 Modal transformations |
| modal transposition | 1.2.5 Modal transformations |
| \modalInversion | 1.2.5 Modal transformations |
| \modalInversion | B.21 Available music functions |
| \modalTranspose | 1.2.5 Modal transformations |
| \modalTranspose | B.21 Available music functions |
| mode | 1.3.2 Key signature |
| modern | 1.3.5 Automatic accidentals |
| modern accidental | 1.3.5 Automatic accidentals |
| modern transcription of Gregorian music | 9.7.2 Setting a chant |
| modern-cautionary | 1.3.5 Automatic accidentals |
| modern-voice | 1.3.5 Automatic accidentals |
| modern-voice-cautionary | 1.3.5 Automatic accidentals |
| moderntab clef | 12.1.4 Custom tablatures |
| modifier, in chord | 15.1.2 Common chords |
| modifying contexts | 35.2 \set and \unset |
| modifying properties | 35.2 \set and \unset |
| \mordent | 3.1.1 Articulations and ornamentations |
| \mordent | B.13.2 Ornament scripts |
| movement in markup, horizontal | 8.2.3 Text alignment |
| movement in markup, vertical | 8.2.3 Text alignment |
| movement in markup, vertical | 8.2.3 Text alignment |
| movement, multiple | 20.2 Multiple scores in a book |
| \mp | 3.1.2 Dynamics |
| multi-line comment | 20.1 Structure of a score |
| multi-line comment | 20.5 File structure |
| multi-line markup | 8.2.3 Text alignment |
| multi-line text | 8.2.3 Text alignment |
| multi-measure rest | 2.2.3 Full measure rests |
| multi-measure rest, and fingerings | 2.2.3 Full measure rests |
| multi-measure rest, attaching fermata | 2.2.3 Full measure rests |
| multi-measure rest, attaching text | 2.2.3 Full measure rests |
| multi-measure rest, contracting multiple | 6.3.4 Compressing empty measures |
| multi-measure rest, contracting multiple | 6.3.4 Compressing empty measures |
| multi-measure rest, expanding multiple | 6.3.4 Compressing empty measures |
| multi-measure rest, expanding multiple | 6.3.4 Compressing empty measures |
| multi-measure rest, length | 2.2.3 Full measure rests |
| multi-measure rest, markup | 2.2.3 Full measure rests |
| multi-measure rest, numbering | 6.3.4 Compressing empty measures |
| multi-measure rest, positioning | 2.2.3 Full measure rests |
| multi-measure rest, script | 2.2.3 Full measure rests |
| multi-measure rest, style | 6.3.4 Compressing empty measures |
| multi-measure rest, with markup | 2.2.3 Full measure rests |
| multi-measure rest, within text, by duration | A.1.4 Markup for music and musical symbols |
| multi-measure rest, within text, by number of measures | A.1.4 Markup for music and musical symbols |
| \multi-measure-rest-by-number | A.1.4 Markup for music and musical symbols |
| multi-note acciaccatura | 2.6.1 Grace notes |
| multi-page markup | 8.2.1 Text markup introduction |
| multi-voice accidental | 1.3.5 Automatic accidentals |
| MultiMeasureRestScript | 2.2.3 Full measure rests |
| MultiMeasureRestText | 2.2.3 Full measure rests |
| multiple dynamic marks, on one note | 3.1.2 Dynamics |
| multiple phrasing slurs | 3.2.2 Phrasing slurs |
| multiple slurs | 3.2.1 Slurs |
| multiple voices | 5.2.3 Collision resolution |
| music expression, copying | 22.3.3 How to prevent sharing of music expressions |
| music expression, sharing | 22.3.3 How to prevent sharing of music expressions |
| music fragment | 23.1 Extracting fragments of music |
| music, beginners’ | 1.4.2 Easy notation note heads |
| music, inside markup | 8.2.5 Music notation inside markup |
| music, unmetered | 2.6.3 Time administration |
| musica ficta | 17.3.8 Annotational accidentals (musica ficta) |
| musical cue | 9.6.3 Musical cues |
| musical item | 30.4.1 Overview of object-specific horizontal spacing tweaks |
| musical theater | 9.6 Opera and stage musicals |
| \musicglyph | A.1.4 Markup for music and musical symbols |
| \musicLength | B.21 Available music functions |
| \musicMap | B.21 Available music functions |
| musicological analysis | 7.2.4 Analysis brackets |
| musicQuotes | B.20 Technical glossary |
| mutable object | B.20 Technical glossary |
| mutable property | B.20 Technical glossary |
| mute bongo | B.15 Percussion notes |
| mute conga | B.15 Percussion notes |
| mute timbale | B.15 Percussion notes |
| muted note, percussion | 13.1.7 Ghost notes |
|
| N |
| \n | 3.1.2 Dynamics |
| N.C. symbol | 15.2.1 Printing chord names |
| N.C. symbol, customizing | 15.2.1 Printing chord names |
| \name | 33.6 Defining new contexts |
| \name | 33.6 Defining new contexts |
| name, character | 9.6.2 Character names |
| name, of singer | 9.3.4 Adding singers’ names to stanzas |
| \natural | A.1.4 Markup for music and musical symbols |
| natural harmonics | 11.1.3 Harmonics |
| natural pitch | 1.1.3 Accidentals |
| natural sign | 1.1.3 Accidentals |
| natural sign, extra, preventing | 1.1.3 Accidentals |
| natural sign, preventing in key signatures | 1.3.2 Key signature |
| neo-modern | 1.3.5 Automatic accidentals |
| neo-modern-cautionary | 1.3.5 Automatic accidentals |
| neo-modern-voice | 1.3.5 Automatic accidentals |
| neo-modern-voice-cautionary | 1.3.5 Automatic accidentals |
| neomensural | 17.1 Overview of the supported styles |
| nesting repeat | 4.1.7 Segno repeat appearance |
| nesting, staff bracket | 6.1.3 Nested staff groups |
| nesting, staves | 6.1.3 Nested staff groups |
| \new | 33.2 Creating and referencing contexts |
| new context | 33.2 Creating and referencing contexts |
| new dynamic mark | 3.1.3 New dynamic marks |
| new spacing section | 30.2 New spacing section |
| new staff | 6.1.1 Instantiating new staves |
| \newSpacingSection | 30.2 New spacing section |
| niente, al, hairpin | 3.1.2 Dynamics |
| no-reset | 1.3.5 Automatic accidentals |
| \noBeam | 2.4.3 Manual beams |
| \noBeamBreak | 2.4.3 Manual beams |
| \noBreak | 28.1 Line breaking |
| noChordSymbol | 15.2.1 Printing chord names |
| non-arpeggiato | 3.3.2 Arpeggio |
| non-ASCII character | 22.4 Special characters |
| non-default tuplet numbers | 2.1.2 Tuplets |
| non-empty text | 8.1.2 Text scripts |
| non-musical item | 30.4.1 Overview of object-specific horizontal spacing tweaks |
| non-musical item, horizontal spacing | 30.4.2 Spacing between adjacent non-musical items |
| non-musical symbol | 8.2.4 Graphic notation inside markup |
| \nonArpeggiato | 3.3.2 Arpeggio |
| \nonArpeggiato | 9.5.2 Score layouts for choral |
| \nonArpeggiato | 10.1.4 Staff-change lines |
| NonMusicalPaperColumn | 29.2 Explicit staff and system positioning |
| NonMusicalPaperColumn | 30.4.1 Overview of object-specific horizontal spacing tweaks |
| nonstaff-nonstaff-spacing | 29.1.1 Within-system spacing properties |
| nonstaff-relatedstaff-spacing | 29.1.1 Within-system spacing properties |
| nonstaff-unrelatedstaff-spacing | 29.1.1 Within-system spacing properties |
| \noPageBreak | 28.2.1 Manual page breaking |
| \noPageBreak | B.21 Available music functions |
| \noPageTurn | 28.2.7 Optimal page turning |
| \noPageTurn | B.21 Available music functions |
| \normal-size-sub | A.1.1 Font markup |
| \normal-size-super | 8.2.2 Selecting font and font size |
| \normal-size-super | A.1.1 Font markup |
| \normal-text | A.1.1 Font markup |
| \normal-weight | A.1.1 Font markup |
| \normalsize | 7.1.1 Selecting notation font size |
| \normalsize | 7.1.1 Selecting notation font size |
| \normalsize | 8.2.2 Selecting font and font size |
| \normalsize | A.1.1 Font markup |
| \noStanza | 9.3.2 Stanza reminders |
| \noStanza | B.21 Available music functions |
| notation, explaining | 7.2.2 Balloon help |
| notation, font size | 7.1.1 Selecting notation font size |
| notation, graphic | 8.2.4 Graphic notation inside markup |
| notation, inside markup | 8.2.5 Music notation inside markup |
| \note | A.1.4 Markup for music and musical symbols |
| note cluster | 5.1.4 Clusters |
| note collision | 5.2.3 Collision resolution |
| note continuation | 16.3 Graphical notation |
| note duration | 2.1.1 Durations |
| note duration, default | 2.1.1 Durations |
| note grouping bracket | 7.2.4 Analysis brackets |
| note head | 7.1.1 Selecting notation font size |
| note head, Aiken | 1.4.3 Shape note heads |
| note head, Aiken, thin variant | 1.4.3 Shape note heads |
| note head, ancient | 17.3.4 Mensural note heads |
| note head, ancient | 17.5.3 Kievan notes |
| note head, Christian Harmony | 1.4.3 Shape note heads |
| note head, cross | 1.4.1 Special note heads |
| note head, diamond | 1.4.1 Special note heads |
| note head, diamond-shaped | 11.1.3 Harmonics |
| note head, easy notation | 1.4.2 Easy notation note heads |
| note head, easy play | 1.4.2 Easy notation note heads |
| note head, funk | 1.4.3 Shape note heads |
| note head, guitar | 1.4.1 Special note heads |
| note head, Harmonia Sacra | 1.4.3 Shape note heads |
| note head, harmonic | 1.4.1 Special note heads |
| note head, improvisation | 1.4.4 Improvisation |
| note head, parlato | 1.4.1 Special note heads |
| note head, practice | 1.4.2 Easy notation note heads |
| note head, Sacred Harp | 1.4.3 Shape note heads |
| note head, shape | 1.4.3 Shape note heads |
| note head, shape, merging | 1.4.3 Shape note heads |
| note head, slashed | 1.4.4 Improvisation |
| note head, Southern Harmony | 1.4.3 Shape note heads |
| note head, special | 1.4.1 Special note heads |
| note head, style | 1.4.1 Special note heads |
| note head, style | B.9 Note head styles |
| note head, Walker | 1.4.3 Shape note heads |
| note length | 2.1.1 Durations |
| note name, Arabic | 18.2.2 Arabic note names |
| note name, default | 1.1.3 Accidentals |
| note name, Dutch | 1.1.3 Accidentals |
| note name, Hel-arabic | 18.2.2 Arabic note names |
| note name, other languages | 1.1.5 Note names in other languages |
| note name, printing | 7.2.1 Note names |
| note pitch, default | 2.1.1 Durations |
| Note_heads_engraver | 2.3.6 Automatic note splitting |
| Note_name_engraver | 7.2.1 Note names |
| \note-by-number | A.1.4 Markup for music and musical symbols |
| note-event | 6.3.2 Quoting other voices |
| note, colored | 7.1.5 Coloring objects |
| note, colored, in chords | 7.1.5 Coloring objects |
| note, cross-staff | 10.1.2 Changing staff manually |
| note, cross-staff | 10.1.4 Staff-change lines |
| note, dotted | 2.1.1 Durations |
| note, dotted, moving horizontally | 5.2.3 Collision resolution |
| note, double-dotted | 2.1.1 Durations |
| note, ghost | 7.1.8 Parentheses |
| note, hidden | 7.1.4 Hidden notes |
| note, horizontal shift | 5.2.3 Collision resolution |
| note, invisible | 7.1.4 Hidden notes |
| note, parenthesized | 7.1.8 Parentheses |
| note, smaller | 6.3.3 Formatting cue notes |
| note, spacing horizontally | 30.2 New spacing section |
| note, splitting | 2.3.6 Automatic note splitting |
| note, transparent | 7.1.4 Hidden notes |
| note, transposition | 1.2.2 Transpose |
| note, within text, by duration | A.1.4 Markup for music and musical symbols |
| note, within text, by log and dot-count | A.1.4 Markup for music and musical symbols |
| NoteColumn | 30.4.1 Overview of object-specific horizontal spacing tweaks |
| \notemode | 19 Input modes |
| noteNameFunction | 7.2.1 Note names |
| NoteNames | 7.2.1 Note names |
| NoteNames | 33.1.5 Bottom-level contexts – voices |
| noteNameSeparator | 7.2.1 Note names |
| \null | A.1.8 Other markup commands |
| NullVoice | 9.2.6 Polyphony with shared lyrics |
| NullVoice | 33.1.5 Bottom-level contexts – voices |
| \number | A.1.1 Font markup |
| number-footnote-table | B.23 Paper variables |
| number, bar | 2.5.3 Bar numbers |
| number, in easy notation | 1.4.2 Easy notation note heads |
| number, measure | 2.5.3 Bar numbers |
| \numericTimeSignature | 2.3.1 Time signature |
|
| O |
| object, colored | 7.1.5 Coloring objects |
| object, colored | 36.7.3 Painting objects white |
| object, markup | 8.1.1 Text objects overview |
| object, overwriting | 36.7.3 Painting objects white |
| object, rotating | 36.8.1 Rotating layout objects |
| object, visibility | 36.7 Visibility of objects |
| octavation | 1.3.3 Ottava brackets |
| octave changing mark | 1.1.1 Absolute octave entry |
| octave check | 1.2.1 Octave checks |
| octave correction | 1.2.1 Octave checks |
| octave entry, absolute | 1.1.1 Absolute octave entry |
| octave entry, relative | 1.1.2 Relative octave entry |
| octave specification, absolute | 1.1.1 Absolute octave entry |
| octave specification, relative | 1.1.2 Relative octave entry |
| octave transposition | 1.3.1 Clef |
| octave transposition, optional | 1.3.1 Clef |
| \octaveCheck | 1.2.1 Octave checks |
| \octaveCheck | B.21 Available music functions |
| oddFooterMarkup | B.23 Paper variables |
| oddHeaderMarkup | B.23 Paper variables |
| \offset | 35.7 The \offset command |
| \offset | B.21 Available music functions |
| offsetting | 35.7 The \offset command |
| \omit | 36.7.1 Removing the stencil |
| \omit | B.21 Available music functions |
| \on-the-fly | A.1.8 Other markup commands |
| \once | 35.4 The \once command |
| \once | 35.7 The \offset command |
| \once | 36.4.1 Modifying broken spanners |
| \once | B.21 Available music functions |
| OneStaff | 6.1.2 Grouping staves |
| OneStaff | 33.1.3 Top-level contexts – staff containers |
| \oneVoice | 5.2.1 Single-staff polyphony |
| \open | 3.1.1 Articulations and ornamentations |
| \open | 11.1.2 Bowing indications |
| \open | 13.1.6 Custom percussion staves |
| \open | 14.1.2 Fingerings |
| \open | B.13.4 Instrument-specific scripts |
| open bongo | B.15 Percussion notes |
| open conga | B.15 Percussion notes |
| open high hat | 3.1.1 Articulations and ornamentations |
| open high hat | B.15 Percussion notes |
| open string indication | 11.1.2 Bowing indications |
| open timbale | B.15 Percussion notes |
| OpenType collections (.otc) | 8.3.1 Unsupported font formats |
| OpenType font (.otf) | 8.3.1 Unsupported font formats |
| OpenType, font feature | 8.3.4 Font features |
| OpenType, font feature | A.1.1 Font markup |
| opera | 9.6 Opera and stage musicals |
| operation, inversion | 1.2.3 Inversion |
| operation, modal | 1.2.5 Modal transformations |
| operation, modal inversion | 1.2.5 Modal transformations |
| operation, retrograde | 1.2.4 Retrograde |
| operation, transposition | 1.2.5 Modal transformations |
| optional material | 7.1.7 Brackets for optional material |
| optional octave transposition | 1.3.1 Clef |
| optional passage | 7.1.7 Brackets for optional material |
| opus | 21.1.2 Default layout of bookpart and score titles |
| oratorio | 9.5 Choral |
| orchestra, notation for | 9.6.1 References for opera and stage musicals |
| orchestral music | 9.6.1 References for opera and stage musicals |
| orchestral strings | 11 Unfretted string instruments |
| ordering, vertical, of scripts | 3.1.1 Articulations and ornamentations |
| organ | 10.3 Organ |
| organ pedal mark | 3.1.1 Articulations and ornamentations |
| organ pedal mark | 10.3.1 Organ pedal marks |
| organ pedal mark | B.13.4 Instrument-specific scripts |
| orientation, of fingerings | 7.1.2 Fingering instructions |
| orientation, of fret diagram, changing | 12.1.5 Fret diagram markups |
| orientation, of string numbers | 7.1.2 Fingering instructions |
| orientation, of stroke finger | 7.1.2 Fingering instructions |
| \oriscus | 17.4.7 Gregorian square neume ligatures |
| \oriscus | 17.4.7 Gregorian square neume ligatures |
| ornament | 2.6.1 Grace notes |
| ornament, down pralltriller | 3.1.1 Articulations and ornamentations |
| ornament, down pralltriller | B.13.2 Ornament scripts |
| ornament, Haydn turn | 3.1.1 Articulations and ornamentations |
| ornament, Haydn turn | B.13.2 Ornament scripts |
| ornament, horizontally | 3.1.1 Articulations and ornamentations |
| ornament, lower mordent | 3.1.1 Articulations and ornamentations |
| ornament, lower mordent | B.13.2 Ornament scripts |
| ornament, mordent | 3.1.1 Articulations and ornamentations |
| ornament, mordent | B.13.2 Ornament scripts |
| ornament, mordent, lower | 3.1.1 Articulations and ornamentations |
| ornament, mordent, lower | B.13.2 Ornament scripts |
| ornament, mordent, upper | 3.1.1 Articulations and ornamentations |
| ornament, mordent, upper | B.13.2 Ornament scripts |
| ornament, pralltriller | 3.1.1 Articulations and ornamentations |
| ornament, pralltriller | B.13.2 Ornament scripts |
| ornament, pralltriller, down | 3.1.1 Articulations and ornamentations |
| ornament, pralltriller, down | B.13.2 Ornament scripts |
| ornament, pralltriller, long | 3.1.1 Articulations and ornamentations |
| ornament, pralltriller, long | B.13.2 Ornament scripts |
| ornament, pralltriller, up | 3.1.1 Articulations and ornamentations |
| ornament, pralltriller, up | B.13.2 Ornament scripts |
| ornament, reverse turn | 3.1.1 Articulations and ornamentations |
| ornament, reverse turn | B.13.2 Ornament scripts |
| ornament, signum congruentiae | 3.1.1 Articulations and ornamentations |
| ornament, slash turn | 3.1.1 Articulations and ornamentations |
| ornament, slash turn | B.13.2 Ornament scripts |
| ornament, trill | 3.1.1 Articulations and ornamentations |
| ornament, trill | B.13.2 Ornament scripts |
| ornament, turn | 3.1.1 Articulations and ornamentations |
| ornament, turn | B.13.2 Ornament scripts |
| ornament, turn, delayed | 3.1.1 Articulations and ornamentations |
| ornament, up pralltriller | 3.1.1 Articulations and ornamentations |
| ornament, up pralltriller | B.13.2 Ornament scripts |
| ornament, upper mordent | 3.1.1 Articulations and ornamentations |
| ornament, upper mordent | B.13.2 Ornament scripts |
| orphan-penalty | B.23 Paper variables |
| ossia | 6.2.2 Ossia staves |
| ossia | 6.2.3 Hiding staves |
| ossia, positioning | 6.2.2 Ossia staves |
| \ottava | 1.3.3 Ottava brackets |
| ottava | 1.3.3 Ottava brackets |
| \ottava | B.21 Available music functions |
| ottava spanner, modifying slope | 1.3.3 Ottava brackets |
| ottava text | 1.3.3 Ottava brackets |
| ottava, for single voice | 1.3.3 Ottava brackets |
| ottavation | 1.3.3 Ottava brackets |
| ottavation-numbers | 1.3.3 Ottava brackets |
| ottavation-ordinals | 1.3.3 Ottava brackets |
| ottavation-simple-ordinals | 1.3.3 Ottava brackets |
| ottavationMarkups | 1.3.3 Ottava brackets |
| Ottoman music | 18.3.1 References for Turkish classical music |
| Ottoman, classical music | 18.1.1 Extending notation and tuning systems |
| outer-margin | 26.5.2 \paper variables for two-sided mode |
| outer-margin | B.23 Paper variables |
| output definition | 33.1.1 Output definitions – blueprints for contexts |
| output-count | B.20 Technical glossary |
| output-def | B.20 Technical glossary |
| output-filename | 20.4 Output file names |
| output-filename | B.23 Paper variables |
| output-scale | B.23 Paper variables |
| output-suffix | 20.4 Output file names |
| output-suffix | B.20 Technical glossary |
| output-suffix | B.23 Paper variables |
| outside-staff-horizontal-padding | 29.3 Vertical collision avoidance |
| outside-staff-padding | 29.3 Vertical collision avoidance |
| outside-staff-priority | 29.3 Vertical collision avoidance |
| outside-staff-priority | B.17 Default values for outside-staff-priority |
| \oval | A.1.3 Graphical markup |
| \overlay | A.1.2 Markup for text alignment |
| overlaying contexts | 6.1.2 Grouping staves |
| \override | 35.3 \override and \revert |
| \override | 35.5 \set versus \override |
| \override | A.1.8 Other markup commands |
| \override-lines | A.2 Text markup list commands |
| override, reverting | 35.3 \override and \revert |
| \overrideProperty | 35.5 \set versus \override |
| \overrideProperty | B.21 Available music functions |
| \overrideTimeSignatureSettings | 2.3.1 Time signature |
| \overrideTimeSignatureSettings | B.21 Available music functions |
| overriding property, within text markup | A.1.8 Other markup commands |
| \overtie | A.1.1 Font markup |
| overwriting grob | 2.1.4 Ties |
| overwriting object | 36.7.3 Painting objects white |
|
| P |
| \p | 3.1.2 Dynamics |
| \pad-around | 8.2.4 Graphic notation inside markup |
| \pad-around | A.1.2 Markup for text alignment |
| \pad-markup | 8.2.4 Graphic notation inside markup |
| \pad-markup | A.1.2 Markup for text alignment |
| \pad-to-box | 8.2.4 Graphic notation inside markup |
| \pad-to-box | A.1.2 Markup for text alignment |
| \pad-x | 8.2.4 Graphic notation inside markup |
| \pad-x | A.1.2 Markup for text alignment |
| \pad-x-left | 8.2.4 Graphic notation inside markup |
| \pad-x-left | A.1.2 Markup for text alignment |
| \pad-x-right | 8.2.4 Graphic notation inside markup |
| \pad-x-right | A.1.2 Markup for text alignment |
| padding | 34.3 Determining the grob property |
| padding around text | 8.2.4 Graphic notation inside markup |
| padding text | A.1.2 Markup for text alignment |
| padding text horizontally | A.1.2 Markup for text alignment |
| padding text horizontally | A.1.2 Markup for text alignment |
| padding text horizontally | A.1.2 Markup for text alignment |
| page break | 30.5 Line width |
| page break, cadenzas | 2.3.4 Unmetered music |
| page break, managing with extra voice | 28.1 Line breaking |
| page break, manual | 28.2.1 Manual page breaking |
| page break, unmetered music | 2.3.4 Unmetered music |
| page break, within markup | 8.2.1 Text markup introduction |
| page footer | 21.1.3 Default layout of headers and footers |
| page header | 21.1.3 Default layout of headers and footers |
| page layout | 30.5 Line width |
| page number, auto-numbering | 26.6.3 \paper variables for page numbering |
| page number, in roman numerals | 26.6.3 \paper variables for page numbering |
| page number, independent for introduction | 26.6.3 \paper variables for page numbering |
| page number, per book part | 26.6.3 \paper variables for page numbering |
| page number, referencing | 21.6 Reference to page numbers |
| page number, specify first | 26.6.3 \paper variables for page numbering |
| page number, suppress | 26.6.3 \paper variables for page numbering |
| page size | 26.2 Paper size and automatic scaling |
| page-breaking | 26.6.2 \paper variables for page breaking |
| page-breaking | B.23 Paper variables |
| page-breaking-system-system-spacing | 26.6.2 \paper variables for page breaking |
| page-breaking-system-system-spacing | B.23 Paper variables |
| page-count | 26.6.2 \paper variables for page breaking |
| page-count | B.23 Paper variables |
| \page-link | A.1.8 Other markup commands |
| page-number-type | 26.6.3 \paper variables for page numbering |
| page-number-type | B.23 Paper variables |
| page-post-process | B.23 Paper variables |
| \page-ref | 21.6 Reference to page numbers |
| \page-ref | A.1.8 Other markup commands |
| page-spacing-weight | 26.6.2 \paper variables for page breaking |
| page-spacing-weight | B.23 Paper variables |
| page, orientation | 26.2.1 Setting the paper size |
| \pageBreak | 28.2.1 Manual page breaking |
| \pageBreak | B.21 Available music functions |
| \pageTurn | 28.2.7 Optimal page turning |
| \pageTurn | B.21 Available music functions |
| pageTurnMinimumRepeatLength | 28.2.7 Optimal page turning |
| pageTurnMinimumRestLength | 28.2.7 Optimal page turning |
| \palmMute | B.21 Available music functions |
| \palmMuteOn | B.21 Available music functions |
| pan position, in MIDI | 24.8 Context properties for MIDI effects |
| Pango | 8.3 Fonts |
| \paper | 20.5 File structure |
| \paper | 26.2 Paper size and automatic scaling |
| paper column | 30.4.1 Overview of object-specific horizontal spacing tweaks |
| paper size | 26.2 Paper size and automatic scaling |
| paper size, landscape | 26.2.1 Setting the paper size |
| paper size, orientation | 26.2.1 Setting the paper size |
| paper variable, predefined | 26.1 The \paper block |
| paper variables, in \layout block | 27.1 The \layout block |
| paper-height | 26.3 Fixed vertical spacing \paper variables |
| paper-height | B.23 Paper variables |
| paper-width | 26.5.1 \paper variables for widths and margins |
| paper-width | B.23 Paper variables |
| papersizename | B.23 Paper variables |
| parallel music | 5.2.6 Writing music in parallel |
| \parallelMusic | 5.2.6 Writing music in parallel |
| \parallelMusic | B.21 Available music functions |
| parenthesis | 7.1.8 Parentheses |
| \parenthesize | 7.1.8 Parentheses |
| \parenthesize | A.1.3 Graphical markup |
| \parenthesize | B.21 Available music functions |
| parenthesized accidental | 1.1.3 Accidentals |
| parlato | 9.6.4 Spoken music |
| parlato note head | 1.4.1 Special note heads |
| Parmesan font | B.8 The Emmentaler font |
| parser | B.20 Technical glossary |
| parser variable | B.20 Technical glossary |
| part combiner | 5.2.5 Automatic part combining |
| part combiner, changing text | 5.2.5 Automatic part combining |
| part song | 9.5 Choral |
| part, desk | 6.3 Writing parts |
| part, individual | 6.3 Writing parts |
| part, section | 6.3 Writing parts |
| \partCombine | 5.2.5 Automatic part combining |
| \partCombine | 9.2.6 Polyphony with shared lyrics |
| \partCombine | B.21 Available music functions |
| \partCombine, and lyrics | 5.2.5 Automatic part combining |
| \partCombine, and lyrics | 9.2.6 Polyphony with shared lyrics |
| \partCombineApart | 5.2.5 Automatic part combining |
| \partCombineAutomatic | 5.2.5 Automatic part combining |
| \partCombineChords | 5.2.5 Automatic part combining |
| \partCombineDown | B.21 Available music functions |
| \partCombineForce | B.21 Available music functions |
| partCombineListener | B.20 Technical glossary |
| \partCombineSoloI | 5.2.5 Automatic part combining |
| \partCombineSoloII | 5.2.5 Automatic part combining |
| \partCombineUnisono | 5.2.5 Automatic part combining |
| \partCombineUp | B.21 Available music functions |
| \partial | 2.3.3 Upbeats |
| \partial | 2.6.3 Time administration |
| \partial | 4.1.2 Simple repeats |
| \partial | B.21 Available music functions |
| partial measure | 2.3.3 Upbeats |
| partial measure, in hymns | 9.7.5 Partial measures in hymn tunes |
| \path | A.1.3 Graphical markup |
| path, drawing | A.1.3 Graphical markup |
| \pattern | A.1.8 Other markup commands |
| pause mark | 2.2.4 Caesuras |
| pause mark | 3.2.3 Breath marks |
| PDF, embedding files | 23.4 Embedding files in PDF output |
| PDF, metadata | 21.3 Creating output file metadata |
| pedal diagram, harp | 10.5.2 Harp pedals |
| pedal high hat | 3.1.1 Articulations and ornamentations |
| pedal high hat | 13.1.6 Custom percussion staves |
| pedal high hat | B.15 Percussion notes |
| pedal indication, bracket | 10.2.1 Piano pedals |
| pedal indication, mixed | 10.2.1 Piano pedals |
| pedal indication, style | 10.2.1 Piano pedals |
| pedal indication, text | 10.2.1 Piano pedals |
| pedal mark, heel | 3.1.1 Articulations and ornamentations |
| pedal mark, heel | 10.3.1 Organ pedal marks |
| pedal mark, heel | B.13.4 Instrument-specific scripts |
| pedal mark, organ | 3.1.1 Articulations and ornamentations |
| pedal mark, organ | 10.3.1 Organ pedal marks |
| pedal mark, organ | B.13.4 Instrument-specific scripts |
| pedal mark, toe | 3.1.1 Articulations and ornamentations |
| pedal mark, toe | 10.3.1 Organ pedal marks |
| pedal mark, toe | B.13.4 Instrument-specific scripts |
| pedal splash high hat | 13.1.6 Custom percussion staves |
| pedal sustain, style | 10.2.1 Piano pedals |
| pedal, harp | 10.5.2 Harp pedals |
| pedal, piano | 10.2.1 Piano pedals |
| pedal, sostenuto | 10.2.1 Piano pedals |
| pedal, sustain | 10.2.1 Piano pedals |
| pedalSustainStyle | 10.2.1 Piano pedals |
| percent repeat | 4.2.1 Percent repeats |
| percent repeat, count visibility | 4.2.1 Percent repeats |
| percent repeat, counter | 4.2.1 Percent repeats |
| percent repeat, isolated | 4.2.1 Percent repeats |
| percussion | 13.1.2 Basic percussion notation |
| percussion | 13.1.5 Percussion staves |
| percussion clef | 13.1.2 Basic percussion notation |
| percussion clef | B.11.2 Percussion staff clef |
| percussion staff | 6.1.1 Instantiating new staves |
| percussion, custom | 13.1.6 Custom percussion staves |
| percussion, dead note | 13.1.7 Ghost notes |
| percussion, false note | 13.1.7 Ghost notes |
| percussion, ghost note | 13.1.7 Ghost notes |
| percussion, muted note | 13.1.7 Ghost notes |
| percussion, silenced note | 13.1.7 Ghost notes |
| Performer_group | 33.6 Defining new contexts |
| Persian accidentals (sori, koron) | 18.4.1 Persian music notation |
| Persian classical music | 18.4 Persian classical music |
| Persian makam | 18.1.1 Extending notation and tuning systems |
| Persian makam | 18.1.1 Extending notation and tuning systems |
| \pes | 17.4.7 Gregorian square neume ligatures |
| \pes | 17.4.7 Gregorian square neume ligatures |
| Petrucci | 17 Ancient notation |
| Petrucci | 17.1 Overview of the supported styles |
| Petrucci clef | 17.3.2 Mensural clefs |
| Petrucci clef | B.11.4 Ancient music clefs |
| PetrucciStaff | 17.3.10 White mensural ligatures |
| PetrucciStaff | 33.1.4 Intermediate-level contexts – staves |
| PetrucciVoice | 17.3.10 White mensural ligatures |
| PetrucciVoice | 33.1.5 Bottom-level contexts – voices |
| phrase bar line | 2.5.2 Automatic bar lines |
| phrase bar line | 2.5.2 Automatic bar lines |
| phrase bar line, in Gregorian chant | 17.4.4 Divisiones |
| phrase bar line, in hymns | 9.7.4 Phrase bar lines in hymn tunes |
| phrase bar line, in Kievan chant | 17.5.5 Kievan bar lines |
| phrasing bracket | 7.2.4 Analysis brackets |
| phrasing mark | 3.2.2 Phrasing slurs |
| phrasing slur | 3.2.1 Slurs |
| phrasing slur | 3.2.2 Phrasing slurs |
| phrasing slur, dashed | 3.2.2 Phrasing slurs |
| phrasing slur, defining dash patterns | 3.2.2 Phrasing slurs |
| phrasing slur, dotted | 3.2.2 Phrasing slurs |
| phrasing slur, half solid and half dashed | 3.2.2 Phrasing slurs |
| phrasing slur, multiple | 3.2.2 Phrasing slurs |
| phrasing slur, simultaneous | 3.2.2 Phrasing slurs |
| phrasing, in lyrics | 9.1.7 Multiple notes to one syllable |
| \phrasingSlurDashed | 3.2.2 Phrasing slurs |
| \phrasingSlurDashPattern | 3.2.2 Phrasing slurs |
| \phrasingSlurDashPattern | B.21 Available music functions |
| \phrasingSlurDotted | 3.2.2 Phrasing slurs |
| \phrasingSlurDown | 3.2.2 Phrasing slurs |
| \phrasingSlurHalfDashed | 3.2.2 Phrasing slurs |
| \phrasingSlurHalfSolid | 3.2.2 Phrasing slurs |
| \phrasingSlurNeutral | 3.2.2 Phrasing slurs |
| \phrasingSlurSolid | 3.2.2 Phrasing slurs |
| \phrasingSlurUp | 3.2.2 Phrasing slurs |
| \phrygian | 1.3.2 Key signature |
| Phrygian | 1.3.2 Key signature |
| piano | 1.3.5 Automatic accidentals |
| piano music, centering dynamics | 10.1.1 References for keyboards |
| piano pedal | 10.2.1 Piano pedals |
| piano staff | 6.1.2 Grouping staves |
| piano staff | 10.1.1 References for keyboards |
| piano-cautionary | 1.3.5 Automatic accidentals |
| PianoStaff | 10.1.1 References for keyboards |
| PianoStaff | 10.1.3 Changing staff automatically |
| PianoStaff | 33.1.3 Top-level contexts – staff containers |
| pickup measure | 2.3.3 Upbeats |
| pickup, in a repeat | 4.1.2 Simple repeats |
| piece | 21.1.2 Default layout of bookpart and score titles |
| pitch | 1.1.1 Absolute octave entry |
| pitch name | 1.1.1 Absolute octave entry |
| pitch name, other languages | 1.1.5 Note names in other languages |
| pitch range | 1.3.7 Ambitus |
| Pitch_squash_engraver | 2.3.7 Showing melody rhythms |
| pitch, approximate | 1.1.4 Approximate pitches |
| pitch, default | 2.1.1 Durations |
| pitch, extreme | 1.1.4 Approximate pitches |
| pitch, isolated | 2.1.1 Durations |
| pitch, transposition | 1.2.2 Transpose |
| pitch, unspecified | 1.1.4 Approximate pitches |
| pitched trill | 3.3.3 Trills |
| pitched trill, with accidental | 3.3.3 Trills |
| \pitchedTrill | 3.3.3 Trills |
| \pitchedTrill | B.21 Available music functions |
| pitches, ‘smart’ transposition | 1.2.2 Transpose |
| pitchnames | B.20 Technical glossary |
| pitchnames | B.21 Available music functions |
| pitchnames | B.21 Available music functions |
| pitchnames | B.21 Available music functions |
| pizzicato, Bartók | 11.1.4 Snap (Bartók) pizzicato |
| pizzicato, snap | 11.1.4 Snap (Bartók) pizzicato |
| place-fret | A.1.6 Instrument-specific markup |
| placeholder event | 5.1.1 Chorded notes |
| placement, lyrics | 9.2.2 Placing lyrics vertically |
| placement, right-hand fingering | 12.1.8 Right-hand fingerings |
| placing horizontal brackets, around text | A.1.3 Graphical markup |
| placing parentheses, around text | A.1.3 Graphical markup |
| placing vertical brackets, around text | A.1.3 Graphical markup |
| PNG image | A.1.3 Graphical markup |
| poet | 21.1.2 Default layout of bookpart and score titles |
| point (pt) | 36.2 Distances and measurements |
| point, big (bp) | 36.2 Distances and measurements |
| \pointAndClickOff | B.21 Available music functions |
| \pointAndClickOn | B.21 Available music functions |
| \pointAndClickTypes | B.21 Available music functions |
| \polygon | A.1.3 Graphical markup |
| \polymetric | 2.3.5 Polymetric notation |
| \polymetric | B.21 Available music functions |
| polymetric meter, with beams | 2.3.5 Polymetric notation |
| polymetric signatures | 2.3.5 Polymetric notation |
| polyphonic music | 5.2.3 Collision resolution |
| polyphony, additional voices | 5.2.3 Collision resolution |
| polyphony, in tablatures | 12.1.3 Default tablatures |
| polyphony, shared lyrics | 9.2.6 Polyphony with shared lyrics |
| polyphony, single-staff | 5.2.1 Single-staff polyphony |
| \popContextProperty | 35.2 \set and \unset |
| \popContextProperty | B.21 Available music functions |
| \portato | 3.1.1 Articulations and ornamentations |
| \portato | B.13.1 Articulation scripts |
| position, figured bass alteration | 15.3.2 Entering figured bass |
| position, in measure | 2.3.3 Upbeats |
| position, in measure | 2.6.3 Time administration |
| position, lyrics | 6.2.2 Ossia staves |
| position, multi-measure rest | 2.2.3 Full measure rests |
| position, ossia | 6.2.2 Ossia staves |
| position, vertical, of grobs | 36.1.1 Articulation direction indicators |
| positioning, exact, of staves | 29.2 Explicit staff and system positioning |
| post-event | B.13 List of articulations |
| \postscript | 8.2.4 Graphic notation inside markup |
| \postscript | A.1.3 Graphical markup |
| postscript | 8.2.4 Graphic notation inside markup |
| power chord | 12.2.3 Indicating power chords |
| \pp | 3.1.2 Dynamics |
| \ppp | 3.1.2 Dynamics |
| \pppp | 3.1.2 Dynamics |
| \ppppp | 3.1.2 Dynamics |
| practice note head | 1.4.2 Easy notation note heads |
| \prall | 3.1.1 Articulations and ornamentations |
| \prall | B.13.2 Ornament scripts |
| \pralldown | 3.1.1 Articulations and ornamentations |
| \pralldown | B.13.2 Ornament scripts |
| \prallmordent | 3.1.1 Articulations and ornamentations |
| \prallmordent | B.13.2 Ornament scripts |
| \prallprall | 3.1.1 Articulations and ornamentations |
| \prallprall | B.13.2 Ornament scripts |
| \prallup | 3.1.1 Articulations and ornamentations |
| \prallup | B.13.2 Ornament scripts |
| \preBend | 12.1.3 Default tablatures |
| \preBend | B.21 Available music functions |
| \preBendHold | 12.1.3 Default tablatures |
| \preBendHold | B.21 Available music functions |
| predefined paper variables | 26.1 The \paper block |
| predefined string tuning, for fretted instruments | 12.1.4 Custom tablatures |
| predefinedDiagramTable | 12.1.6 Predefined fret diagrams |
| \predefinedFretboardsOff | 12.1.7 Automatic fret diagrams |
| \predefinedFretboardsOn | 12.1.7 Automatic fret diagrams |
| prefatory matter | 30.4.1 Overview of object-specific horizontal spacing tweaks |
| prefatory matter | 30.4.2 Spacing between adjacent non-musical items |
| prima volta | 4.1.3 Alternative endings |
| print-all-headers | 26.6.4 \paper variables concerning headers and markups |
| print-all-headers | B.23 Paper variables |
| print-first-page-number | 26.6.3 \paper variables for page numbering |
| print-first-page-number | B.23 Paper variables |
| print-page-number | 26.6.3 \paper variables for page numbering |
| print-page-number | B.23 Paper variables |
| printAccidentalNames | 7.2.1 Note names |
| printing chord name | 15.2.1 Printing chord names |
| printing order | 36.7.3 Painting objects white |
| printing reserved character | 8.2.1 Text markup introduction |
| printing special character | 8.2.1 Text markup introduction |
| printNotesLanguage | 7.2.1 Note names |
| printOctaveNames | 7.2.1 Note names |
| prob | B.20 Technical glossary |
| properties | 35.6 \tweak and \single |
| property object | B.20 Technical glossary |
| property-defaults | B.23 Paper variables |
| \property-recursive | A.1.8 Other markup commands |
| property, grob | 35.3 \override and \revert |
| property, modifying | 35.2 \set and \unset |
| \propertyOverride | B.21 Available music functions |
| \propertyRevert | B.21 Available music functions |
| \propertySet | B.21 Available music functions |
| \propertyTweak | B.21 Available music functions |
| \propertyUnset | B.21 Available music functions |
| psalm | 9.7 Chants psalms and hymns |
| psalm | 9.7.2 Setting a chant |
| \pt | 36.2 Distances and measurements |
| pt | B.23 Paper variables |
| pull off | 12.1.3 Default tablatures |
| punctuation, in lyrics | 9.1.2 Entering lyrics |
| \push-to-tag | 22.2.2 Using tags |
| \push-to-tag | A.1.8 Other markup commands |
| \pushContextProperty | 35.2 \set and \unset |
| \pushContextProperty | B.21 Available music functions |
| \pushToTag | 22.2.2 Using tags |
| \pushToTag | B.21 Available music functions |
| \pushToTagMarkup | 22.2.2 Using tags |
| \pushToTagMarkup | B.21 Available music functions |
| \put-adjacent | A.1.2 Markup for text alignment |
| putting space around text | A.1.2 Markup for text alignment |
|
| Q |
| q (chord repetition) | 5.1.2 Chord repetition |
| q (chord repetition) | 12.1.3 Default tablatures |
| QR code | A.1.8 Other markup commands |
| \qr-code | A.1.8 Other markup commands |
| quarter tone | 1.1.3 Accidentals |
| quarter tone accidental | 1.1.3 Accidentals |
| quarter tone, in tablature | 12.1.4 Custom tablatures |
| \quilisma | 17.4.7 Gregorian square neume ligatures |
| \quilisma | 17.4.7 Gregorian square neume ligatures |
| quote, in lyrics | 9.1.2 Entering lyrics |
| quote, in lyrics | 9.1.6 Multiple syllables to one note |
| quote, voices | 6.3.2 Quoting other voices |
| quoted text | 8.1.2 Text scripts |
| quoted text, in markup mode | 8.2.1 Text markup introduction |
| quotedCueEventTypes | 6.3.2 Quoting other voices |
| quotedEventTypes | 6.3.2 Quoting other voices |
| \quoteDuring | 6.3.2 Quoting other voices |
| \quoteDuring | 6.3.3 Formatting cue notes |
| \quoteDuring | B.21 Available music functions |
| \quoteDuring, and tags | 22.2.2 Using tags |
|
| R |
| R (full-measure rest) | 2.2.3 Full measure rests |
| r (rest) | 2.2.1 Rests |
| ragged-bottom | 26.3 Fixed vertical spacing \paper variables |
| ragged-bottom | B.23 Paper variables |
| ragged-last | 26.5.1 \paper variables for widths and margins |
| ragged-last | 30.5 Line width |
| ragged-last | B.23 Paper variables |
| ragged-last-bottom | 26.3 Fixed vertical spacing \paper variables |
| ragged-last-bottom | B.23 Paper variables |
| ragged-right | 26.5.1 \paper variables for widths and margins |
| ragged-right | 30.5 Line width |
| ragged-right | B.23 Paper variables |
| \raise | 8.2.3 Text alignment |
| \raise | A.1.2 Markup for text alignment |
| \raiseNote | 15.1.4 Chord inversions and specific voicings |
| \raiseNote | B.21 Available music functions |
| raising text | A.1.2 Markup for text alignment |
| range of pitches | 1.3.7 Ambitus |
| Ratisbona, Editio | 17.1 Overview of the supported styles |
| \reduceChords | 2.3.7 Showing melody rhythms |
| \reduceChords | B.21 Available music functions |
| referencing context | 33.2 Creating and referencing contexts |
| referencing page label, in text | A.1.8 Other markup commands |
| referencing page number, in text | A.1.8 Other markup commands |
| referencing page number, in text | A.1.8 Other markup commands |
| register symbol, accordion | 10.4.1 Discant symbols |
| regular line break | 28.1 Line breaking |
| rehearsal mark | 2.5.5 Rehearsal marks |
| rehearsal mark, below staff | 2.3.2 Metronome marks |
| rehearsal mark, format | 2.5.5 Rehearsal marks |
| rehearsal mark, manual | 2.5.5 Rehearsal marks |
| rehearsal mark, style | 2.5.5 Rehearsal marks |
| \relative | 1.1.2 Relative octave entry |
| \relative | 1.1.2 Relative octave entry |
| relative | 1.1.2 Relative octave entry |
| \relative | 1.2.2 Transpose |
| \relative | 10.1.3 Changing staff automatically |
| \relative | 22.3.4 Substitution functions and relative octave entry |
| \relative | B.21 Available music functions |
| relative music, and \autoChange | 10.1.3 Changing staff automatically |
| relative octave entry | 1.1.2 Relative octave entry |
| relative octave entry, and chords | 1.1.2 Relative octave entry |
| relative octave entry, and transposition | 1.1.2 Relative octave entry |
| relative octave specification | 1.1.2 Relative octave entry |
| relative pitch, chords | 5.1.1 Chorded notes |
| religious music | 9.7 Chants psalms and hymns |
| reminder accidental | 1.1.3 Accidentals |
| removal, in chord | 15.1.3 Extended and altered chords |
| \remove | 33.4 Modifying context plug-ins |
| remove-empty | 6.2.3 Hiding staves |
| remove-first | 6.2.3 Hiding staves |
| remove-grace-property | 2.6.1 Grace notes |
| remove-layer | 6.2.3 Hiding staves |
| \remove-with-tag | 22.2.2 Using tags |
| \remove-with-tag | A.1.8 Other markup commands |
| \RemoveAllEmptyStaves | 6.2.3 Hiding staves |
| \RemoveAllEmptyStaves | B.22 Context modification identifiers |
| \RemoveEmptyStaves | 6.2.3 Hiding staves |
| \RemoveEmptyStaves | B.22 Context modification identifiers |
| \removeFromTagGroup | 22.2.2 Using tags |
| \removeFromTagGroup | B.21 Available music functions |
| \removeWithTag | 22.2.2 Using tags |
| \removeWithTag | B.21 Available music functions |
| removing bar numbers | 2.5.3 Bar numbers |
| removing cue notes | 6.3.3 Formatting cue notes |
| removing tagged music | 22.2.2 Using tags |
| Renaissance music | 6.1.2 Grouping staves |
| \repeat | 4.1.1 Written-out repeats |
| \repeat | 4.1.2 Simple repeats |
| \repeat | 4.1.3 Alternative endings |
| repeat | 2.5.1 Bar lines |
| repeat bar | 2.5.1 Bar lines |
| repeat bar line | 2.5.2 Automatic bar lines |
| repeat bar line, underlying | 2.5.2 Automatic bar lines |
| repeat number, changing | 4.1.8 Manual repeat marks |
| \repeat percent | 4.2.1 Percent repeats |
| \repeat segno | 2.5.2 Automatic bar lines |
| \repeat segno | 2.5.2 Automatic bar lines |
| \repeat segno | 4.1.6 Segno repeat structure |
| \repeat tremolo | 4.2.2 Tremolo repeats |
| \repeat unfold | 4.1.1 Written-out repeats |
| \repeat volta | 2.5.2 Automatic bar lines |
| \repeat volta | 2.5.2 Automatic bar lines |
| \repeat volta | 4.1.2 Simple repeats |
| \repeat volta | 4.1.3 Alternative endings |
| repeat volta, changing | 4.1.8 Manual repeat marks |
| repeat, al fine | 4.1.6 Segno repeat structure |
| repeat, alla coda | 4.1.6 Segno repeat structure |
| repeat, alternative bar numbers | 4.1.7 Segno repeat appearance |
| repeat, ambiguous | 4.1.7 Segno repeat appearance |
| repeat, and glissandi | 3.3.1 Glissando |
| repeat, and glissandi | 4.1.7 Segno repeat appearance |
| repeat, and lyrics | 9.2.4 Lyrics and repeats |
| repeat, and measure number | 4.1.7 Segno repeat appearance |
| repeat, and slur | 4.1.7 Segno repeat appearance |
| repeat, bar line at start of piece | 4.1.2 Simple repeats |
| repeat, bar numbers with letters | 4.1.7 Segno repeat appearance |
| repeat, beat | 4.2.1 Percent repeats |
| repeat, D.C. | 4.1.6 Segno repeat structure |
| repeat, D.C., manual | 4.1.8 Manual repeat marks |
| repeat, D.S. | 4.1.6 Segno repeat structure |
| repeat, D.S., forced at start | 4.1.7 Segno repeat appearance |
| repeat, D.S., manual | 4.1.8 Manual repeat marks |
| repeat, da capo | 4.1.6 Segno repeat structure |
| repeat, da capo, manual | 4.1.8 Manual repeat marks |
| repeat, dal segno | 4.1.6 Segno repeat structure |
| repeat, dal segno, forced at start | 4.1.7 Segno repeat appearance |
| repeat, dal segno, manual | 4.1.8 Manual repeat marks |
| repeat, double, style for volta | 2.5.2 Automatic bar lines |
| repeat, e poi la coda | 4.1.6 Segno repeat structure |
| repeat, end | 4.1.8 Manual repeat marks |
| repeat, manual | 4.1.8 Manual repeat marks |
| repeat, measure | 4.2.1 Percent repeats |
| repeat, nested | 4.1.7 Segno repeat appearance |
| repeat, percent | 4.2.1 Percent repeats |
| repeat, percent, count visibility | 4.2.1 Percent repeats |
| repeat, percent, counter | 4.2.1 Percent repeats |
| repeat, percent, isolated | 4.2.1 Percent repeats |
| repeat, short | 4.2.1 Percent repeats |
| repeat, simple | 4.1.2 Simple repeats |
| repeat, slash | 4.2.1 Percent repeats |
| repeat, start | 4.1.8 Manual repeat marks |
| repeat, timing information | 4.1.7 Segno repeat appearance |
| repeat, tremolo | 4.2.2 Tremolo repeats |
| repeat, unfolded | 4.1.1 Written-out repeats |
| repeat, with alternative endings | 4.1.3 Alternative endings |
| repeat, with anacrusis | 4.1.2 Simple repeats |
| repeat, with bar checks | 4.1.2 Simple repeats |
| repeat, with pickup | 4.1.2 Simple repeats |
| repeat, with segno | 4.1.7 Segno repeat appearance |
| repeat, with ties | 2.1.4 Ties |
| repeat, with upbeat | 4.1.2 Simple repeats |
| repeat, written-out | 4.1.1 Written-out repeats |
| repeatCommands | 4.1.8 Manual repeat marks |
| repeatCountVisibility | 4.2.1 Percent repeats |
| repeated chords, suppressing | 12.1.6 Predefined fret diagrams |
| repeated chords, suppressing | 15.2.1 Printing chord names |
| repeating lyrics, with alternative endings | 9.2.4 Lyrics and repeats |
| repeating tie | 2.1.4 Ties |
| repeats, in MIDI | 24.6 Using repeats with MIDI |
| \repeatTie | 2.1.4 Ties |
| \repeatTie | 9.2.4 Lyrics and repeats |
| repetition, using q | 5.1.2 Chord repetition |
| repetition, using q | 12.1.3 Default tablatures |
| \replace | A.1.1 Font markup |
| \replace-with-tag | 22.2.2 Using tags |
| \replace-with-tag | A.1.8 Other markup commands |
| \replaceWithTag | 22.2.2 Using tags |
| \replaceWithTag | B.21 Available music functions |
| \replaceWithTagMarkup | 22.2.2 Using tags |
| \replaceWithTagMarkup | B.21 Available music functions |
| replacing strings, automatically | 22.4.3 ASCII aliases |
| reserved character, printing | 8.2.1 Text markup introduction |
| reset-footnotes-on-new-page | 26.6.4 \paper variables concerning headers and markups |
| reset-footnotes-on-new-page | B.23 Paper variables |
| \resetRelativeOctave | 1.1.2 Relative octave entry |
| \resetRelativeOctave | B.21 Available music functions |
| \resetTagGroup | 22.2.2 Using tags |
| \resetTagGroup | B.21 Available music functions |
| \resetTagGroups | 22.2.2 Using tags |
| \resetTagGroups | B.21 Available music functions |
| resizing of staves | 6.2.2 Ossia staves |
| \responsum | 17.4.7 Gregorian square neume ligatures |
| \responsum | B.21 Available music functions |
| \rest | 2.2.1 Rests |
| rest | 2.2.1 Rests |
| \rest | A.1.4 Markup for music and musical symbols |
| \rest-by-number | A.1.4 Markup for music and musical symbols |
| rest-event | 6.3.2 Quoting other voices |
| rest, ancient | 17.3.6 Mensural rests |
| rest, church | 6.3.4 Compressing empty measures |
| rest, collisions | 2.2.3 Full measure rests |
| rest, condensing ordinary | 2.2.3 Full measure rests |
| rest, entering durations | 2.2.1 Rests |
| rest, full-measure | 2.2.3 Full measure rests |
| rest, invisible | 2.2.2 Invisible rests |
| rest, merging | 5.2.4 Merging rests |
| rest, multi-measure | 2.2.1 Rests |
| rest, multi-measure | 2.2.3 Full measure rests |
| rest, specifying vertical position | 2.2.1 Rests |
| rest, splitting | 2.3.6 Automatic note splitting |
| rest, style | 2.2.1 Rests |
| rest, whole-measure | 2.2.1 Rests |
| rest, whole, for a full measure | 2.2.3 Full measure rests |
| rest, within text, by duration | A.1.4 Markup for music and musical symbols |
| rest, within text, by log and dot-count | A.1.4 Markup for music and musical symbols |
| restNumberThreshold | 6.3.4 Compressing empty measures |
| restoring default properties for time signatures | 2.3.1 Time signature |
| restrainOpenStrings | 12.1.3 Default tablatures |
| \retrograde | 1.2.4 Retrograde |
| \retrograde | B.21 Available music functions |
| retrograde transformation | 1.2.4 Retrograde |
| reverb, in MIDI | 24.8 Context properties for MIDI effects |
| \reverseturn | 3.1.1 Articulations and ornamentations |
| \reverseturn | B.13.2 Ornament scripts |
| \revert | 35.3 \override and \revert |
| reverting override | 35.3 \override and \revert |
| \revertTimeSignatureSettings | 2.3.1 Time signature |
| \revertTimeSignatureSettings | B.21 Available music functions |
| \rfz | 3.1.2 Dynamics |
| RGB color | 7.1.5 Coloring objects |
| rgb-color | 7.1.5 Coloring objects |
| \rheel | 10.3.1 Organ pedal marks |
| \rheeltoe | 10.3.1 Organ pedal marks |
| \rhythm | 33.1.3 Top-level contexts – staff containers |
| \rhythm | 33.1.4 Intermediate-level contexts – staves |
| \rhythm | 33.1.5 Bottom-level contexts – voices |
| \rhythm | A.1.4 Markup for music and musical symbols |
| rhythm, in text | A.1.4 Markup for music and musical symbols |
| rhythm, showing melody | 2.3.7 Showing melody rhythms |
| rhythmic staff | 6.1.1 Instantiating new staves |
| RhythmicStaff | 6.1.1 Instantiating new staves |
| RhythmicStaff | 33.1.4 Intermediate-level contexts – staves |
| ride bell | B.15 Percussion notes |
| ride cymbal | B.15 Percussion notes |
| \right-align | 8.2.3 Text alignment |
| \right-align | A.1.2 Markup for text alignment |
| right-aligning text | A.1.2 Markup for text alignment |
| \right-brace | A.1.8 Other markup commands |
| \right-column | A.1.2 Markup for text alignment |
| right-hand fingering, for fretted instruments | 12.1.8 Right-hand fingerings |
| right-hand fingering, placement | 12.1.8 Right-hand fingerings |
| right-margin | 26.5.1 \paper variables for widths and margins |
| right-margin | B.23 Paper variables |
| \rightHandFinger | 12.1.8 Right-hand fingerings |
| \rightHandFinger | B.21 Available music functions |
| rolled chord | 3.3.2 Arpeggio |
| \romanStringNumbers | 11.1.2 Bowing indications |
| \romanStringNumbers | 12.1.2 String number indications |
| root of chord | 15.1.2 Common chords |
| \rotate | A.1.2 Markup for text alignment |
| rotating object | 36.8.1 Rotating layout objects |
| rotating text | A.1.2 Markup for text alignment |
| \rounded-box | 8.2.4 Graphic notation inside markup |
| \rounded-box | A.1.3 Graphical markup |
| \rtoe | 10.3.1 Organ pedal marks |
| \rtoeheel | 10.3.1 Organ pedal marks |
|
| S |
| s (invisible rest) | 2.2.2 Invisible rests |
| Sacred Harp note head | 1.4.3 Shape note heads |
| \sacredHarpHeads | 1.4.3 Shape note heads |
| \sacredHarpHeadsMinor | 1.4.3 Shape note heads |
| \sans | A.1.1 Font markup |
| SATB | 9.5 Choral |
| scalable vector graphics output | 23.3 Alternative output formats |
| \scale | A.1.3 Graphical markup |
| \scaleDurations | 2.1.3 Scaling durations |
| \scaleDurations | 2.3.5 Polymetric notation |
| \scaleDurations | B.21 Available music functions |
| scaling duration | 2.1.3 Scaling durations |
| scaling markup | A.1.3 Graphical markup |
| scaling text | A.1.2 Markup for text alignment |
| Scheme object | B.20 Technical glossary |
| Scheme variable | B.20 Technical glossary |
| \score | 20.1 Structure of a score |
| \score | 20.5 File structure |
| Score | 33.1.2 Score – the master of all contexts |
| \score | A.1.4 Markup for music and musical symbols |
| Score context, replacing | 33.6 Defining new contexts |
| Score_engraver | 33.6 Defining new contexts |
| Score_performer | 33.6 Defining new contexts |
| \score-lines | A.2 Text markup list commands |
| score-markup-spacing | 26.4.2 List of flexible vertical spacing \paper variables |
| score-markup-spacing | B.23 Paper variables |
| score-system-spacing | 26.4.2 List of flexible vertical spacing \paper variables |
| score-system-spacing | B.23 Paper variables |
| score-title | B.23 Paper variables |
| score-title-properties | B.23 Paper variables |
| score, inside markup | 8.2.5 Music notation inside markup |
| score, vocal, adding cues | 9.6.3 Musical cues |
| scoreTitleMarkup | 21.2.2 Custom layout for titles |
| scoreTitleMarkup | B.23 Paper variables |
| Scottish highland bagpipe | 14.2.1 Bagpipe definitions |
| script | B.13 List of articulations |
| script-priority | 3.1.1 Articulations and ornamentations |
| script-priority | B.18 Default values for script-priority |
| script, on multi-measure rest | 2.2.3 Full measure rests |
| script, vertical ordering | 3.1.1 Articulations and ornamentations |
| seconda volta | 4.1.3 Alternative endings |
| \section | 2.5.2 Automatic bar lines |
| \section | 2.5.7 Section divisions |
| \section | 17.5.5 Kievan bar lines |
| section bar line | 2.5.2 Automatic bar lines |
| section bar line | 2.5.7 Section divisions |
| section bar line, in Gregorian chant | 17.4.4 Divisiones |
| section bar line, in Kievan chant | 17.5.5 Kievan bar lines |
| section label | 8.1.4 Section labels |
| section parts | 6.3 Writing parts |
| \sectionLabel | 4.1.6 Segno repeat structure |
| \sectionLabel | 8.1.4 Section labels |
| \sectionLabel | B.21 Available music functions |
| \segno | 3.1.1 Articulations and ornamentations |
| segno | 4.1.6 Segno repeat structure |
| \segno | A.1.4 Markup for music and musical symbols |
| \segno | B.13.5 Repeat sign scripts |
| segno bar line | 2.5.1 Bar lines |
| segno bar line | 2.5.2 Automatic bar lines |
| segno bar line | 4.1.7 Segno repeat appearance |
| segno, forced at start | 4.1.7 Segno repeat appearance |
| segno, forced at start | 4.1.8 Manual repeat marks |
| \segnoMark | 2.5.2 Automatic bar lines |
| \segnoMark | 2.5.2 Automatic bar lines |
| \segnoMark | 4.1.7 Segno repeat appearance |
| \segnoMark | 4.1.8 Manual repeat marks |
| \segnoMark | B.21 Available music functions |
| self-alignment-X | 29.1.1 Within-system spacing properties |
| semai form | 18.2.4 Arabic time signatures |
| semi-flat | 1.1.3 Accidentals |
| semi-flat | 1.1.5 Note names in other languages |
| semi-flat symbol, appearance | 18.2.2 Arabic note names |
| semi-flat symbol, Persian (koron) | 18.4.1 Persian music notation |
| semi-sharp | 1.1.3 Accidentals |
| semi-sharp | 1.1.5 Note names in other languages |
| semi-sharp symbol, Persian (sori) | 18.4.1 Persian music notation |
| semi-transparent colors | 7.1.5 Coloring objects |
| \semicirculus | 17.4.5 Gregorian articulation signs |
| \semicirculus | B.13.6 Ancient scripts |
| \semiflat | A.1.4 Markup for music and musical symbols |
| \semiGermanChords | 15.2.2 Customizing chord names |
| \semisharp | A.1.4 Markup for music and musical symbols |
| separate text | 8.1.6 Separate text |
| separator mark, system | 6.1.4 Separating systems |
| \serif | A.1.1 Font markup |
| sesqui-flat | 1.1.5 Note names in other languages |
| sesqui-sharp | 1.1.5 Note names in other languages |
| \sesquiflat | A.1.4 Markup for music and musical symbols |
| \sesquisharp | A.1.4 Markup for music and musical symbols |
| \set | 2.4.2 Setting automatic beam behavior |
| \set | 35.2 \set and \unset |
| \set | 35.5 \set versus \override |
| set-global-staff-size | 27.2 Setting the staff size |
| setting extent of text object | A.1.8 Other markup commands |
| setting extent of text object | A.1.8 Other markup commands |
| setting extent of text object | A.1.8 Other markup commands |
| setting extent of text object | A.1.8 Other markup commands |
| setting extent of text object | A.1.8 Other markup commands |
| setting horizontal text alignment | A.1.2 Markup for text alignment |
| setting subscript, in standard font size | A.1.1 Font markup |
| setting superscript, in standard font size | A.1.1 Font markup |
| seventh chord | 15.1.2 Common chords |
| \sf | 3.1.2 Dynamics |
| \sff | 3.1.2 Dynamics |
| \sfz | 3.1.2 Dynamics |
| \shape | 36.11.1 Modifying ties and slurs |
| \shape | B.21 Available music functions |
| shape note | 1.4.3 Shape note heads |
| shape note, merging | 1.4.3 Shape note heads |
| shaping slurs and ties | 36.11.1 Modifying ties and slurs |
| shared property | B.20 Technical glossary |
| sharp | 1.1.3 Accidentals |
| \sharp | A.1.4 Markup for music and musical symbols |
| sharp, double | 1.1.3 Accidentals |
| shift note | 5.2.3 Collision resolution |
| shift rest, automatic | 5.2.3 Collision resolution |
| shift symbol, accordion | 10.4.1 Discant symbols |
| shift, fingering | 7.1.3 Gliding fingers |
| \shiftDurations | B.21 Available music functions |
| shifting voice | 5.2.3 Collision resolution |
| \shiftOff | 5.2.3 Collision resolution |
| \shiftOn | 5.2.3 Collision resolution |
| \shiftOnn | 5.2.3 Collision resolution |
| \shiftOnnn | 5.2.3 Collision resolution |
| short bar line | 2.5.1 Bar lines |
| short bar line, in Gregorian chant | 17.4.4 Divisiones |
| short fermata | 3.1.1 Articulations and ornamentations |
| short fermata | B.13.3 Fermata scripts |
| short-indent | 6.3.1 Instrument names |
| short-indent | 26.5.3 \paper variables for shifts and indents |
| short-indent | B.23 Paper variables |
| shortened volta brackets | 4.1.7 Segno repeat appearance |
| \shortfermata | 3.1.1 Articulations and ornamentations |
| \shortfermata | B.13.3 Fermata scripts |
| show vertical layout | 31.1 Displaying spacing |
| showFirstLength | 23.2 Skipping corrected music |
| showFirstLength | B.20 Technical glossary |
| \showKeySignature | 14.2.1 Bagpipe definitions |
| showLastLength | 23.2 Skipping corrected music |
| showLastLength | B.20 Technical glossary |
| \showStaffSwitch | 10.1.4 Staff-change lines |
| sidestick | B.15 Percussion notes |
| sidestick | B.15 Percussion notes |
| sign, coda | 3.1.1 Articulations and ornamentations |
| sign, coda | B.13.5 Repeat sign scripts |
| sign, coda, manual | 4.1.8 Manual repeat marks |
| sign, coda, variant | 3.1.1 Articulations and ornamentations |
| sign, coda, variant | 4.1.7 Segno repeat appearance |
| sign, coda, variant | B.13.5 Repeat sign scripts |
| sign, coda, with repeats | 4.1.6 Segno repeat structure |
| sign, conducting | 2.4.2 Setting automatic beam behavior |
| sign, segno | 3.1.1 Articulations and ornamentations |
| sign, segno | B.13.5 Repeat sign scripts |
| sign, segno, bar line | 2.5.1 Bar lines |
| sign, segno, bar line | 4.1.7 Segno repeat appearance |
| sign, segno, manual | 4.1.8 Manual repeat marks |
| sign, segno, with repeats | 4.1.6 Segno repeat structure |
| sign, segno, with repeats | 4.1.7 Segno repeat appearance |
| sign, snappizzicato | 3.1.1 Articulations and ornamentations |
| sign, snappizzicato | B.13.4 Instrument-specific scripts |
| sign, variant coda | 3.1.1 Articulations and ornamentations |
| sign, variant coda | 4.1.7 Segno repeat appearance |
| sign, variant coda | B.13.5 Repeat sign scripts |
| signature, polymetric | 2.3.5 Polymetric notation |
| \signumcongruentiae | 3.1.1 Articulations and ornamentations |
| \signumcongruentiae | B.13.6 Ancient scripts |
| silenced note, percussion | 13.1.7 Ghost notes |
| \simple | A.1.1 Font markup |
| simple repeat | 4.1.2 Simple repeats |
| simple text string, with tie characters | A.1.4 Markup for music and musical symbols |
| simultaneous notes and accidentals | 1.3.5 Automatic accidentals |
| simultaneous phrasing slurs | 3.2.2 Phrasing slurs |
| simultaneous slurs | 3.2.1 Slurs |
| singer name | 9.3.4 Adding singers’ names to stanzas |
| \single | 21.4.1 Footnotes in music expressions |
| \single | 35.6 \tweak and \single |
| \single | 35.6 \tweak and \single |
| \single | 35.7 The \offset command |
| \single | B.21 Available music functions |
| single bar line | 2.5.2 Automatic bar lines |
| single staff, with bracket or brace | 6.1.2 Grouping staves |
| single-line comment | 20.1 Structure of a score |
| single-line comment | 20.5 File structure |
| single-staff polyphony | 5.2.1 Single-staff polyphony |
| \skip | 2.2.2 Invisible rests |
| skip | 2.2.2 Invisible rests |
| \skip | 9.2.4 Lyrics and repeats |
| \skip | B.21 Available music functions |
| skip typesetting | 23.2 Skipping corrected music |
| skipBars | 6.3.4 Compressing empty measures |
| skipping notes, in lyrics | 9.2.4 Lyrics and repeats |
| skipTypesetting | 23.2 Skipping corrected music |
| slash repeat | 4.2.1 Percent repeats |
| slashChordSeparator | 15.2.2 Customizing chord names |
| slashed beam | 2.4.5 Slashed beams |
| slashed digit | A.1.8 Other markup commands |
| slashed note head | 1.4.4 Improvisation |
| slashed stem | 2.6.1 Grace notes |
| \slashed-digit | A.1.8 Other markup commands |
| \slashedGrace | 2.6.1 Grace notes |
| \slashedGrace | B.21 Available music functions |
| \slashSeparator | 26.6.4 \paper variables concerning headers and markups |
| \slashturn | 3.1.1 Articulations and ornamentations |
| \slashturn | B.13.2 Ornament scripts |
| slide, in tablature | 12.1.3 Default tablatures |
| slope, ottava spanner, modifying | 1.3.3 Ottava brackets |
| slur | 3.2.1 Slurs |
| slur-event | 6.3.2 Quoting other voices |
| slur, above notes | 3.2.1 Slurs |
| slur, adjusting start and end | 3.2.1 Slurs |
| slur, and repeats | 4.1.7 Segno repeat appearance |
| slur, below notes | 3.2.1 Slurs |
| slur, dashed | 3.2.1 Slurs |
| slur, dashed phrasing | 3.2.2 Phrasing slurs |
| slur, defining dash patterns | 3.2.1 Slurs |
| slur, defining dash patterns | 3.2.1 Slurs |
| slur, defining dash patterns for phrasing | 3.2.2 Phrasing slurs |
| slur, dotted | 3.2.1 Slurs |
| slur, dotted phrasing | 3.2.2 Phrasing slurs |
| slur, double, for legato chords | 3.2.1 Slurs |
| slur, for tuplets | 2.1.2 Tuplets |
| slur, half dashed and half solid | 3.2.1 Slurs |
| slur, half solid and half dashed phrasing | 3.2.2 Phrasing slurs |
| slur, manual placement | 3.2.1 Slurs |
| slur, modifying | 36.11.1 Modifying ties and slurs |
| slur, multiple | 3.2.1 Slurs |
| slur, multiple phrasing | 3.2.2 Phrasing slurs |
| slur, phrasing | 3.2.1 Slurs |
| slur, phrasing | 3.2.2 Phrasing slurs |
| slur, phrasing, defining dash patterns | 3.2.2 Phrasing slurs |
| slur, simultaneous | 3.2.1 Slurs |
| slur, simultaneous phrasing | 3.2.2 Phrasing slurs |
| slur, solid | 3.2.1 Slurs |
| slur, style | 3.2.1 Slurs |
| slur, text markup inside | 3.2.1 Slurs |
| slur, vertical | 3.3.2 Arpeggio |
| \slurDashed | 3.2.1 Slurs |
| \slurDashPattern | 3.2.1 Slurs |
| \slurDashPattern | B.21 Available music functions |
| \slurDotted | 3.2.1 Slurs |
| \slurDown | 3.2.1 Slurs |
| \slurHalfDashed | 3.2.1 Slurs |
| \slurHalfSolid | 3.2.1 Slurs |
| \slurNeutral | 3.2.1 Slurs |
| \slurSolid | 3.2.1 Slurs |
| \slurUp | 3.2.1 Slurs |
| \small | 7.1.1 Selecting notation font size |
| \small | 8.2.2 Selecting font and font size |
| \small | A.1.1 Font markup |
| \smallCaps | A.1.1 Font markup |
| \smaller | 8.2.2 Selecting font and font size |
| \smaller | 8.2.2 Selecting font and font size |
| \smaller | A.1.1 Font markup |
| smaller note | 6.3.3 Formatting cue notes |
| smob | B.20 Technical glossary |
| snap pizzicato | 11.1.4 Snap (Bartók) pizzicato |
| \snappizzicato | 3.1.1 Articulations and ornamentations |
| \snappizzicato | B.13.4 Instrument-specific scripts |
| snare | B.15 Percussion notes |
| Solesmes | 17.1 Overview of the supported styles |
| solid slur | 3.2.1 Slurs |
| solo part | 5.2.5 Automatic part combining |
| soprano clef | 1.3.1 Clef |
| soprano clef | B.11.1 Standard clefs |
| sori | 18.4.1 Persian music notation |
| sos. | 10.2.1 Piano pedals |
| sostenuto pedal | 10.2.1 Piano pedals |
| \sostenutoOff | 10.2.1 Piano pedals |
| \sostenutoOn | 10.2.1 Piano pedals |
| sound | 24 Creating MIDI output |
| \sourcefileline | 20.5 File structure |
| \sourcefilename | 20.5 File structure |
| Southern Harmony note head | 1.4.3 Shape note heads |
| \southernHarmonyHeads | 1.4.3 Shape note heads |
| \southernHarmonyHeadsMinor | 1.4.3 Shape note heads |
| \sp | 3.1.2 Dynamics |
| space-alist | 30.4.2 Spacing between adjacent non-musical items |
| space, between staves | 29.1 Flexible vertical spacing within systems |
| space, in lyrics | 9.1.2 Entering lyrics |
| space, in lyrics | 9.1.6 Multiple syllables to one note |
| space, inside systems | 29.1 Flexible vertical spacing within systems |
| spacer note | 2.2.2 Invisible rests |
| spacer rest | 2.2.2 Invisible rests |
| spacing | 30.1 Horizontal spacing overview |
| spacing section, new | 30.2 New spacing section |
| spacing, display of layout | 31.1 Displaying spacing |
| spacing, horizontal | 30 Horizontal spacing |
| spacing, lyrics | 9.2.3 Placing syllables horizontally |
| spacing, vertical | 29 Vertical spacing |
| span bar | 2.5.1 Bar lines |
| Span_stem_engraver | 10.1.4 Staff-change lines |
| spanner | 36.4 Spanners |
| spanner | B.20 Technical glossary |
| spanner, modifying | 36.4.1 Modifying broken spanners |
| special arpeggio symbol | 3.3.2 Arpeggio |
| special character | 22.4 Special characters |
| special character, in markup mode | 8.2.1 Text markup introduction |
| special note head | 1.4.1 Special note heads |
| splash cymbal | B.15 Percussion notes |
| splicing, into tagged music | 22.2.2 Using tags |
| splitting notes | 2.3.6 Automatic note splitting |
| splitting rests | 2.3.6 Automatic note splitting |
| \spp | 3.1.2 Dynamics |
| Sprechgesang | 9.6.4 Spoken music |
| square bracket, at start of staff group | 6.1.2 Grouping staves |
| square neumes ligature | 17.4.7 Gregorian square neume ligatures |
| \staccatissimo | 3.1.1 Articulations and ornamentations |
| \staccatissimo | B.13.1 Articulation scripts |
| \staccato | 3.1.1 Articulations and ornamentations |
| \staccato | B.13.1 Articulation scripts |
| stacked flags | 2.4.3 Manual beams |
| stacking text, in a column | A.1.2 Markup for text alignment |
| Staff | 33.1.4 Intermediate-level contexts – staves |
| staff brace, in markup | A.1.8 Other markup commands |
| staff change, automatic | 10.1.3 Changing staff automatically |
| staff change, manual | 10.1.2 Changing staff manually |
| staff group | 6.1.2 Grouping staves |
| staff group, with square bracket at start | 6.1.2 Grouping staves |
| staff line, modifying | 6.2.1 Staff symbol |
| staff line, stopping and starting | 6.2.1 Staff symbol |
| staff symbol | 6.2.1 Staff symbol |
| Staff_collecting_engraver | 2.5.5 Rehearsal marks |
| Staff_collecting_engraver | 8.1.5 Text marks |
| Staff_symbol_engraver | 6.2.3 Hiding staves |
| staff-affinity | 29.1.1 Within-system spacing properties |
| staff-change line | 10.1.4 Staff-change lines |
| staff-height | B.23 Paper variables |
| staff-padding | 7.1.2 Fingering instructions |
| \staff-space | 36.2 Distances and measurements |
| staff-space | B.23 Paper variables |
| staff-staff-spacing | 29.1.1 Within-system spacing properties |
| staff, choir | 6.1.2 Grouping staves |
| staff, distance | 29.1 Flexible vertical spacing within systems |
| staff, drum | 6.1.1 Instantiating new staves |
| staff, empty | 6.2.3 Hiding staves |
| staff, exact positioning | 29.2 Explicit staff and system positioning |
| staff, Frenched | 6.2.2 Ossia staves |
| staff, grand | 6.1.2 Grouping staves |
| staff, hiding | 6.2.3 Hiding staves |
| staff, highlight | 7.1.6 Staff highlights |
| staff, initiation | 6.1.1 Instantiating new staves |
| staff, instantiation | 6.1.1 Instantiating new staves |
| staff, keyboard instruments | 10.1.1 References for keyboards |
| staff, keyed instruments | 10.1.1 References for keyboards |
| staff, metronome mark below | 2.3.2 Metronome marks |
| staff, multiple | 6.1.2 Grouping staves |
| staff, nested | 6.1.3 Nested staff groups |
| staff, new | 6.1.1 Instantiating new staves |
| staff, percussion | 6.1.1 Instantiating new staves |
| staff, piano | 6.1.2 Grouping staves |
| staff, piano | 10.1.1 References for keyboards |
| staff, resizing | 6.2.2 Ossia staves |
| staff, single | 6.1.1 Instantiating new staves |
| staff, single, with bracket or brace | 6.1.2 Grouping staves |
| staff, size | 27.2 Setting the staff size |
| staff, switching | 10.1.4 Staff-change lines |
| StaffGroup | 33.1.3 Top-level contexts – staff containers |
| staffgroup-staff-spacing | 29.1.1 Within-system spacing properties |
| StaffGrouper | 29.1.1 Within-system spacing properties |
| \staffHighlight | 7.1.6 Staff highlights |
| \staffHighlight | B.21 Available music functions |
| stand-alone text | 8.1.6 Separate text |
| StandaloneRhythmScore | 33.1.3 Top-level contexts – staff containers |
| StandaloneRhythmStaff | 33.1.4 Intermediate-level contexts – staves |
| StandaloneRhythmVoice | 33.1.5 Bottom-level contexts – voices |
| standard font size (notation) | 7.1.1 Selecting notation font size |
| \stanza | 9.3.1 Adding stanza numbers |
| \stanza | B.21 Available music functions |
| stanza number | 9.3.1 Adding stanza numbers |
| stanza reminder | 9.3.2 Stanza reminders |
| stanzaReminders | 9.3.2 Stanza reminders |
| stanzaReminderText | 9.3.2 Stanza reminders |
| start of system | 6.1.2 Grouping staves |
| start repeat | 4.1.8 Manual repeat marks |
| start-repeat | 4.1.8 Manual repeat marks |
| startAcciaccaturaMusic | 2.6.1 Grace notes |
| startAppoggiaturaMusic | 2.6.1 Grace notes |
| startGraceMusic | 2.6.1 Grace notes |
| \startGradualTempoChange | B.21 Available music functions |
| \startGroup | 7.2.4 Analysis brackets |
| \startOptionalMaterial | 7.1.7 Brackets for optional material |
| \startStaff | 6.2.1 Staff symbol |
| \startStaff | 6.2.2 Ossia staves |
| \startStaff | 33.1.3 Top-level contexts – staff containers |
| \startTextSpan | 8.1.3 Text spanners |
| \startTextSpan | 36.6 Line spanners |
| \startTextSpan | 36.6 Line spanners |
| \startTrillSpan | 3.3.3 Trills |
| staves, divisi | 6.2.3 Hiding staves |
| \stdBass | A.1.7 Accordion registers |
| \stdBassIV | A.1.7 Accordion registers |
| \stdBassV | A.1.7 Accordion registers |
| \stdBassVI | A.1.7 Accordion registers |
| stem | 7.1.9 Stems |
| stem-spacing-correction | 30.1 Horizontal spacing overview |
| stem, automatic direction on center line | 7.1.9 Stems |
| stem, cross-staff | 10.1.4 Staff-change lines |
| stem, default direction on center line | 7.1.9 Stems |
| stem, direction | 7.1.9 Stems |
| stem, down | 7.1.9 Stems |
| stem, in tablature | 12.1.3 Default tablatures |
| stem, invisible | 7.1.9 Stems |
| stem, neutral | 7.1.9 Stems |
| stem, up | 7.1.9 Stems |
| stem, with slash | 2.6.1 Grace notes |
| \stemDown | 7.1.9 Stems |
| stemLeftBeamCount | 2.4.3 Manual beams |
| stemLeftBeamCount | 2.4.3 Manual beams |
| \stemNeutral | 7.1.9 Stems |
| stemRightBeamCount | 2.4.3 Manual beams |
| stemRightBeamCount | 2.4.3 Manual beams |
| \stemUp | 7.1.9 Stems |
| \stencil | A.1.8 Other markup commands |
| stencil | B.20 Technical glossary |
| stencil, removing | 36.7.1 Removing the stencil |
| stereo balance, in MIDI | 24.8 Context properties for MIDI effects |
| stopAcciaccaturaMusic | 2.6.1 Grace notes |
| stopAppoggiaturaMusic | 2.6.1 Grace notes |
| stopGraceMusic | 2.6.1 Grace notes |
| \stopGradualTempoChange | B.21 Available music functions |
| \stopGroup | 7.2.4 Analysis brackets |
| \stopOptionalMaterial | 7.1.7 Brackets for optional material |
| \stopped | 3.1.1 Articulations and ornamentations |
| \stopped | 13.1.6 Custom percussion staves |
| \stopped | 14.1.2 Fingerings |
| \stopped | B.13.4 Instrument-specific scripts |
| \stopStaff | 6.2.1 Staff symbol |
| \stopStaff | 6.2.2 Ossia staves |
| \stopStaff | 6.2.3 Hiding staves |
| \stopStaff | 33.1.3 Top-level contexts – staff containers |
| \stopStaffHighlight | 7.1.6 Staff highlights |
| \stopTextSpan | 8.1.3 Text spanners |
| \stopTextSpan | 36.6 Line spanners |
| \stopTextSpan | 36.6 Line spanners |
| \stopTrillSpan | 3.3.3 Trills |
| \storePredefinedDiagram | 12.1.6 Predefined fret diagrams |
| \storePredefinedDiagram | 12.1.6 Predefined fret diagrams |
| \storePredefinedDiagram | B.21 Available music functions |
| straight flags, modern | 2.4.3 Manual beams |
| straight flags, old | 2.4.3 Manual beams |
| strict spacing, and grace notes | 2.6.1 Grace notes |
| strict-beat beaming | 2.4.2 Setting automatic beam behavior |
| strictBeatBeaming | 2.4.2 Setting automatic beam behavior |
| strictly alternating meter | 2.5.2 Automatic bar lines |
| string bending, in tablature | 12.1.3 Default tablatures |
| string number | 11.1.2 Bowing indications |
| string number | 12.1.2 String number indications |
| string number, orientation | 7.1.2 Fingering instructions |
| string number, vs. fingering | 12.1.2 String number indications |
| \string-lines | A.2 Text markup list commands |
| string, automatic replacement | 22.4.3 ASCII aliases |
| string, indicating open | 11.1.2 Bowing indications |
| stringNumberOrientations | 7.1.2 Fingering instructions |
| strings, orchestral | 11 Unfretted string instruments |
| strings, writing for | 11 Unfretted string instruments |
| \stringTuning | 12.1.4 Custom tablatures |
| \stringTuning | B.21 Available music functions |
| stringTunings | 12.1.4 Custom tablatures |
| stringTunings | 12.1.6 Predefined fret diagrams |
| stroke finger, orientation | 7.1.2 Fingering instructions |
| strokeFingerOrientations | 7.1.2 Fingering instructions |
| strokeFingerOrientations | 12.1.8 Right-hand fingerings |
| \stropha | 17.4.7 Gregorian square neume ligatures |
| \stropha | 17.4.7 Gregorian square neume ligatures |
| strumming rhythm, showing | 2.3.7 Showing melody rhythms |
| strumming rhythm, showing | 2.3.7 Showing melody rhythms |
| \strut | A.1.8 Other markup commands |
| style, bar number | 2.5.3 Bar numbers |
| style, double repeat for volta | 2.5.2 Automatic bar lines |
| style, measure number | 2.5.3 Bar numbers |
| style, multi-measure rests | 6.3.4 Compressing empty measures |
| style, note heads | 1.4.1 Special note heads |
| style, rehearsal mark | 2.5.5 Rehearsal marks |
| style, rests | 2.2.1 Rests |
| style, slur | 3.2.1 Slurs |
| style, text dynamics | 3.1.2 Dynamics |
| style, voice | 5.2.2 Voice styles |
| \styledNoteHeads | B.21 Available music functions |
| \sub | 8.2.2 Selecting font and font size |
| \sub | A.1.1 Font markup |
| subbass clef | 1.3.1 Clef |
| subbass clef | B.11.1 Standard clefs |
| subdivideBeams | 2.4.2 Setting automatic beam behavior |
| subdividing beams | 2.4.2 Setting automatic beam behavior |
| submeasure bar line | 2.5.2 Automatic bar lines |
| \submeasureBarsOn | 2.5.2 Automatic bar lines |
| submeasureStructure | 2.5.2 Automatic bar lines |
| subscript | 8.2.2 Selecting font and font size |
| subscript text | A.1.1 Font markup |
| substitution function, and relative octave entry | 22.3.4 Substitution functions and relative octave entry |
| subsubtitle | 21.1.2 Default layout of bookpart and score titles |
| subtitle | 21.1.2 Default layout of bookpart and score titles |
| suggestAccidentals | 3.1.1 Articulations and ornamentations |
| suggestAccidentals | 17.3.8 Annotational accidentals (musica ficta) |
| \super | 8.2.2 Selecting font and font size |
| \super | A.1.1 Font markup |
| superscript | 8.2.2 Selecting font and font size |
| superscript text | A.1.1 Font markup |
| suppressing repeated chords | 12.1.6 Predefined fret diagrams |
| suppressing repeated chords | 15.2.1 Printing chord names |
| sus | 15.1.3 Extended and altered chords |
| sustain pedal | 10.2.1 Piano pedals |
| sustain pedal, style | 10.2.1 Piano pedals |
| \sustainOff | 10.2.1 Piano pedals |
| \sustainOn | 10.2.1 Piano pedals |
| SVG output | 23.3 Alternative output formats |
| swing | A.1.4 Markup for music and musical symbols |
| swing.ly script | 24.9.2 The swing script |
| switching font | 8.2.2 Selecting font and font size |
| syllable duration, automatic | 9.1.4 Automatic syllable durations |
| symbol, break-align | 30.4.2 Spacing between adjacent non-musical items |
| symbol, breath mark, changing | 3.2.3 Breath marks |
| symbol, major seven | 15.2.2 Customizing chord names |
| symbol, non-musical | 8.2.4 Graphic notation inside markup |
| syntax, markup | 8.2.1 Text markup introduction |
| system | 6.1.2 Grouping staves |
| system separator mark | 6.1.4 Separating systems |
| system start delimiter | 6.1.2 Grouping staves |
| system start delimiter, nested | 6.1.3 Nested staff groups |
| system-count | 26.6.1 \paper variables for line breaking |
| system-count | B.23 Paper variables |
| system-separator-markup | 26.6.4 \paper variables concerning headers and markups |
| system-separator-markup | B.23 Paper variables |
| system-system-spacing | 26.4.2 List of flexible vertical spacing \paper variables |
| system-system-spacing | B.23 Paper variables |
| systems-per-page | 26.6.1 \paper variables for line breaking |
| systems-per-page | B.23 Paper variables |
|
| T |
| tab clef | 12.1.4 Custom tablatures |
| tab clef | B.11.3 Tab staff clefs |
| \tabChordRepeats | 12.1.3 Default tablatures |
| \tabChordRepeats | B.21 Available music functions |
| \tabChordRepetition | B.21 Available music functions |
| \tabFullNotation | 12.1.3 Default tablatures |
| tablature | 6.1.1 Instantiating new staves |
| tablature | 12 Fretted string instruments |
| tablature, and beams | 12.1.3 Default tablatures |
| tablature, and harmonic indications | 12.1.3 Default tablatures |
| tablature, and harmonics | 12.1.3 Default tablatures |
| tablature, and polyphony | 12.1.3 Default tablatures |
| tablature, and slides | 12.1.3 Default tablatures |
| tablature, and stems | 12.1.3 Default tablatures |
| tablature, and string bending | 12.1.3 Default tablatures |
| tablature, banjo | 12 Fretted string instruments |
| tablature, banjo | 12.1.4 Custom tablatures |
| tablature, banjo | 12.3.1 Banjo tablatures |
| tablature, basic | 12.1.3 Default tablatures |
| tablature, bass | 12.1.4 Custom tablatures |
| tablature, bass guitar | 12.1.4 Custom tablatures |
| tablature, cello | 12.1.4 Custom tablatures |
| tablature, chord glissando | 12.1.3 Default tablatures |
| tablature, custom | 12.1.4 Custom tablatures |
| tablature, custom string tunings | 12.1.4 Custom tablatures |
| tablature, default | 12.1.3 Default tablatures |
| tablature, double bass | 12.1.4 Custom tablatures |
| tablature, guitar | 12 Fretted string instruments |
| tablature, guitar | 12.1.4 Custom tablatures |
| tablature, hammer on | 12.1.3 Default tablatures |
| tablature, lute | 12.4.1 Lute tablatures |
| tablature, mandolin | 12.1.4 Custom tablatures |
| tablature, microtones | 12.1.4 Custom tablatures |
| tablature, predefined string tunings | 12.1.4 Custom tablatures |
| tablature, pull off | 12.1.3 Default tablatures |
| tablature, quarter tones | 12.1.4 Custom tablatures |
| tablature, ukulele | 12.1.4 Custom tablatures |
| tablature, viola | 12.1.4 Custom tablatures |
| tablature, violin | 12.1.4 Custom tablatures |
| \table | A.2 Text markup list commands |
| table of contents | 21.7 Table of contents |
| table of contents, customized functions | 21.7 Table of contents |
| \table-of-contents | 21.7 Table of contents |
| \table-of-contents | A.2 Text markup list commands |
| TabStaff | 6.1.1 Instantiating new staves |
| TabStaff | 12.1.3 Default tablatures |
| TabStaff | 33.1.4 Intermediate-level contexts – staves |
| TabVoice | 12.1.3 Default tablatures |
| TabVoice | 33.1.5 Bottom-level contexts – voices |
| \tag | 22.2.2 Using tags |
| \tag | A.1.8 Other markup commands |
| \tag | B.21 Available music functions |
| tag | 22.2.2 Using tags |
| tag groups | 22.2.2 Using tags |
| \tag-list | 22.2.2 Using tags |
| \tag-list | A.2 Text markup list commands |
| \tag, and quoting music | 22.2.2 Using tags |
| \tagGroup | 22.2.2 Using tags |
| \tagGroup | B.21 Available music functions |
| \tagGroupRef | 22.2.2 Using tags |
| \tagGroupRef | B.21 Available music functions |
| tagline | 21.1.2 Default layout of bookpart and score titles |
| tagline | B.23 Paper variables |
| tam tam | B.15 Percussion notes |
| tambourine | B.15 Percussion notes |
| \taor | 14.2.1 Bagpipe definitions |
| taqasim | 18.2.4 Arabic time signatures |
| teaching | 1.3.5 Automatic accidentals |
| \teeny | 7.1.1 Selecting notation font size |
| \teeny | 8.2.2 Selecting font and font size |
| \teeny | A.1.1 Font markup |
| template, Arabic music | 18.2.5 Arabic music example |
| \tempo | 2.3.2 Metronome marks |
| tempo | 2.3.2 Metronome marks |
| tempo, change, without metronome mark | 2.3.2 Metronome marks |
| tempo, with rhythm | A.1.4 Markup for music and musical symbols |
| tempoCountPrecision | 2.3.2 Metronome marks |
| \temporary | 35.7 The \offset command |
| \temporary | 36.4.1 Modifying broken spanners |
| \temporary | B.21 Available music functions |
| tenor clef | 1.3.1 Clef |
| tenor clef | B.11.1 Standard clefs |
| tenor clef, choral | 1.3.1 Clef |
| tenor G clef | B.11.1 Standard clefs |
| tenor varC clef | B.11.1 Standard clefs |
| \tenuto | 3.1.1 Articulations and ornamentations |
| \tenuto | B.13.1 Articulation scripts |
| text alignment, commands | 8.2.3 Text alignment |
| text column, left-aligned | A.1.2 Markup for text alignment |
| text column, right-aligned | A.1.2 Markup for text alignment |
| text dynamics, style | 3.1.2 Dynamics |
| text encoding | 22.4.1 Text encoding |
| text item, non-empty | 8.1.2 Text scripts |
| text mark | 8.1.5 Text marks |
| text mark, alignment | 8.1.5 Text marks |
| text mark, below staff | 8.1.5 Text marks |
| text mark, on every staff | 8.1.5 Text marks |
| text mark, vertical stacking | 8.1.5 Text marks |
| text markup | 8.2.1 Text markup introduction |
| text markup, inside slurs | 3.2.1 Slurs |
| text object | 8.1.1 Text objects overview |
| text script | 8.1.2 Text scripts |
| text script, breaking vertical alignment | 3.1.2 Dynamics |
| text script, vertical alignment | 3.1.2 Dynamics |
| text size | 8.2.2 Selecting font and font size |
| text spanner | 8.1.3 Text spanners |
| text spanner, dynamics, customize | 8.1.3 Text spanners |
| text spanner, formatting | 8.1.3 Text spanners |
| Text_mark_engraver | 8.1.5 Text marks |
| \text-accidental | A.1.4 Markup for music and musical symbols |
| \text-common-time | A.1.4 Markup for music and musical symbols |
| \text-cut-time | A.1.4 Markup for music and musical symbols |
| \text-doubleflat | A.1.4 Markup for music and musical symbols |
| \text-doublesharp | A.1.4 Markup for music and musical symbols |
| \text-flat | A.1.4 Markup for music and musical symbols |
| text-font-size | 8.2.2 Selecting font and font size |
| text-font-size | B.23 Paper variables |
| \text-natural | A.1.4 Markup for music and musical symbols |
| \text-sharp | A.1.4 Markup for music and musical symbols |
| text, aligning | 8.2.3 Text alignment |
| text, at beginning of line | 8.1.5 Text marks |
| text, at end of score | 8.1.5 Text marks |
| text, between notes | 8.1.5 Text marks |
| text, centering on page | 8.2.3 Text alignment |
| text, decorating | 8.2.4 Graphic notation inside markup |
| text, framing | 8.2.4 Graphic notation inside markup |
| text, horizontal alignment | 8.2.3 Text alignment |
| text, in columns | 8.1.6 Separate text |
| text, in columns | 8.2.3 Text alignment |
| text, in volta bracket | 4.1.8 Manual repeat marks |
| text, justified | 8.2.3 Text alignment |
| text, keeping inside margin | 8.1.2 Text scripts |
| text, line width | 8.2.3 Text alignment |
| text, multi-line | 8.2.3 Text alignment |
| text, on bar line | 8.1.4 Section labels |
| text, on bar line | 8.1.5 Text marks |
| text, on multi-measure rest | 2.2.3 Full measure rests |
| text, other languages | 8.1 Writing text |
| text, ottavation | 1.3.3 Ottava brackets |
| text, outside margin | 8.1.2 Text scripts |
| text, padding | 8.2.4 Graphic notation inside markup |
| text, separate | 8.1.6 Separate text |
| text, spread over multiple pages | 8.2.1 Text markup introduction |
| text, stand-alone | 8.1.6 Separate text |
| text, top-level | 8.1.6 Separate text |
| text, vertical alignment | 8.2.3 Text alignment |
| text, with a tie above | A.1.1 Font markup |
| text, with a tie above | A.1.1 Font markup |
| text, with a tie below | A.1.1 Font markup |
| text, with a tie below | A.1.1 Font markup |
| text, word-wrapped | 8.2.3 Text alignment |
| \textEndMark | 8.1.5 Text marks |
| \textEndMark | B.21 Available music functions |
| \textLengthOff | 2.2.3 Full measure rests |
| \textLengthOff | 2.2.3 Full measure rests |
| \textLengthOff | 8.1.2 Text scripts |
| \textLengthOn | 2.2.3 Full measure rests |
| \textLengthOn | 2.2.3 Full measure rests |
| \textLengthOn | 3.1.2 Dynamics |
| \textLengthOn | 8.1.2 Text scripts |
| \textMark | 8.1.5 Text marks |
| \textMark | B.21 Available music functions |
| \textSpannerDown | 8.1.3 Text spanners |
| \textSpannerNeutral | 8.1.3 Text spanners |
| \textSpannerUp | 8.1.3 Text spanners |
| thorough bass | 15.3.1 Introduction to figured bass |
| \thumb | 3.1.1 Articulations and ornamentations |
| \thumb | 7.1.2 Fingering instructions |
| tick bar line | 2.5.1 Bar lines |
| tick bar line, in Gregorian chant | 17.4.4 Divisiones |
| tick mark | 3.2.3 Breath marks |
| tie | 2.1.4 Ties |
| \tie | A.1.1 Font markup |
| tie, above text | A.1.1 Font markup |
| tie, above text | A.1.1 Font markup |
| tie, alternative endings | 2.1.4 Ties |
| tie, and volta bracket | 2.1.4 Ties |
| tie, appearance | 2.1.4 Ties |
| tie, below text | A.1.1 Font markup |
| tie, below text | A.1.1 Font markup |
| tie, dashed | 2.1.4 Ties |
| tie, dotted | 2.1.4 Ties |
| tie, from nothing | 2.1.4 Ties |
| tie, in chord | 2.1.4 Ties |
| tie, in lyrics | 9.1.6 Multiple syllables to one note |
| tie, in repeats | 2.1.4 Ties |
| tie, laissez vibrer | 2.1.4 Ties |
| tie, manual engraving | 2.1.4 Ties |
| tie, modifying | 36.11.1 Modifying ties and slurs |
| tie, placement | 2.1.4 Ties |
| tie, repeating | 2.1.4 Ties |
| tie, to nothing | 2.1.4 Ties |
| tie, with arpeggios | 2.1.4 Ties |
| TieColumn | 2.1.4 Ties |
| tied note, accidental | 1.1.3 Accidentals |
| \tied-lyric | A.1.4 Markup for music and musical symbols |
| \tieDashed | 2.1.4 Ties |
| \tieDashPattern | 2.1.4 Ties |
| \tieDashPattern | B.21 Available music functions |
| \tieDotted | 2.1.4 Ties |
| \tieDown | 2.1.4 Ties |
| \tieHalfDashed | 2.1.4 Ties |
| \tieHalfSolid | 2.1.4 Ties |
| \tieNeutral | 2.1.4 Ties |
| \tieSolid | 2.1.4 Ties |
| \tieUp | 2.1.4 Ties |
| tieWaitForNote | 2.1.4 Ties |
| timbale | B.15 Percussion notes |
| \time | 2.3.1 Time signature |
| \time | 2.4.2 Setting automatic beam behavior |
| \time | B.21 Available music functions |
| time administration | 2.6.3 Time administration |
| time signature | 2.3.1 Time signature |
| time signature, additive | 2.3.1 Time signature |
| time signature, alternating | 2.3.1 Time signature |
| time signature, and volta repeats | 2.3.1 Time signature |
| time signature, complex | 2.3.1 Time signature |
| time signature, default settings | 2.3.1 Time signature |
| time signature, double | 2.3.5 Polymetric notation |
| time signature, mensural | 17.3.3 Mensural time signatures |
| time signature, mid-measure | 2.3.3 Upbeats |
| time signature, polymetric | 2.3.5 Polymetric notation |
| time signature, printing only numerator | 2.3.1 Time signature |
| time signature, properties, restoring default values | 2.3.1 Time signature |
| time signature, style | 2.3.1 Time signature |
| time signature, style | 17.3.3 Mensural time signatures |
| time signature, visibility | 2.3.1 Time signature |
| time, common | 2.3.1 Time signature |
| time, cut | 2.3.1 Time signature |
| \timeAbbrev | B.21 Available music functions |
| \times | B.21 Available music functions |
| timeSignature | 2.3.5 Polymetric notation |
| Timing | 2.6.3 Time administration |
| timing | 2.6.3 Time administration |
| Timing | 33.1.2 Score – the master of all contexts |
| timing information, and repeats | 4.1.7 Segno repeat appearance |
| timing mark, for glissando | 3.3.1 Glissando |
| timing, within score | 2.6.3 Time administration |
| \tiny | 7.1.1 Selecting notation font size |
| \tiny | 8.2.2 Selecting font and font size |
| \tiny | A.1.1 Font markup |
| title | 21.1.2 Default layout of bookpart and score titles |
| title | 21 Titles and headers |
| toc | 21.7 Table of contents |
| tocFormatMarkup | 21.7 Table of contents |
| tocFormatMarkup | B.23 Paper variables |
| tocIndentMarkup | 21.7 Table of contents |
| tocIndentMarkup | B.23 Paper variables |
| \tocItem | 21.7 Table of contents |
| \tocItem | B.21 Available music functions |
| tocItemMarkup | 21.7 Table of contents |
| tocItemMarkup | B.23 Paper variables |
| \tocItemWithDotsMarkup | 21.7 Table of contents |
| tocTitleMarkup | 21.7 Table of contents |
| tocTitleMarkup | B.23 Paper variables |
| \toe | 3.1.1 Articulations and ornamentations |
| \toe | 10.3.1 Organ pedal marks |
| \toe | B.13.4 Instrument-specific scripts |
| toeHeelStyle | 10.3.1 Organ pedal marks |
| tom tom | B.15 Percussion notes |
| top-level text | 8.1.6 Separate text |
| top-margin | 26.3 Fixed vertical spacing \paper variables |
| top-margin | B.23 Paper variables |
| top-markup-spacing | 26.4.2 List of flexible vertical spacing \paper variables |
| top-markup-spacing | B.23 Paper variables |
| top-system-spacing | 26.4.2 List of flexible vertical spacing \paper variables |
| top-system-spacing | B.23 Paper variables |
| toplevel-bookparts | B.20 Technical glossary |
| toplevel-scores | B.20 Technical glossary |
| transcription, mensural to modern | 17.6.4 Ancient and modern from one source |
| transcription, modern of Gregorian music | 9.7.2 Setting a chant |
| transcription, of mensural music | 6.1.2 Grouping staves |
| transformation, modal | 1.2.5 Modal transformations |
| transformation, retrograde | 1.2.4 Retrograde |
| \translate | 8.2.3 Text alignment |
| \translate | A.1.2 Markup for text alignment |
| \translate-scaled | 8.2.3 Text alignment |
| \translate-scaled | A.1.2 Markup for text alignment |
| translating text | A.1.2 Markup for text alignment |
| translating text | A.1.2 Markup for text alignment |
| transparency, semi | 7.1.5 Coloring objects |
| \transparent | A.1.8 Other markup commands |
| transparent note | 7.1.4 Hidden notes |
| transparent objects | 36.7.2 Making objects transparent |
| \transpose | 1.1.2 Relative octave entry |
| \transpose | 1.2.2 Transpose |
| \transpose | 1.2.2 Transpose |
| \transpose | B.21 Available music functions |
| transposed clef, visibility | 36.7.5 Special considerations |
| \transposedCueDuring | 6.3.3 Formatting cue notes |
| \transposedCueDuring | B.21 Available music functions |
| transposing | 1.2.2 Transpose |
| transposing clef | 1.3.1 Clef |
| transposing fret diagram | 12.1.6 Predefined fret diagrams |
| transposing instrument | 1.2.2 Transpose |
| transposing instrument | 1.3.4 Instrument transpositions |
| \transposition | 1.3.4 Instrument transpositions |
| transposition | 1.2.2 Transpose |
| \transposition | 6.3.2 Quoting other voices |
| \transposition | B.21 Available music functions |
| transposition, and relative octave entry | 1.1.2 Relative octave entry |
| transposition, instrument | 1.3.4 Instrument transpositions |
| transposition, MIDI | 1.3.4 Instrument transpositions |
| transposition, modal | 1.2.5 Modal transformations |
| transposition, of notes | 1.2.2 Transpose |
| transposition, of pitches | 1.2.2 Transpose |
| transposition, pitches, ‘smart’ | 1.2.2 Transpose |
| tre corde | 10.2.1 Piano pedals |
| treble clef | 1.3.1 Clef |
| treble clef | B.11.1 Standard clefs |
| \treCorde | 10.2.1 Piano pedals |
| tremolo | 4.2.2 Tremolo repeats |
| tremolo beam | 4.2.2 Tremolo repeats |
| tremolo mark | 4.2.2 Tremolo repeats |
| tremolo, cross-staff | 4.2.2 Tremolo repeats |
| triad | 15.1.2 Common chords |
| \triangle | 8.2.4 Graphic notation inside markup |
| \triangle | A.1.3 Graphical markup |
| triangle | B.15 Percussion notes |
| \trill | 3.1.1 Articulations and ornamentations |
| \trill | 3.3.3 Trills |
| trill | 3.3.3 Trills |
| \trill | B.13.2 Ornament scripts |
| trill, pitched | 3.3.3 Trills |
| trill, with accidental | 3.3.3 Trills |
| triplet | 2.1.2 Tuplets |
| triplet, formatting | 2.1.2 Tuplets |
| \tripletFeel | 24.9.2 The swing script |
| true (#t) | B.25 Predefined type predicates |
| tuning, banjo | 12.3.1 Banjo tablatures |
| tuning, lute | 12.4.1 Lute tablatures |
| tuning, non-Western | 18.1.1 Extending notation and tuning systems |
| \tuplet | 2.1.2 Tuplets |
| \tuplet | 2.3.5 Polymetric notation |
| tuplet | 2.1.2 Tuplets |
| \tuplet | B.21 Available music functions |
| tuplet bracket, note head side | 2.1.2 Tuplets |
| tuplet bracket, placement | 2.1.2 Tuplets |
| tuplet bracket, visibility | 2.1.2 Tuplets |
| tuplet bracket, visibility | 2.1.2 Tuplets |
| tuplet number, changing | 2.1.2 Tuplets |
| tuplet number, non-default | 2.1.2 Tuplets |
| tuplet number, visibility | 2.1.2 Tuplets |
| tuplet slur | 2.1.2 Tuplets |
| tuplet-slur | 2.1.2 Tuplets |
| tuplet, beamed, line break within | 2.1.2 Tuplets |
| tuplet, entering multiple | 2.1.2 Tuplets |
| tuplet, formatting | 2.1.2 Tuplets |
| tuplet, grouping | 2.1.2 Tuplets |
| \tupletDown | 2.1.2 Tuplets |
| \tupletNeutral | 2.1.2 Tuplets |
| TupletNumber | 2.1.2 Tuplets |
| \tupletSpan | 2.1.2 Tuplets |
| \tupletSpan | B.21 Available music functions |
| tupletSpannerDuration | 2.1.2 Tuplets |
| \tupletUp | 2.1.2 Tuplets |
| Turkish makam | 18.1.1 Extending notation and tuning systems |
| Turkish makam, example | 18.3.3 Turkish key signatures |
| Turkish music | 18.3.1 References for Turkish classical music |
| Turkish note name | 18.3.2 Turkish note names |
| Turkish, classical music | 18.1.1 Extending notation and tuning systems |
| \turn | 3.1.1 Articulations and ornamentations |
| \turn | B.13.2 Ornament scripts |
| \tweak | 35.5 \set versus \override |
| \tweak | 35.6 \tweak and \single |
| \tweak | B.21 Available music functions |
| \tweak, relation to \override | 35.5 \set versus \override |
| tweaking | 35.6 \tweak and \single |
| tweaking control point | 35.6 \tweak and \single |
| tweaking grace note | 2.6.1 Grace notes |
| tweaking grace note | 2.6.1 Grace notes |
| two-column text | 8.1.6 Separate text |
| two-sided | 26.5.2 \paper variables for two-sided mode |
| two-sided | B.23 Paper variables |
| \type | 33.6 Defining new contexts |
| \type | 33.6 Defining new contexts |
| typeface | B.20 Technical glossary |
| typesetting text | 8.2.1 Text markup introduction |
| typesetting, skip | 23.2 Skipping corrected music |
| \typewriter | A.1.1 Font markup |
|
| U |
| U.C. | 10.2.1 Piano pedals |
| ukulele | 12.1.5 Fret diagram markups |
| ultima volta | 4.1.3 Alternative endings |
| una corda | 10.2.1 Piano pedals |
| \unaCorda | 10.2.1 Piano pedals |
| \underline | 8.2.2 Selecting font and font size |
| \underline | A.1.1 Font markup |
| underlining text | A.1.1 Font markup |
| underlying repeat bar line | 2.5.2 Automatic bar lines |
| \undertie | A.1.1 Font markup |
| \undo | 35.7 The \offset command |
| \undo | B.21 Available music functions |
| \unfolded | 4.1.4 Other variation in repeated sections |
| \unfolded | B.21 Available music functions |
| unfolding repeat | 4.1.1 Written-out repeats |
| \unfoldRepeats | 4.1.4 Other variation in repeated sections |
| \unfoldRepeats | 24.6 Using repeats with MIDI |
| \unfoldRepeats | B.21 Available music functions |
| \unHideNotes | 7.1.4 Hidden notes |
| Unicode | 22.4.2 Unicode |
| units, of measuring | 36.2 Distances and measurements |
| universal-color | 7.1.5 Coloring objects |
| universal-color | B.7 List of colors |
| \unless | 21.2.3 Custom layout for headers and footers |
| \unless | A.1.5 Conditional markup |
| unmetered music | 2.3.4 Unmetered music |
| unmetered music | 2.6.3 Time administration |
| unmetered music, accidentals | 2.3.4 Unmetered music |
| unmetered music, bar lines | 2.3.4 Unmetered music |
| unmetered music, bar numbers | 2.3.4 Unmetered music |
| unmetered music, beams | 2.3.4 Unmetered music |
| unmetered music, line breaks | 2.3.4 Unmetered music |
| unmetered music, page breaks | 2.3.4 Unmetered music |
| \unset | 35.2 \set and \unset |
| unspecified pitch | 1.1.4 Approximate pitches |
| up direction (^) | 36.1.1 Articulation direction indicators |
| upbeat | 2.3.3 Upbeats |
| upbeat, in a repeat | 4.1.2 Simple repeats |
| \upbow | 3.1.1 Articulations and ornamentations |
| \upbow | 11.1.2 Bowing indications |
| \upbow | B.13.4 Instrument-specific scripts |
| \upmordent | 3.1.1 Articulations and ornamentations |
| \upmordent | B.13.2 Ornament scripts |
| \upprall | 3.1.1 Articulations and ornamentations |
| \upprall | B.13.2 Ornament scripts |
| \upright | A.1.1 Font markup |
| URL link, as QR code | A.1.8 Other markup commands |
| UTF-8 | 22.4.1 Text encoding |
|
| V |
| varbaritone clef | 1.3.1 Clef |
| varC clef | B.11.1 Standard clefs |
| \varcoda | 3.1.1 Articulations and ornamentations |
| \varcoda | A.1.4 Markup for music and musical symbols |
| \varcoda | B.13.5 Repeat sign scripts |
| \varheel | 3.1.1 Articulations and ornamentations |
| \varheel | 10.3.1 Organ pedal marks |
| \varheel | B.13.4 Instrument-specific scripts |
| variable | 20.5 File structure |
| variable, and \book | 20.2 Multiple scores in a book |
| variable, and \bookpart | 20.2 Multiple scores in a book |
| variable, using | 22.2.1 Using variables |
| variant ‘coda’ sign | 3.1.1 Articulations and ornamentations |
| variant ‘coda’ sign | 4.1.7 Segno repeat appearance |
| variant ‘coda’ sign | B.13.5 Repeat sign scripts |
| Variation Font format (VF) | 8.3.1 Unsupported font formats |
| \vartoe | 3.1.1 Articulations and ornamentations |
| \vartoe | 10.3.1 Organ pedal marks |
| \vartoe | B.13.4 Instrument-specific scripts |
| Vaticana, Editio | 17 Ancient notation |
| Vaticana, Editio | 17.1 Overview of the supported styles |
| VaticanaLyrics | 17.4.1 Gregorian chant contexts |
| VaticanaLyrics | 33.1.5 Bottom-level contexts – voices |
| VaticanaScore | 17.4.1 Gregorian chant contexts |
| VaticanaScore | 33.1.3 Top-level contexts – staff containers |
| VaticanaStaff | 6.1.1 Instantiating new staves |
| VaticanaStaff | 17.4.1 Gregorian chant contexts |
| VaticanaStaff | 33.1.4 Intermediate-level contexts – staves |
| VaticanaVoice | 17.4.1 Gregorian chant contexts |
| VaticanaVoice | 33.1.5 Bottom-level contexts – voices |
| \vcenter | A.1.2 Markup for text alignment |
| \verbatim-file | A.1.8 Other markup commands |
| \version | 20.5 File structure |
| \versus | 17.4.7 Gregorian square neume ligatures |
| \versus | B.21 Available music functions |
| vertical alignment, dynamics | 3.1.2 Dynamics |
| vertical alignment, dynamics, breaking | 3.1.2 Dynamics |
| vertical alignment, text | 8.2.3 Text alignment |
| vertical alignment, text scripts | 3.1.2 Dynamics |
| vertical direction, default, of grobs | 36.1.1 Articulation direction indicators |
| vertical direction, forced, of grobs | 36.1.1 Articulation direction indicators |
| vertical distance, figured bass elements | 15.3.3 Displaying figured bass |
| vertical line, between staves | 7.2.3 Grid lines |
| vertical movement, in markup | 8.2.3 Text alignment |
| vertical movement, in markup | 8.2.3 Text alignment |
| vertical ordering, of scripts | 3.1.1 Articulations and ornamentations |
| vertical positioning, of dynamics | 3.1.2 Dynamics |
| vertical slur | 3.3.2 Arpeggio |
| vertical spacing | 29 Vertical spacing |
| vertical spacing | 30.5 Line width |
| vertical spacing, debugging | 31.1 Displaying spacing |
| VerticalAxisGroup | 29.1.1 Within-system spacing properties |
| vertically centering text | A.1.2 Markup for text alignment |
| \verylongfermata | 3.1.1 Articulations and ornamentations |
| \verylongfermata | B.13.3 Fermata scripts |
| \veryshortfermata | 3.1.1 Articulations and ornamentations |
| \veryshortfermata | B.13.3 Fermata scripts |
| vibraslap | B.15 Percussion notes |
| violin clef | 1.3.1 Clef |
| violin clef | B.11.1 Standard clefs |
| \virga | 17.4.7 Gregorian square neume ligatures |
| \virga | 17.4.7 Gregorian square neume ligatures |
| \virgula | 17.4.4 Divisiones |
| visibility of object | 36.7 Visibility of objects |
| visibility of transposed clef | 36.7.5 Special considerations |
| visibility of tuplet brackets | 2.1.2 Tuplets |
| visibility of tuplets | 2.1.2 Tuplets |
| vocal score | 9.6 Opera and stage musicals |
| vocal score, adding cues | 9.6.3 Musical cues |
| voice | 1.3.5 Automatic accidentals |
| Voice | 5.2.1 Single-staff polyphony |
| voice | 5.2.1 Single-staff polyphony |
| Voice | 33.1.5 Bottom-level contexts – voices |
| voice style | 5.2.2 Voice styles |
| voice, additional, in polyphonic music | 5.2.3 Collision resolution |
| voice, ambitus | 1.3.7 Ambitus |
| voice, divided | 9.5.2 Score layouts for choral |
| voice, extra, for handling breaks | 28.1 Line breaking |
| voice, following | 10.1.4 Staff-change lines |
| voice, multiple | 5.2.3 Collision resolution |
| voice, \partCombine with \autoBeamOff | 2.4.1 Automatic beams |
| voice, quoting | 6.3.2 Quoting other voices |
| voice, quoting | 6.3.3 Formatting cue notes |
| voice, shifting | 5.2.3 Collision resolution |
| voice, with ottavation | 1.3.3 Ottava brackets |
| \voiceFour | 5.2.1 Single-staff polyphony |
| \voiceFourStyle | 5.2.2 Voice styles |
| \voiceNeutralStyle | 5.2.2 Voice styles |
| \voiceOne | 5.2.1 Single-staff polyphony |
| \voiceOneStyle | 5.2.2 Voice styles |
| \voices | 5.2.1 Single-staff polyphony |
| \voices | B.21 Available music functions |
| \voiceThree | 5.2.1 Single-staff polyphony |
| \voiceThreeStyle | 5.2.2 Voice styles |
| \voiceTwo | 5.2.1 Single-staff polyphony |
| \voiceTwoStyle | 5.2.2 Voice styles |
| \void | 25.1 Displaying LilyPond notation |
| \void | B.21 Available music functions |
| \volta | 4.1.3 Alternative endings |
| \volta | 4.1.4 Other variation in repeated sections |
| volta | 4.1.2 Simple repeats |
| volta | 4.1.3 Alternative endings |
| \volta | B.21 Available music functions |
| volta bracket | 4.1.8 Manual repeat marks |
| volta bracket, and tie | 2.1.4 Ties |
| volta bracket, in additional staves | 4.1.7 Segno repeat appearance |
| volta bracket, shortened | 4.1.7 Segno repeat appearance |
| volta bracket, with text | 4.1.8 Manual repeat marks |
| volta repeat, and time signatures | 2.3.1 Time signature |
| volta repeat, bar line at start of piece | 4.1.2 Simple repeats |
| volta repeat, below chords | 15.2.2 Customizing chord names |
| Volta_engraver | 4.1.7 Segno repeat appearance |
| \volta-number | A.1.1 Font markup |
| volta, double repeat style | 2.5.2 Automatic bar lines |
| volta, prima | 4.1.3 Alternative endings |
| volta, seconda | 4.1.3 Alternative endings |
| volta, ultima | 4.1.3 Alternative endings |
| vowel transition | 9.1.9 Gradual changes of vowel |
| \vowelTransition | 9.1.9 Gradual changes of vowel |
| \vshape | 36.11.1 Modifying ties and slurs |
| \vshape | B.21 Available music functions |
| \vspace | 8.2.3 Text alignment |
| \vspace | A.1.2 Markup for text alignment |
|
| W |
| Walker shape note head | 1.4.3 Shape note heads |
| \walkerHeads | 1.4.3 Shape note heads |
| \walkerHeadsMinor | 1.4.3 Shape note heads |
| whistle | B.15 Percussion notes |
| white mensural ligature | 17.3.10 White mensural ligatures |
| whiteout | 2.1.4 Ties |
| \whiteout | A.1.8 Other markup commands |
| whiteout | 36.7.3 Painting objects white |
| whitespace | 20.5 File structure |
| \whiteTriangleMarkup | 15.2.2 Customizing chord names |
| whole rest, for a full measure | 2.2.3 Full measure rests |
| wind instrument | 14.1.1 References for wind instruments |
| wind instrument, fingering symbols | 14.1.2 Fingerings |
| \with | 33.4 Modifying context plug-ins |
| \with | 33.5.2 Changing just one specific context |
| \with-color | 7.1.5 Coloring objects |
| \with-color | A.1.8 Other markup commands |
| \with-dimension | A.1.8 Other markup commands |
| \with-dimension-from | A.1.8 Other markup commands |
| \with-dimensions | A.1.8 Other markup commands |
| \with-dimensions-from | A.1.8 Other markup commands |
| \with-link | A.1.8 Other markup commands |
| \with-outline | A.1.8 Other markup commands |
| \with-string-transformer | A.1.1 Font markup |
| \with-true-dimension | A.1.8 Other markup commands |
| \with-true-dimensions | A.1.8 Other markup commands |
| \with-url | A.1.3 Graphical markup |
| \withMusicProperty | B.21 Available music functions |
| \withRelativeDir | B.21 Available music functions |
| woodblock | B.15 Percussion notes |
| woodwind diagram, key lists | 14.3.1 Woodwind diagrams |
| woodwind diagram, list | 14.3.1 Woodwind diagrams |
| woodwind diagram, modifying | 14.3.1 Woodwind diagrams |
| \woodwind-diagram | A.1.6 Instrument-specific markup |
| word-wrapping text | 8.2.3 Text alignment |
| \wordwrap | 8.2.3 Text alignment |
| \wordwrap | A.1.2 Markup for text alignment |
| \wordwrap-field | A.1.2 Markup for text alignment |
| \wordwrap-lines | 8.2.1 Text markup introduction |
| \wordwrap-lines | A.2 Text markup list commands |
| \wordwrap-string | A.1.2 Markup for text alignment |
| writing music in parallel | 5.2.6 Writing music in parallel |
| written-out repeat | 4.1.1 Written-out repeats |
|
| X |
| X-offset | 29.1.1 Within-system spacing properties |
| X11 color | 7.1.5 Coloring objects |
| X11 color | 7.1.5 Coloring objects |
| x11-color | 7.1.5 Coloring objects |
| x11-color | 7.1.5 Coloring objects |
| x11-color | B.7 List of colors |
| \xNote | 1.4.1 Special note heads |
| \xNote | B.21 Available music functions |
| \xNotesOff | 1.4.1 Special note heads |
| \xNotesOn | 1.4.1 Special note heads |
|